{"id":12464,"date":"2014-06-02T11:05:42","date_gmt":"2014-06-02T09:05:42","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=12464"},"modified":"2016-11-13T23:37:10","modified_gmt":"2016-11-13T22:37:10","slug":"tomajazz-recupera-kurt-elling-portrait-of-the-artist-as-a-jazz-man-by-arturo-mora-and-pablo-sanz","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-kurt-elling-portrait-of-the-artist-as-a-jazz-man-by-arturo-mora-and-pablo-sanz\/","title":{"rendered":"Tomajazz recupera&#8230; Kurt Elling: portrait of the artist as a jazz man, by Arturo Mora and Pablo Sanz"},"content":{"rendered":"<figure id=\"attachment_12228\" aria-describedby=\"caption-attachment-12228\" style=\"width: 200px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12228\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_3-200x133.jpg\" alt=\"Kurt Elling \u00a9 Sergio Cabanillas, 2007\" width=\"200\" height=\"133\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_3-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_3-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_3-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_3-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_3-120x80.jpg 120w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_3.jpg 300w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><figcaption id=\"caption-attachment-12228\" class=\"wp-caption-text\">Kurt Elling<br \/>\u00a9 Sergio Cabanillas, 2007<\/figcaption><\/figure>\n<p align=\"left\">PABLO SANZ: Cassandra Wilson told me once that instead of choosing songs, songs chose her. Which is your working method, how and why do you choose the songs?<\/p>\n<p align=\"left\">KURT ELLING: Every record comes after another period of time, of touring with the band, so let\u2019s say that there\u2019s two years between a record. Over two years you\u2019re playing the record you\u2019ve just put out and you say: \u201chey, I\u2019ve got these three other ideas for a record\u201d. Or you sit down and you have an idea for a song. So over two years there are too small intuitive decisions. You follow your ideas, you follow what\u2019s pressing you here, and over one year or two years you\u2019ve made many decisions: this doesn\u2019t work, or you need to change this, or this makes the audience really happy in this way. So any idea that I have, and as much as I can put it down on paper we can start to play it right away and find out if it fits or not. So a record, in its best way, is the culmination of many small decisions. It\u2019s one big decision that comes of many small, small decisions.<\/p>\n<p align=\"left\">Leer:\u00a0<a title=\"Kurt Elling: portrait of the artist as a jazz man, by Arturo Mora and Pablo Sanz\" href=\"http:\/\/www.tomajazz.com\/web\/?p=12233\" target=\"_blank\"><strong>Kurt Elling: portrait of the artist as a jazz man, by Arturo Mora and Pablo Sanz<\/strong><\/a>. Publicado originalmente en septiembre de 2007.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PABLO SANZ: Cassandra Wilson told me once that instead of choosing songs, songs chose her. Which is your working method, how and why do you choose the songs? KURT ELLING: Every record comes after another period of time, of touring with the band, so let\u2019s say that there\u2019s two years<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recupera-kurt-elling-portrait-of-the-artist-as-a-jazz-man-by-arturo-mora-and-pablo-sanz\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":12228,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17861,17863,17865,17850,78,15537,9,15517,1038,6669],"tags":[9432,260,1487,43,9428,5017,1566,1590,9431,465,1263,9423,732,1887,982,271,9425,9424,9433,7196,9426,9429,9427,187,9430,16099,16100,2337,7818],"class_list":["entry","author-pachi","post-12464","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arturo-mora-rioja","category-fernando-ortiz-de-urbina","category-pablo-sanz","category-sergio-cabanillas","category-afondo","category-entrevistas","category-perfiles","category-textos","category-contenidos","category-tomajazz-recupera","tag-annie-ross","tag-arturo-mora-rioja","tag-blue-note","tag-brad-mehldau","tag-brad-mehldau-trio","tag-cassandra-wilson","tag-christian-mcbride","tag-concord","tag-eddie-jefferson","tag-fernando-ortiz-de-urbina","tag-fred-hersch","tag-jamie-cullum","tag-jon-hendricks","tag-joshua-redman","tag-keith-jarrett","tag-kurt-elling","tag-laurence-hobgood","tag-michael-buble","tag-nancy-wilson","tag-pablo-sanz","tag-rob-amster","tag-robert-amster","tag-san-francisco-jazz-collective","tag-sergio-cabanillas","tag-theodore-ruthke","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-wayne-shorter","tag-willie-jones-iii"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_3.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":12466,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-kurt-elling-retrato-del-artista-de-jazz-por-arturo-mora-y-pablo-sanz\/","url_meta":{"origin":12464,"position":0},"title":"Tomajazz recupera&#8230; Kurt Elling: retrato del artista de jazz, por Arturo Mora y Pablo Sanz","author":"Tomajazz","date":"2 junio, 2014","format":false,"excerpt":"PABLO SANZ: Cassandra Wilson me dijo una vez que en vez de escoger canciones, las canciones la escog\u00edan a ella. \u00bfCu\u00e1l es tu m\u00e9todo de trabajo, c\u00f3mo y por qu\u00e9 escoges las canciones? KURT ELLING: Cada disco sale tras un per\u00edodo de tiempo, estando de gira con el grupo, as\u00ed\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Kurt Elling \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_1-200x133.