{"id":12144,"date":"2014-05-19T11:10:32","date_gmt":"2014-05-19T09:10:32","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=12144"},"modified":"2016-11-13T21:28:11","modified_gmt":"2016-11-13T20:28:11","slug":"esperanza-spalding-la-nueva-esperanza-en-el-jazz-y-mas-alla-por-arturo-mora-2","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/esperanza-spalding-la-nueva-esperanza-en-el-jazz-y-mas-alla-por-arturo-mora-2\/","title":{"rendered":"Tomajazz recupera… Esperanza Spalding: la nueva esperanza en el jazz y m\u00e1s all\u00e1, por Arturo Mora"},"content":{"rendered":"
\"Esperanza
Esperanza Spalding y Arturo Mora.
Foto: Sergio Cabanillas.<\/figcaption><\/figure>\n

Para m\u00ed la idea de una actuaci\u00f3n en directo consiste en encontrar la gama m\u00e1s amplia de sonido, color, textura, tensi\u00f3n y densidad y, por supuesto, utilizar otros instrumentos arm\u00f3nicos ayuda.<\/p><\/blockquote>\n

Leer:\u00a0Esperanza Spalding: la nueva esperanza en el jazz y m\u00e1s all\u00e1, por Arturo Mora<\/strong><\/a>. Publicada originalmente en diciembre de 2008<\/p>\n","protected":false},"excerpt":{"rendered":"

