{"id":12294,"date":"2014-05-23T11:10:38","date_gmt":"2014-05-23T09:10:38","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=12294"},"modified":"2016-11-13T17:14:20","modified_gmt":"2016-11-13T16:14:20","slug":"steve-dalachinsky-joelle-leandre-the-bill-has-been-paid-dark-tree-2013","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/steve-dalachinsky-joelle-leandre-the-bill-has-been-paid-dark-tree-2013\/","title":{"rendered":"Steve Dalachinsky \/ Jo\u00eblle L\u00e9andre: <em>The Bill Has Been Paid<\/em> (Dark Tree, 2013)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-12295\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Steve-Dalachinsky-Joelle-Leandre_The-Bill-Has-Been-Paid-200x200.jpg\" alt=\"Steve Dalachinsky - Joelle Leandre_The Bill Has Been Paid\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Steve-Dalachinsky-Joelle-Leandre_The-Bill-Has-Been-Paid-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Steve-Dalachinsky-Joelle-Leandre_The-Bill-Has-Been-Paid-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Steve-Dalachinsky-Joelle-Leandre_The-Bill-Has-Been-Paid-54x55.jpg 54w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Steve-Dalachinsky-Joelle-Leandre_The-Bill-Has-Been-Paid.jpg 300w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Steve Dalachinsky (voz y textos) y Jo\u00eblle L\u00e9andre (contrabajo y voz) mano a mano en <em>The Bill Has Been Paid<\/em>. La contrabajista hace uso del enorme arsenal de recursos que atesora para acompa\u00f1ar a la voz y a los textos de Dalachinsky. Su instrumento es un guante que se adapta al tono de los tres largos poemas: \u00abVocalise\u00bb para Jeanne Lee, \u00abSon Of The Sun (After Magic)\u00bb, \u00abSweet &amp; Low (Word Of Light And Love \/ The Bill Has Been Paid\u00bb. Con \u00e9l mantiene la tensi\u00f3n de las creaciones y la voz de Steve Dalachinsky, adaptando la din\u00e1mica de su m\u00fasica al desarrollo de estas piezas; a la vez rellena los espacios que van surgiendo en el discurrir de estos tres largos temas. Para ello emplea tanto el arco como el pizzicato (el cambio entre t\u00e9cnicas en cada uno de esos temas sirve para dar inicio a distintas fases dentro de cada uno de ellos), y en mucho menor medida el cuerpo de su contrabajo como elemento percusivo. Tambi\u00e9n emplea la voz, pero en este caso es en el primero de los tres breves interludios que sirven para unir los tres poemas y para cerrar la grabaci\u00f3n. All\u00ed declama, en un lenguaje imaginario y con una voz m\u00e1s gutural que lo acostumbrado, un poema con el que emula a su compa\u00f1ero.<\/p>\n<p style=\"text-align: right;\">\u00a9 Pachi Tapiz, 2014<\/p>\n<p style=\"text-align: left;\">Steve Dalachinsky \/ Jo\u00eblle L\u00e9andre: <em>The Bill Has Been Paid<\/em> (Dark Tree, 2013)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Steve Dalachinsky (voz y textos) y Jo\u00eblle L\u00e9andre (contrabajo y voz) mano a mano en The Bill Has Been Paid. La contrabajista hace uso del enorme arsenal de recursos que atesora para acompa\u00f1ar a la voz y a los textos de Dalachinsky. Su instrumento es un guante que se adapta<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/steve-dalachinsky-joelle-leandre-the-bill-has-been-paid-dark-tree-2013\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":12295,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,1038],"tags":[12651,9137,12696,13,12415,15295,9317,5363,31,9318,16099,77,16100],"class_list":["entry","author-pachi","post-12294","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-cd","tag-dark-tree","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jeanne-lee","tag-joelle-leandre","tag-pachi-tapiz","tag-steve-dalachinsky","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Steve-Dalachinsky-Joelle-Leandre_The-Bill-Has-Been-Paid.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2277,"url":"https:\/\/tomajazz.com\/web\/13-miniatures-for-albert-ayler-rogue-art-2012\/","url_meta":{"origin":12294,"position":0},"title":"Varios autores: 13 Miniatures for Albert Ayler (Rogue Art, 2012)","author":"Tomajazz","date":"19 julio, 2012","format":false,"excerpt":"13 Miniatures for Albert Ayler es la grabaci\u00f3n del homenaje en esp\u00edritu a Albert Ayler que tuvo lugar en la parisina Fondation Cartier en diciembre de 2011. En el CD no aparece ninguno de sus himnos. Salvo los textos declamados por Jacqueline Caux y Steve Dalachinsky, el resto fueron improvisaciones\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"13 miniatures for albert ayler","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/07\/13-miniatures-for-albert-ayler.