{"id":12622,"date":"2014-06-06T11:10:05","date_gmt":"2014-06-06T09:10:05","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=12622"},"modified":"2016-11-13T17:14:14","modified_gmt":"2016-11-13T16:14:14","slug":"miles-davis-miles-at-the-fillmore-columbialegacy-2014-4cd","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/miles-davis-miles-at-the-fillmore-columbialegacy-2014-4cd\/","title":{"rendered":"Miles Davis: <i>Miles At The Fillmore<\/i> (Columbia\/Legacy, 2014; 4CD)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-12623\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/Miles-At-The-Fillmore-200x200.jpg\" alt=\"Miles At The Fillmore\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/Miles-At-The-Fillmore-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/Miles-At-The-Fillmore-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/Miles-At-The-Fillmore-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/Miles-At-The-Fillmore.jpg 560w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>El tercer volumen de las <em>Bootleg Series<\/em> de Miles Davis consiste en un cu\u00e1druple CD con los conciertos que el trompetista dio en el Fillmore East en junio de 1970. Parte de toda esa m\u00fasica ya se hab\u00eda escuchado en <em>Miles At The Fillmore<\/em>. Teo Macero, productor por antonomasia de Miles, construy\u00f3 esa obra, tal y como acostumbraba, seleccionando y adaptando extractos de distintos temas a la duraci\u00f3n de un doble LP. Esta edici\u00f3n permite escuchar al pr\u00edncipe de la oscuridad en plenitud de forma, acompa\u00f1ado por un grupo impresionante con Keith Jarrett, Dave Holland, Chick Corea y Jack DeJohnette, entre otros. El repertorio (Miles al 100%) es pr\u00e1cticamente el mismo en todos los <em>shows<\/em>, pero aun as\u00ed, nunca es igual. En esos momentos Miles hab\u00eda logrado conectar con un p\u00fablico masivo y ajeno al jazz. Esa actitud provoc\u00f3 (y sigue provocando) el repudio por parte de la cr\u00edtica, aficionados e incluso m\u00fasicos. Sin embargo, no es algo diferente a lo ocurrido a lo largo de toda la historia del jazz: m\u00fasicos visionarios (Miles lo era) que han descubierto nuevos caminos para hacerlo evolucionar. Este cu\u00e1druple CD es una buena muestra de ello.<\/p>\n<p style=\"text-align: right;\">\u00a9 Pachi Tapiz, 2014<\/p>\n<p style=\"text-align: left;\">Miles Davis: <em>Miles At The Fillmore. Miles Davis 1970: The Bootleg Series Vol. 3<\/em> (Columbia\/Legacy, 2014; 4CD)<\/p>\n<p style=\"text-align: left;\">Cr\u00edtica publicada en el n\u00famero 315 de la revista <a title=\"Ruta 66. Tiempos de Rock &amp; Roll\" href=\"http:\/\/www.ruta66.es\/\" target=\"_blank\" rel=\"noopener\">Ruta 66<\/a> de mayo de 2014<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El tercer volumen de las Bootleg Series de Miles Davis consiste en un cu\u00e1druple CD con los conciertos que el trompetista dio en el Fillmore East en junio de 1970. Parte de toda esa m\u00fasica ya se hab\u00eda escuchado en Miles At The Fillmore. Teo Macero, productor por antonomasia de<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/miles-davis-miles-at-the-fillmore-columbialegacy-2014-4cd\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":12623,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17847,5,1038],"tags":[1332,12651,5018,9530,7148,12696,4796,13,12415,15295,982,31,4765,2272,16099,77,16100],"class_list":["entry","author-pachi","post-12622","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-1332","tag-cd","tag-chick-corea","tag-columbia-legacy","tag-dave-holland","tag-grabaciones","tag-jack-dejohnette","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-keith-jarrett","tag-pachi-tapiz","tag-ruta-66","tag-teo-macero","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/Miles-At-The-Fillmore.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/12622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=12622"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/12622\/revisions"}],"predecessor-version":[{"id":12624,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/12622\/revisions\/12624"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/12623"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=12622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=12622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=12622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}