{"id":12466,"date":"2014-06-02T11:10:14","date_gmt":"2014-06-02T09:10:14","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=12466"},"modified":"2016-11-13T23:37:09","modified_gmt":"2016-11-13T22:37:09","slug":"tomajazz-recupera-kurt-elling-retrato-del-artista-de-jazz-por-arturo-mora-y-pablo-sanz","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-kurt-elling-retrato-del-artista-de-jazz-por-arturo-mora-y-pablo-sanz\/","title":{"rendered":"Tomajazz recupera&#8230; Kurt Elling: retrato del artista de jazz, por Arturo Mora y Pablo Sanz"},"content":{"rendered":"<figure id=\"attachment_12226\" aria-describedby=\"caption-attachment-12226\" style=\"width: 200px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-12226\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_1-200x133.jpg\" alt=\"Kurt Elling \u00a9 Sergio Cabanillas, 2007\" width=\"200\" height=\"133\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_1-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_1-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_1-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_1-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_1-120x80.jpg 120w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_1.jpg 300w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><figcaption id=\"caption-attachment-12226\" class=\"wp-caption-text\">Kurt Elling<br \/>\u00a9 Sergio Cabanillas, 2007<\/figcaption><\/figure>\n<p align=\"left\">PABLO SANZ: Cassandra Wilson me dijo una vez que en vez de escoger canciones, las canciones la escog\u00edan a ella. \u00bfCu\u00e1l es tu m\u00e9todo de trabajo, c\u00f3mo y por qu\u00e9 escoges las canciones?<\/p>\n<p align=\"left\">KURT ELLING: Cada disco sale tras un per\u00edodo de tiempo, estando de gira con el grupo, as\u00ed que digamos que hay unos dos a\u00f1os entre disco y disco. En dos a\u00f1os tocas el disco que acabas de sacar y dices: \u201ctengo estas tres ideas nuevas para un nuevo disco\u201d. O te sientas y tienes una idea para una canci\u00f3n. As\u00ed que en dos a\u00f1os hay min\u00fasculas decisiones intuitivas. Persigues tus ideas, lo que sea que te est\u00e9 empujando a ese punto, y al cabo de uno o dos a\u00f1os has tomado muchas decisiones: esto no funciona, o tienes que cambiar esto, o esto hace que el p\u00fablico est\u00e9 contento de este modo. As\u00ed que cada idea que tengo, en la medida en que puedo escribirla en un papel, podemos empezar a tocarla y averiguar si encaja o no. As\u00ed que un disco, en el mejor de los casos, es la culminaci\u00f3n de muchas decisiones peque\u00f1as. Es una gran decisi\u00f3n que resulta de muchas decisiones muy peque\u00f1as.<\/p>\n<p align=\"left\">Leer:\u00a0<a title=\"Kurt Elling: retrato del artista de jazz, por Arturo Mora y Pablo Sanz\" href=\"http:\/\/www.tomajazz.com\/web\/?p=12225\" target=\"_blank\"><strong>Kurt Elling: retrato del artista de jazz, por Arturo Mora y Pablo Sanz<\/strong><\/a>. Publicado originalmente en septiembre de 2007.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PABLO SANZ: Cassandra Wilson me dijo una vez que en vez de escoger canciones, las canciones la escog\u00edan a ella. \u00bfCu\u00e1l es tu m\u00e9todo de trabajo, c\u00f3mo y por qu\u00e9 escoges las canciones? KURT ELLING: Cada disco sale tras un per\u00edodo de tiempo, estando de gira con el grupo, as\u00ed<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recupera-kurt-elling-retrato-del-artista-de-jazz-por-arturo-mora-y-pablo-sanz\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":12226,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17861,17863,17865,17850,78,15537,9,15517,1038,6669],"tags":[9432,260,1487,43,9428,5017,1566,1590,9431,465,1263,9423,732,1887,982,271,9425,9424,9433,7196,9426,9429,9427,187,9430,16099,16100,2337,7818],"class_list":["entry","author-pachi","post-12466","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arturo-mora-rioja","category-fernando-ortiz-de-urbina","category-pablo-sanz","category-sergio-cabanillas","category-afondo","category-entrevistas","category-perfiles","category-textos","category-contenidos","category-tomajazz-recupera","tag-annie-ross","tag-arturo-mora-rioja","tag-blue-note","tag-brad-mehldau","tag-brad-mehldau-trio","tag-cassandra-wilson","tag-christian-mcbride","tag-concord","tag-eddie-jefferson","tag-fernando-ortiz-de-urbina","tag-fred-hersch","tag-jamie-cullum","tag-jon-hendricks","tag-joshua-redman","tag-keith-jarrett","tag-kurt-elling","tag-laurence-hobgood","tag-michael-buble","tag-nancy-wilson","tag-pablo-sanz","tag-rob-amster","tag-robert-amster","tag-san-francisco-jazz-collective","tag-sergio-cabanillas","tag-theodore-ruthke","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-wayne-shorter","tag-willie-jones-iii"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_1.