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":13174,"url":"https:\/\/tomajazz.com\/web\/joelle-leandre-cosecha-de-2014-pascal-contet-joelle-leandre-3-ayler-records-2014-theo-ceccaldi-trio-joelle-leandre-can-you-smile-ayler-records-2014-joelle-leandre-nicole-mitchell\/","url_meta":{"origin":12294,"position":1},"title":"Jo\u00eblle L\u00e9andre: cosecha de 2014. Pascal Contet, Jo\u00eblle L\u00e9andre: 3 (Ayler Records, 2014) \/ Th\u00e9o Ceccaldi Trio + Jo\u00eblle L\u00e9andre: Can You Smile? (Ayler Records, 2014) \/ Jo\u00eblle L\u00e9andre &#8211; Nicole Mitchell: Sisters Where (RogueArt, 2014) \/ Thomas Buckner, Jo\u00eblle L\u00e9andre, Nicole Mitchell: Flowing Stream (Leo Records, 2014)","author":"Tomajazz","date":"24 julio, 2014","format":false,"excerpt":"La contrabajista francesa Jo\u00eblle L\u00e9andre sigue en plena forma. A\u00f1o tras a\u00f1o sigue incrementando las referencias que integran su discograf\u00eda sin defraudar a quienes en alg\u00fan momento hayan decidido meterse en su universo creativo, ya que contin\u00faa siendo igualmente atractivo. Resulta llamativo que aunque en estas referencias sus compa\u00f1eros van\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/07\/Buckner-Leandre-Mitchell-Flowing-Stream.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":101744,"url":"https:\/\/tomajazz.com\/web\/thomas-morgan-around-you-is-a-forest-2025\/","url_meta":{"origin":12294,"position":2},"title":"Thomas Morgan: Around You Is A Forest (Loveland Music; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"13 noviembre, 2025","format":false,"excerpt":"Around You Is A Forest (Loveland Music; 2025) es el estreno como l\u00edder de Thomas Morgan, que adem\u00e1s del contrabajo emplea WOODS. Pachi Tapiz repasa la grabaci\u00f3n. Con Thomas Morgan, Dan Weiss, Craig Taborn, Gerald Cleaver, Henry Threadgill, Ambrose Akinmusire, Bill Frisell, Immanuel Wilkins, Gary Snyder","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Thomas Morgan: Around You Is A Forest (Loveland Music; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Around You Is A Forest (Loveland Music; 2025) es el estreno como l\u00edder de Thomas Morgan, que adem\u00e1s del contrabajo emplea WOODS. Pachi Tapiz repasa la grabaci\u00f3n. Con Thomas Morgan, Dan Weiss, Craig Taborn, Gerald Cleaver, Henry Threadgill, Ambrose Akinmusire, Bill Frisell, Immanuel Wilkins, Gary Snyder","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Thomas-Morgan-Around-You-Is-A-Forest-Loveland-Music-2025-.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Thomas-Morgan-Around-You-Is-A-Forest-Loveland-Music-2025-.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Thomas-Morgan-Around-You-Is-A-Forest-Loveland-Music-2025-.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Thomas-Morgan-Around-You-Is-A-Forest-Loveland-Music-2025-.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":24162,"url":"https:\/\/tomajazz.com\/web\/hdo-112-joelle-leandre-his-voice-and-his-music-podcast-english\/","url_meta":{"origin":12294,"position":3},"title":"HDO 112. 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Forteresse de Salses. 2010-10-16. \u00a9 Joan Cort\u00e8s, 2016","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Jll-Lndr-%C2%A9Joan-Cort%C3%A8s_16oct10_Frtrss-d-Slss.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2782,"url":"https:\/\/tomajazz.com\/web\/joelle-leandre-india-cooke-journey-2010\/","url_meta":{"origin":12294,"position":4},"title":"Jo\u00eblle L\u00e9andre &#8211; India Cooke: Journey (NoBusiness Records, 2010)","author":"Tomajazz","date":"13 octubre, 2010","format":false,"excerpt":"La francesa Jo\u00eblle L\u00e9andre es uno de los m\u00fasicos (masculinos o femeninos, qu\u00e9 m\u00e1s da), m\u00e1s importante en lo relativo a la libre improvisaci\u00f3n y a la nueva m\u00fasica no s\u00f3lo en Europa, sino en todo el mundo. Su relaci\u00f3n con la violinista India Cooke viene de lejos. Tanto que\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"leandre_cooke-journey","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2010\/10\/leandre_cooke-journey.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":19689,"url":"https:\/\/tomajazz.com\/web\/especial-joelle-leandre-hdo-0010-audioblog\/","url_meta":{"origin":12294,"position":5},"title":"Especial Jo\u00eblle L\u00e9andre. HDO (0010) [Audioblog]","author":"Tomajazz","date":"16 septiembre, 2015","format":"image","excerpt":"La francesa Jo\u00eblle L\u00e9andre es una gigante del contrabajo, una primer\u00edsima figura de la escena de la libre improvisaci\u00f3n. Su actividad es la de \"a busy musician\" (en sus propias palabras), tanto en forma de actuaciones como de grabaciones. En este apartado, en los pr\u00f3ximos meses ver\u00e1 la publicaci\u00f3n de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150915_002-e1442353376998.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150915_002-e1442353376998.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150915_002-e1442353376998.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150915_002-e1442353376998.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150915_002-e1442353376998.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/12294","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=12294"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/12294\/revisions"}],"predecessor-version":[{"id":12298,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/12294\/revisions\/12298"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/12295"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=12294"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=12294"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=12294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}