Para m\u00ed la idea de una actuaci\u00f3n en directo consiste en encontrar la gama m\u00e1s amplia de sonido, color, textura, tensi\u00f3n y densidad y, por supuesto, utilizar otros instrumentos arm\u00f3nicos ayuda. Leer:\u00a0Esperanza Spalding: la nueva esperanza en el jazz y m\u00e1s all\u00e1, por Arturo Mora. Publicada originalmente en diciembre deContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":9081,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17861,17850,78,15537,9,15517,1038,6669],"tags":[260,221,187,16099,16100],"class_list":["entry","author-pachi","post-12144","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arturo-mora-rioja","category-sergio-cabanillas","category-afondo","category-entrevistas","category-perfiles","category-textos","category-contenidos","category-tomajazz-recupera","tag-arturo-mora-rioja","tag-esperanza-spalding","tag-sergio-cabanillas","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/espe_art_eng.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":12145,"url":"https:\/\/tomajazz.com\/web\/esperanza-spalding-heading-up-in-jazz-and-beyond-by-arturo-mora-rioja-2\/","url_meta":{"origin":12144,"position":0},"title":"Tomajazz recupera… Esperanza Spalding: Heading up in jazz and beyond, by Arturo Mora Rioja","author":"Tomajazz","date":"19 mayo, 2014","format":false,"excerpt":"Yeah, now in the band there\u2019s also a guitar. To me the idea of a live show is to get the widest range of sound, color, texture, tension and density, and of course using another harmonic instrument helps. Leer m\u00e1s: Esperanza Spalding: Heading up in jazz and beyond, by Arturo\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Esperanza Spalding \u00a9 Sergio Cabanillas","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/esperanza_spalding_1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":9075,"url":"https:\/\/tomajazz.com\/web\/esperanza-spalding-la-nueva-esperanza-en-el-jazz-y-mas-alla-por-arturo-mora\/","url_meta":{"origin":12144,"position":1},"title":"Esperanza Spalding: la nueva esperanza en el jazz y m\u00e1s all\u00e1, por Arturo Mora","author":"Sergio Cabanillas","date":"2 diciembre, 2008","format":false,"excerpt":"Esperanza Spalding acaba de publicar Esperanza, su primer disco para Heads Up International, que present\u00f3 en directo en Madrid el pasado mes de septiembre. Unas horas antes del concierto Arturo Mora tuvo la oportunidad de entrevistarla en su hotel en una conversaci\u00f3n relajada, suelta y divertida. ARTURO MORA: Acabas de\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Esperanza Spalding y Arturo Mora. Foto: Sergio Cabanillas.","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/espe_art.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":9079,"url":"https:\/\/tomajazz.com\/web\/esperanza-spalding-heading-up-in-jazz-and-beyond-by-arturo-mora-rioja\/","url_meta":{"origin":12144,"position":2},"title":"Esperanza Spalding: Heading up in jazz and beyond, by Arturo Mora Rioja","author":"Sergio Cabanillas","date":"2 diciembre, 2008","format":false,"excerpt":"Esperanza Spalding has just released Esperanza, her first record for Heads Up International, which she presented live in Madrid last September. A few hours before the show Arturo Mora had the chance to interview Esperanza at her hotel in a loose, relaxed, fun conversation. ARTURO MORA: You\u2019ve just published Esperanza,\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Esperanza Spalding and Arturo Mora. Photo: Sergio Cabanillas.","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/espe_art_eng.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":700,"url":"https:\/\/tomajazz.com\/web\/esperanza-spalding-chamber-music-society-bennet-studios-englewood-nueva-jersey-estados-unidos-del-8-al-10-de-octubre-de-2009-y-del-14-al-19-de-enero-de-2010\/","url_meta":{"origin":12144,"position":3},"title":"Esperanza Spalding – Chamber Music Society (Bennet Studios (Englewood, Nueva Jersey, Estados Unidos) del 8 al 10 de octubre de 2009 y del 14 al 19 de enero de 2010)","author":"Autor1","date":"6 mayo, 2011","format":false,"excerpt":"Esperanza Spalding confirma los excelentes augurios que la rodeaban a\u00f1os antes. En Chamber Music Society incluye una peque\u00f1a secci\u00f3n de cuerdas y, lejos de obtener un resultado meloso y edulcorado, crea una obra profunda y serena; mel\u00f3dica y sensible como pocas, pero repleta de fuerza y sinceridad. El argentino Leo\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/Esperanza-Spalding.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":9236,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-hiromi-mas-alla-de-la-energia-por-arturo-mora-rioja\/","url_meta":{"origin":12144,"position":4},"title":"Tomajazz recupera… Hiromi: m\u00e1s all\u00e1 de la energ\u00eda, Por Arturo Mora Rioja","author":"Tomajazz","date":"14 noviembre, 2013","format":false,"excerpt":"ARTURO MORA: Para empezar, \u00bfqu\u00e9 te gustar\u00eda contarnos sobre tu nuevo disco\u00a0Beyond Standard? HIROMI: No lo s\u00e9\u00a0(risas). Es una pregunta muy abierta. Quer\u00eda hacer un disco de canciones que no fueran m\u00edas, eleg\u00ed los temas que he estado tocando durante m\u00e1s de diez a\u00f1os y he intentado que suenen como\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"\u00a9 2008 Sergio Cabanillas","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/hiromi.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":104190,"url":"https:\/\/tomajazz.com\/web\/universos-paralelos-t31-p19-2025-26\/","url_meta":{"origin":12144,"position":5},"title":"Universos Paralelos: emisi\u00f3n 26 de febrero de 2026 (UP.T.31 P.19) [Noticias de jazz]","author":"Tomajazz","date":"26 febrero, 2026","format":false,"excerpt":"Ramiro Zayas protagoniza la portada de Universos Paralelos del 26 de febrero. Sergio Cabanillas adem\u00e1s selecciona m\u00fasicas de Arturo Valero, Albert Cirera & Tres Tambors, Dustin Carlson, Taborn \/ Cline \/ Gilmore #Noticiasdejazz","rel":"","context":"En \u00abUniversos Paralelos - UP\u00bb","block_context":{"text":"Universos Paralelos - UP","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/noticias-2\/universos-paralelos-up\/"},"img":{"alt_text":"Universos Paralelos: emisi\u00f3n 26 de febrero de 2026 (UP.T.31 P.19) [Noticias de jazz] - Tomajazz - Ramiro Zayas protagoniza la portada de Universos Paralelos del 26 de febrero. Sergio Cabanillas adem\u00e1s selecciona m\u00fasicas de Arturo Valero, Albert Cirera & Tres Tambors, Dustin Carlson, Taborn \/ Cline \/ Gilmore #Noticiasdejazz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/02\/destacada-Ramiro-Zayas-Familia-1080.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/02\/destacada-Ramiro-Zayas-Familia-1080.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/02\/destacada-Ramiro-Zayas-Familia-1080.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/02\/destacada-Ramiro-Zayas-Familia-1080.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/12144","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=12144"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/12144\/revisions"}],"predecessor-version":[{"id":12176,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/12144\/revisions\/12176"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/9081"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=12144"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=12144"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=12144"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}