{"id":1250,"date":"2011-03-14T00:00:23","date_gmt":"2011-03-13T22:00:23","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1250"},"modified":"2016-11-13T20:11:14","modified_gmt":"2016-11-13T19:11:14","slug":"tomajazz-recomienda-una-version-gazzelloni-otomo-yoshihides-new-jazz-orchestra-2005","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-version-gazzelloni-otomo-yoshihides-new-jazz-orchestra-2005\/","title":{"rendered":"Tomajazz recomienda&#8230; una versi\u00f3n: \u201cGazzelloni\u201d (Otomo Yoshihide\u2019s New Jazz Orchestra, 2005)"},"content":{"rendered":"<p style=\"text-align: justify;\">&nbsp;<\/p>\n<figure id=\"attachment_1251\" aria-describedby=\"caption-attachment-1251\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2011\/03\/dolphyouttolunch.gif\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1251\" title=\"&quot;Gazzelloni&quot;. Otomo Yoshihide\u2019s New Jazz Orchestra. Out to Lunch (2005)\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2011\/03\/dolphyouttolunch.gif\" alt=\"&quot;Gazzelloni&quot;. Otomo Yoshihide\u2019s New Jazz Orchestra. Out to Lunch (2005)\" width=\"150\" height=\"133\" \/><\/a><figcaption id=\"caption-attachment-1251\" class=\"wp-caption-text\">&quot;Gazzelloni&quot;. Otomo Yoshihide\u2019s New Jazz Orchestra. Out to Lunch (2005)<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">M\u00fasico iconoclasta donde los haya, el guitarrista, <em>turntablista <\/em>y agitador musical japon\u00e9s Otomo Yoshihide pon\u00eda en funcionamiento en 2005 la maquinaria de la Otomo Yoshihide\u2019s New Orchestra para recrear a su manera el m\u00edtico <em>Out To Lunch<\/em> del no menos m\u00edtico Eric Dolphy.<\/p>\n<p style=\"text-align: justify;\">En un disco en el que cada composici\u00f3n sufr\u00eda un tratamiento diferente, \u201cGazzelloni\u201d se transformaba en un tema cercano al <em>rock<\/em>, con una m\u00fasica directa y sin concesiones, ejecutada magistralmente por Yoshihide, Axel D\u00f6rner, Alfred Harth, Mats Gustafsson, Aoki Taisei, Yoshigaki Yasuhiro, Sachiko M, Cor Fuhrer y Mizutani Hiroaki.<\/p>\n<p style=\"text-align: justify;\">Otomo Yoshihide&#8217;s New Jazz Orchestra. <em>Out to Lunch<\/em> (doubtmusic. dmf-108, 2005)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; M\u00fasico iconoclasta donde los haya, el guitarrista, turntablista y agitador musical japon\u00e9s Otomo Yoshihide pon\u00eda en funcionamiento en 2005 la maquinaria de la Otomo Yoshihide\u2019s New Orchestra para recrear a su manera el m\u00edtico Out To Lunch del no menos m\u00edtico Eric Dolphy. En un disco en el que<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-version-gazzelloni-otomo-yoshihides-new-jazz-orchestra-2005\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1274,1273],"tags":[1641,1647,1649,1719,1764,1785,1811,2064,2172,2262,16099,77,16100,2373,2375],"class_list":["entry","author-adolphus-van-tenzing","post-1250","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-version","category-tomajazz-recomienda","tag-dolphy-eric","tag-dorner-axel","tag-doubtmusic","tag-fuhrer-cor","tag-gustafsson-mats","tag-harth-alfred","tag-hiroaki-mizutani","tag-otomo-yoshihides-new-jazz-orchestra","tag-sachiko-m","tag-taisei-aoki","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-yasuhiro-yoshigaki","tag-yoshihide-otomo"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":62098,"url":"https:\/\/tomajazz.com\/web\/gazzelloni-eric-dolphy-out-to-lunch-blue-note-1964-por-pachi-tapiz-jazzx5457-minipodcast-de-jazz\/","url_meta":{"origin":1250,"position":0},"title":"\u00abGazzelloni\u00bb [Eric Dolphy Out To Lunch! (Blue Note, 1964)] Por Pachi Tapiz. JazzX5#457 [Minipodcast de jazz]","author":"Tomajazz","date":"19 marzo, 2022","format":false,"excerpt":"En JazzX5 suena el cl\u00e1sico \"Gazzelloni\" que se public\u00f3 en el cl\u00e1sico Eric Dolphy Out To Lunch! (Blue Note, 1964). JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0457.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0457.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0457.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0457.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1565,"url":"https:\/\/tomajazz.com\/web\/otomo-yoshihide-the-multiple-otomo-project-monochrome-otomo-multiple-otomo\/","url_meta":{"origin":1250,"position":1},"title":"Otomo Yoshihide &#8211; The Multiple Otomo Project: Monochrome Otomo \/ Multiple Otomo","author":"Autor1","date":"21 mayo, 2011","format":false,"excerpt":"Otomo Yoshihide es uno de los m\u00fasicos japoneses m\u00e1s reconocidos internacionalmente gracias a una carrera que se extiende a lo largo de m\u00e1s de tres d\u00e9cadas. Guitarrista autodidacta, tambi\u00e9n es manipulador de cintas, giradiscos, osciloscopios, samplers o instrumentos folkl\u00f3ricos. Es un m\u00fasico encuadrado dentro de la m\u00fasica experimental que ha\u2026","rel":"","context":"En \u00abDVD...\u00bb","block_context":{"text":"DVD...