{"id":12872,"date":"2014-06-30T11:24:57","date_gmt":"2014-06-30T09:24:57","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=12872"},"modified":"2016-11-13T17:14:09","modified_gmt":"2016-11-13T16:14:09","slug":"keith-jarrett-charlie-haden-last-dance-ecm-2014","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/keith-jarrett-charlie-haden-last-dance-ecm-2014\/","title":{"rendered":"Keith Jarrett &#8211; Charlie Haden: <i>Last Dance<\/i> (ECM, 2014)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-12873\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/Keith-Jarrett-Charlie-Haden-Last-Dance-200x177.jpg\" alt=\"??????\" width=\"200\" height=\"177\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/Keith-Jarrett-Charlie-Haden-Last-Dance-200x177.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/Keith-Jarrett-Charlie-Haden-Last-Dance-150x132.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/Keith-Jarrett-Charlie-Haden-Last-Dance-62x55.jpg 62w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/Keith-Jarrett-Charlie-Haden-Last-Dance.jpg 358w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Resulta dif\u00edcil resistirse ante una obra como <em>Last Dance<\/em>.<\/p>\n<p style=\"text-align: justify;\">Hace unos a\u00f1os, all\u00e1 por 2007, Keith Jarrett y Charlie Haden publicaron en ECM <em>Jasmine<\/em>, una obra que supon\u00eda su reuni\u00f3n m\u00e1s de tres d\u00e9cadas despu\u00e9s de la disoluci\u00f3n del American Quartet. Siete a\u00f1os despu\u00e9s ve la luz <em>Last Dance<\/em>, obra grabada en esas mismas sesiones. En este encuentro ambos vuelven a dar una lecci\u00f3n acerca de c\u00f3mo reinterpretar unos <em>standards<\/em> bien conocidos: \u00ab&#8216;Round Midnight\u00bb de Monk, \u00abDance Of The Infidels\u00bb de Bud Powell, \u00abMy Old Flame\u00bb, \u00abIt Might As Well Be Spring\u00bb, \u00abEverything Happens To Me\u00bb y \u00abEvery Time We Say Goodbye\u00bb, entre otros.<\/p>\n<p style=\"text-align: justify;\">El planteamiento del CD es m\u00e1s pr\u00f3ximo a una grabaci\u00f3n en directo que a una obra concebida en estudio. Las versiones, extensas y la mayor parte a medio tiempo, se van construyendo conforme se van desarrollando. En m\u00e1s de un momento ambos m\u00fasicos descubren nuevos matices a partir de los cuales un tema que parec\u00eda que ya hab\u00eda llegado a su fin encuentra un nuevo impulso para seguir adelante. Para ello es indispensable el apoyo mutuo entre ambos m\u00fasicos, as\u00ed como el af\u00e1n de deleitarse en las melod\u00edas -especialmente por parte de Keith Jarrett, lo que incluye su costumbre de cantar entre dientes. El resultado final es, ya se ha indicado al principio, irresistible.<\/p>\n<p style=\"text-align: right;\">Pachi Tapiz, 2014<\/p>\n<p style=\"text-align: left;\">Keith Jarrett &#8211; Charlie Haden: <em>Last Dance<\/em> (ECM, 2014)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Resulta dif\u00edcil resistirse ante una obra como Last Dance. Hace unos a\u00f1os, all\u00e1 por 2007, Keith Jarrett y Charlie Haden publicaron en ECM Jasmine, una obra que supon\u00eda su reuni\u00f3n m\u00e1s de tres d\u00e9cadas despu\u00e9s de la disoluci\u00f3n del American Quartet. Siete a\u00f1os despu\u00e9s ve la luz Last Dance, obra<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/keith-jarrett-charlie-haden-last-dance-ecm-2014\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":12873,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"Keith Jarrett - Charlie Haden: Last Dance (ECM, 2014) #fb","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17847,5,1038],"tags":[12651,1557,1663,12696,13,12415,15295,982,31,16099,77,16100],"class_list":["entry","author-pachi","post-12872","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-cd","tag-charlie-haden","tag-ecm","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-keith-jarrett","tag-pachi-tapiz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/Keith-Jarrett-Charlie-Haden-Last-Dance.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/12872","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=12872"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/12872\/revisions"}],"predecessor-version":[{"id":12875,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/12872\/revisions\/12875"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/12873"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=12872"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=12872"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=12872"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}