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":12464,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-kurt-elling-portrait-of-the-artist-as-a-jazz-man-by-arturo-mora-and-pablo-sanz\/","url_meta":{"origin":12466,"position":0},"title":"Tomajazz recupera&#8230; Kurt Elling: portrait of the artist as a jazz man, by Arturo Mora and Pablo Sanz","author":"Tomajazz","date":"2 junio, 2014","format":false,"excerpt":"PABLO SANZ: Cassandra Wilson told me once that instead of choosing songs, songs chose her. Which is your working method, how and why do you choose the songs? KURT ELLING: Every record comes after another period of time, of touring with the band, so let\u2019s say that there\u2019s two years\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Kurt Elling \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_3-200x133.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12225,"url":"https:\/\/tomajazz.com\/web\/kurt-elling-retrato-del-artista-de-jazz-por-arturo-mora-y-pablo-sanz\/","url_meta":{"origin":12466,"position":1},"title":"Kurt Elling: retrato del artista de jazz, por Arturo Mora y Pablo Sanz","author":"Sergio Cabanillas","date":"21 septiembre, 2007","format":false,"excerpt":"El cantante y compositor Kurt Elling se ha convertido en un icono cultural en Estados Unidos. La aparici\u00f3n de su \u00faltimo disco Nightmoves le ha embarcado en una gira mundial que inclu\u00eda una fecha en Madrid (13 de julio de 2007). Tan s\u00f3lo unas horas antes del concierto Arturo Mora\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Kurt Elling \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12233,"url":"https:\/\/tomajazz.com\/web\/kurt-elling-portrait-of-the-artist-as-a-jazz-man-by-arturo-mora-and-pablo-sanz\/","url_meta":{"origin":12466,"position":2},"title":"Kurt Elling: portrait of the artist as a jazz man, by Arturo Mora and Pablo Sanz","author":"Sergio Cabanillas","date":"21 septiembre, 2007","format":false,"excerpt":"Singer and songwriter Kurt Elling has become a cultural icon in the U.S.A. The release of his latest record Nightmoves has taken him on a world tour which included a date in Madrid (July 13th 2007). Just a few hours before the concert Arturo Mora and Pablo Sanz had the\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Kurt Elling \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/elling_1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":73891,"url":"https:\/\/tomajazz.com\/web\/jazz-para-ti-jpt101-t05p18\/","url_meta":{"origin":12466,"position":3},"title":"Jazz Para Ti: #JPT101 T05P18 Por Pachi Tapiz [Podcast de jazz]","author":"Tomajazz","date":"17 mayo, 2023","format":false,"excerpt":"En la edici\u00f3n del 16 de mayo de 2023 de Jazz Para Ti suena m\u00fasica de Lobo & Dirty Martini, Stephane Wrembel, Rez Abbasi and Josh Feinberg\u2019s Naya Baaz, Pata Polaris, Astrocolor, Nacho Botonero 5tet, Symbiosis 5, Brad Mehldau y Kurt Elling & Charlie Hunter. Jazz Para Ti es un\u2026","rel":"","context":"En \u00abJazz Para Ti\u00bb","block_context":{"text":"Jazz Para Ti","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazz_para_ti\/"},"img":{"alt_text":"Jazz Para Ti: #JPT101 T05P18 Por Pachi Tapiz [Podcast de jazz] - Tomajazz 9.0 - \nEn la edici\u00f3n del 16 de mayo de 2023 de Jazz Para Ti suena m\u00fasica de Lobo & Dirty Martiny, Stephane Wrembel, Rez Abbasi and Josh Feinberg\u2019s Naya Baaz, Pata Polaris, Astrocolor, Nacho Botonero 5tet, Symbiosis 5, Brad Mehldau y Kurt Elling & Charlie Hunter. Jazz Para Ti es un programa de radio de Pachi Tapiz que se emite en la RCB.","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/05\/JazzParaTi-101.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/05\/JazzParaTi-101.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/05\/JazzParaTi-101.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/05\/JazzParaTi-101.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":39883,"url":"https:\/\/tomajazz.com\/web\/dinah-washington-y-iii-dizzy-gillespie-i-la-odisea-de-la-musica-afroamericana-169-podcast\/","url_meta":{"origin":12466,"position":4},"title":"Dinah Washington (y III) &#8211; Dizzy Gillespie (I). La Odisea de la M\u00fasica Afroamericana (169) [Podcast]","author":"Tomajazz","date":"19 noviembre, 2018","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. El cap\u00edtulo 169 de\u00a0La Odisea de la\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Dizzy-Gillespie_Groovin-High.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Dizzy-Gillespie_Groovin-High.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/11\/Dizzy-Gillespie_Groovin-High.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":10554,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-tomajazz-entrevista-a-anthony-braxton-iii\/","url_meta":{"origin":12466,"position":5},"title":"Tomajazz recupera&#8230; Tomajazz entrevista a Anthony Braxton (I+II)","author":"Tomajazz","date":"20 febrero, 2014","format":false,"excerpt":"Tras un intenso\u00a0concierto ofrecido el pasado octubre\u00a0en \u201cel Johnny\u201d, Anthony Braxton tuvo la amabilidad de mantener una charla con Fernando Ortiz de Urbina, Diego S\u00e1nchez Cascado y Pachi Tapiz a primera (primer\u00edsima) hora de la ma\u00f1ana siguiente. 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