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/dvds\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/yoshihide_multiple.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":25621,"url":"https:\/\/tomajazz.com\/web\/instantzz-otomo-yoshihide-pals-nilssen-love-lauditori-sala-3-tete-montoliu-sampler-series-barcelona-2016-05-21\/","url_meta":{"origin":1250,"position":2},"title":"INSTANTZZ: Otomo Yoshihide + Paal Nilssen-Love (L\u2019Auditori, Sala 3 Tete Montoliu, Sampler S\u00e8ries, Barcelona. 2016-05-21) [Galer\u00eda fotogr\u00e1fica]","author":"Tomajazz","date":"22 julio, 2016","format":false,"excerpt":"Fecha: S\u00e1bado, 21 de mayo de 2016 Lugar: L\u2019Auditori \u2013Sala 3: Tete Montoliu- Componentes: Otomo Yoshihide \u2013 Paal Nilssen-Love Otomo Yoshihide, guitarra el\u00e9ctrica Paal Nilssen-Love, bater\u00eda \u00a0\u00a9 Joan Cort\u00e8s, 2016","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/05_tm-Yshhd-Pls-Nlss-Lv-%C2%A9Joan-Cort%C3%A8s_21mai16_Smplrs-Srs_Lditr_Bcn.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/05_tm-Yshhd-Pls-Nlss-Lv-%C2%A9Joan-Cort%C3%A8s_21mai16_Smplrs-Srs_Lditr_Bcn.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/05_tm-Yshhd-Pls-Nlss-Lv-%C2%A9Joan-Cort%C3%A8s_21mai16_Smplrs-Srs_Lditr_Bcn.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":70899,"url":"https:\/\/tomajazz.com\/web\/satoko-fujii-otomo-yoshihide-perpetual-motion\/","url_meta":{"origin":1250,"position":3},"title":"Satoko Fujii \u2013 Otomo Yoshihide: Perpetual Motion (Ayler Records, 2023) Por Pachi Tapiz [Grabaciones de jazz]","author":"Tomajazz","date":"10 febrero, 2023","format":false,"excerpt":"Perpetual Motion (Ayler Records, 2023) es el t\u00edtulo del estreno discogr\u00e1fico del d\u00fao formado por Satoko Fujii y Otomo Yoshihide. Pachi Tapiz repasa esta grabaci\u00f3n.","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Satoko Fujii \u2013 Otomo Yoshihide: Perpetual Motion (Ayler Records, 2023)","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/02\/Satoko-Fujii-and-Otomo-Yoshihide-Perpetual-Motion-Ayler-Records-2023WEB.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/02\/Satoko-Fujii-and-Otomo-Yoshihide-Perpetual-Motion-Ayler-Records-2023WEB.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/02\/Satoko-Fujii-and-Otomo-Yoshihide-Perpetual-Motion-Ayler-Records-2023WEB.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/02\/Satoko-Fujii-and-Otomo-Yoshihide-Perpetual-Motion-Ayler-Records-2023WEB.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":10704,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-out-to-lunch-eric-dolphy-1964\/","url_meta":{"origin":1250,"position":4},"title":"Tomajazz recomienda&#8230; un CD: Out To Lunch! (Eric Dolphy, 1964)","author":"Tomajazz","date":"3 marzo, 2014","format":false,"excerpt":"En 2014 se cumple el 50\u00ba aniversario del fallecimiento de Eric Dolphy, y tambi\u00e9n de la grabaci\u00f3n de Out To Lunch, la gran obra de este flautista, clarinetista bajo y saxofonista alto. El 25 de febrero de 1964 Eric Dolphy, Freddie Hubbard (trompeta), Bobby Hutcherson (vibr\u00e1fono), Richard Davis (contrabajo) y\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Eric-Dolphy_Out-To-Lunch.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":38754,"url":"https:\/\/tomajazz.com\/web\/hdo-457-yoshihide-nilssen-love-threadgill-double-up-double-up-plus-podcast\/","url_meta":{"origin":1250,"position":5},"title":"HDO 457. Yoshihide &#8211; Nilssen-Love \/ Threadgill Double Up, Double Up Plus [Podcast]","author":"Tomajazz","date":"19 septiembre, 2018","format":false,"excerpt":"Por\u00a0Pachi Tapiz. Dos temas extensos en la entrega 457 de\u00a0HDO. \"Game Is Up\", la composici\u00f3n de\u00a0Henry Threadgill que abre\u00a0Double Up, Plays Double Up Plus (Pi Recordings, 2018) con\u00a0Curtis Robert Macdonald, Roman Filiu, Christopher Hoffman, Jose Davila, David Bryant, Luis Perdomo, David Virelles, Craig Weinrib; \"Dogs\", la pieza improvisada que cierra\u00a019th\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Otomo-Yoshihide-Paal-Nilssen-Love_19th-of-May-2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Otomo-Yoshihide-Paal-Nilssen-Love_19th-of-May-2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Otomo-Yoshihide-Paal-Nilssen-Love_19th-of-May-2016.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Otomo-Yoshihide-Paal-Nilssen-Love_19th-of-May-2016.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Otomo-Yoshihide-Paal-Nilssen-Love_19th-of-May-2016.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1250","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1250"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1250\/revisions"}],"predecessor-version":[{"id":3817,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1250\/revisions\/3817"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1250"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1250"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1250"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}