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12225,"url":"https:\/\/tomajazz.com\/web\/kurt-elling-retrato-del-artista-de-jazz-por-arturo-mora-y-pablo-sanz\/","url_meta":{"origin":12464,"position":1},"title":"Kurt Elling: retrato del artista de jazz, por Arturo Mora y Pablo Sanz","author":"Sergio Cabanillas","date":"21 septiembre, 2007","format":false,"excerpt":"El cantante y compositor Kurt Elling se ha convertido en un icono cultural en Estados Unidos. La aparici\u00f3n de su \u00faltimo disco Nightmoves le ha embarcado en una gira mundial que inclu\u00eda una fecha en Madrid (13 de julio de 2007). Tan s\u00f3lo unas horas antes del concierto Arturo Mora\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Kurt Elling \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12233,"url":"https:\/\/tomajazz.com\/web\/kurt-elling-portrait-of-the-artist-as-a-jazz-man-by-arturo-mora-and-pablo-sanz\/","url_meta":{"origin":12464,"position":2},"title":"Kurt Elling: portrait of the artist as a jazz man, by Arturo Mora and Pablo Sanz","author":"Sergio Cabanillas","date":"21 septiembre, 2007","format":false,"excerpt":"Singer and songwriter Kurt Elling has become a cultural icon in the U.S.A. The release of his latest record Nightmoves has taken him on a world tour which included a date in Madrid (July 13th 2007). Just a few hours before the concert Arturo Mora and Pablo Sanz had the\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Kurt Elling \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":39883,"url":"https:\/\/tomajazz.com\/web\/dinah-washington-y-iii-dizzy-gillespie-i-la-odisea-de-la-musica-afroamericana-169-podcast\/","url_meta":{"origin":12464,"position":3},"title":"Dinah Washington (y III) &#8211; Dizzy Gillespie (I). La Odisea de la M\u00fasica Afroamericana (169) [Podcast]","author":"Tomajazz","date":"19 noviembre, 2018","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. El cap\u00edtulo 169 de\u00a0La Odisea de la\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Dizzy-Gillespie_Groovin-High.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Dizzy-Gillespie_Groovin-High.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Dizzy-Gillespie_Groovin-High.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":73891,"url":"https:\/\/tomajazz.com\/web\/jazz-para-ti-jpt101-t05p18\/","url_meta":{"origin":12464,"position":4},"title":"Jazz Para Ti: #JPT101 T05P18 Por Pachi Tapiz [Podcast de jazz]","author":"Tomajazz","date":"17 mayo, 2023","format":false,"excerpt":"En la edici\u00f3n del 16 de mayo de 2023 de Jazz Para Ti suena m\u00fasica de Lobo & Dirty Martini, Stephane Wrembel, Rez Abbasi and Josh Feinberg\u2019s Naya Baaz, Pata Polaris, Astrocolor, Nacho Botonero 5tet, Symbiosis 5, Brad Mehldau y Kurt Elling & Charlie Hunter. Jazz Para Ti es un\u2026","rel":"","context":"En \u00abJazz Para Ti\u00bb","block_context":{"text":"Jazz Para Ti","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazz_para_ti\/"},"img":{"alt_text":"Jazz Para Ti: #JPT101 T05P18 Por Pachi Tapiz [Podcast de jazz] - Tomajazz 9.0 - \nEn la edici\u00f3n del 16 de mayo de 2023 de Jazz Para Ti suena m\u00fasica de Lobo & Dirty Martiny, Stephane Wrembel, Rez Abbasi and Josh Feinberg\u2019s Naya Baaz, Pata Polaris, Astrocolor, Nacho Botonero 5tet, Symbiosis 5, Brad Mehldau y Kurt Elling & Charlie Hunter. Jazz Para Ti es un programa de radio de Pachi Tapiz que se emite en la RCB.","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/05\/JazzParaTi-101.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/05\/JazzParaTi-101.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/05\/JazzParaTi-101.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/05\/JazzParaTi-101.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":10554,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-tomajazz-entrevista-a-anthony-braxton-iii\/","url_meta":{"origin":12464,"position":5},"title":"Tomajazz recupera&#8230; Tomajazz entrevista a Anthony Braxton (I+II)","author":"Tomajazz","date":"20 febrero, 2014","format":false,"excerpt":"Tras un intenso\u00a0concierto ofrecido el pasado octubre\u00a0en \u201cel Johnny\u201d, Anthony Braxton tuvo la amabilidad de mantener una charla con Fernando Ortiz de Urbina, Diego S\u00e1nchez Cascado y Pachi Tapiz a primera (primer\u00edsima) hora de la ma\u00f1ana siguiente. Leer:\u00a0Tomajazz entrevista a Anthony Braxton (I+II)","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"De derecha a izquierda: Anthony Braxton, Fernando Ortiz de Urbina, Pachi Tapiz, Diego S\u00e1nchez Cascado, Arturo Mora y Lalo Lofoco \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/ENTREVISTA_7608.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/12464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=12464"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/12464\/revisions"}],"predecessor-version":[{"id":12465,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/12464\/revisions\/12465"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/12228"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=12464"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=12464"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=12464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}