{"id":12976,"date":"2014-07-13T13:24:33","date_gmt":"2014-07-13T11:24:33","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=12976"},"modified":"2018-05-04T11:41:57","modified_gmt":"2018-05-04T09:41:57","slug":"charlie-haden-el-resto-es-silencio","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/charlie-haden-el-resto-es-silencio\/","title":{"rendered":"Charlie Haden: El resto es silencio"},"content":{"rendered":"<figure id=\"attachment_6816\" aria-describedby=\"caption-attachment-6816\" style=\"width: 200px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/charlie_haden_4198.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-6816\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/charlie_haden_4198.jpg\" alt=\"Festival de Jazz de Vitoria, 14 de julio de 2005 \u00a9 Sergio Cabanillas\" width=\"200\" height=\"300\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/charlie_haden_4198.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/charlie_haden_4198-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/charlie_haden_4198-36x55.jpg 36w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><figcaption id=\"caption-attachment-6816\" class=\"wp-caption-text\"><center>Festival de Jazz de Vitoria, 14 de julio de 2005<br \/>\u00a9 Sergio Cabanillas<\/center><\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Se ve\u00eda a s\u00ed mismo como un m\u00fasico de folk. Cimentado en la humildad dio forma al jazz que estaba por venir de la mano de Ornette Coleman, nos hizo disfrutar con su Quartet West, agit\u00f3 nuestra conciencia pol\u00edtica gracias a su Liberation Orchestra, nos asom\u00f3 a los cielos de Missouri con su amigo Pat Metheny y descubri\u00f3 la belleza del espacio con \u00abSilence\u00bb. Contrabajista, Improvisador, Compositor y Agitador, todo ello con may\u00fasculas, ha sido uno de los m\u00fasicos m\u00e1s influyentes de las \u00faltimas seis d\u00e9cadas. Apoy\u00e1ndose en una inventiva sencillez, demostr\u00f3 una capacidad mel\u00f3dica ilimitada, sin importarle el formato o la instrumentaci\u00f3n con la que trabajara. Casi exento de virtuosismo, pocos m\u00fasicos han valorado tanto cada una de las notas que abordaban. Ahora recordamos sus d\u00faos imperecederos con Kenny Barron, Hank Jones, Keith Jarrett o John Taylor, el atrevimiento de Old and New Dreams, los gui\u00f1os a Latinoam\u00e9rica con Gonzalo Rubalcaba, su m\u00edtica colaboraci\u00f3n con Jan Garbarek y Egberto Gismonti, sus acercamientos a las m\u00fasicas comerciales con Beck, Ringo Starr o Robert Downey, Jr., y la celebraci\u00f3n familiar de corte <em>country <\/em>en <em>Rambling Boy<\/em>.<\/p>\n<p style=\"text-align: justify;\">Charlie Haden ha muerto a los 76 a\u00f1os. A pesar de su monumental legado, el dolor por su marcha es inmenso. A partir de ahora solo sus grabaciones nos permitir\u00e1n disfrutar de su voz enorme. El resto es silencio.<\/p>\n<p style=\"text-align: right;\">\u00a9 2014 <a href=\"http:\/\/www.arturomora.com\/\" target=\"_blank\" rel=\"noopener\">Arturo Mora Rioja<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Se ve\u00eda a s\u00ed mismo como un m\u00fasico de folk. Cimentado en la humildad dio forma al jazz que estaba por venir de la mano de Ornette Coleman, nos hizo disfrutar con su Quartet West, agit\u00f3 nuestra conciencia pol\u00edtica gracias a su Liberation Orchestra, nos asom\u00f3 a los cielos de<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/charlie-haden-el-resto-es-silencio\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":2,"featured_media":6816,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17861,17850,78,15504,13061,9,15517,1038],"tags":[260,9728,1557,9731,9725,8142,6221,982,7508,9724,9726,1200,2080,2111,9730,9727,9729,187,9723,16099,16100],"class_list":["entry","author-arturo-mora","post-12976","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arturo-mora-rioja","category-sergio-cabanillas","category-afondo","category-articulos-afondo","category-ornette-coleman-gracias-maestro","category-perfiles","category-textos","category-contenidos","tag-arturo-mora-rioja","tag-beck","tag-charlie-haden","tag-country","tag-gonzalo-rubalcaba","tag-hank-jones","tag-john-taylor","tag-keith-jarrett","tag-kenny-barron","tag-missouri","tag-old-and-new-dreams","tag-ornette-coleman","tag-pat-metheny","tag-quartet-west","tag-rambling-boy","tag-ringo-starr","tag-robert-downey-jr","tag-sergio-cabanillas","tag-silence","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/charlie_haden_4198.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":13989,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-scott-dubois-llega-la-tempestad-por-arturo-mora\/","url_meta":{"origin":12976,"position":0},"title":"Tomajazz recupera&#8230; Scott DuBois: llega la tempestad, por Arturo Mora","author":"Tomajazz","date":"16 septiembre, 2014","format":false,"excerpt":"ARTURO MORA: \u00bfQu\u00e9 m\u00fasica est\u00e1s escuchando ahora mismo? SCOTT DUBOIS: \u00bfPor d\u00f3nde empiezo? He estado catando muchos compositores cl\u00e1sicos del siglo XX como Charles Ives, Gyorgy Ligeti y Bela Bartok. En cuanto a jazz, he estado escuchando la caja de Cecil Taylor\/Buell Neidlinger para Mosaic, la caja de In a\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Scott DuBois \u00a9 Sergio Cabanillas, 2006","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_orange-200x133.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":6812,"url":"https:\/\/tomajazz.com\/web\/charlie-haden-entrevista-por-jorge-lopez-de-guerenu\/","url_meta":{"origin":12976,"position":1},"title":"Charlie Haden. Entrevista por Jorge L\u00f3pez de Guere\u00f1u.","author":"Sergio Cabanillas","date":"1 abril, 2010","format":false,"excerpt":"De todas las entrevistas que he hecho en mi vida, esta es la m\u00e1s agradable sin duda alguna, que me ha tocado hacer. Nunca me he encontrado a alguien tan cercano, amable y encantador como este gran m\u00fasico, que adem\u00e1s, es una gran persona. JORGE L\u00d3PEZ DE GUERE\u00d1U: Buenos d\u00edas\u2026","rel":"","context":"En \u00ab*_Jorge L\u00f3pez de Guere\u00f1u\u00bb","block_context":{"text":"*_Jorge L\u00f3pez de Guere\u00f1u","link":"https:\/\/tomajazz.com\/web\/category\/jorge-lopez-de-guerenu\/"},"img":{"alt_text":"Charlie Haden \u00a9 2010, Jorge L\u00f3pez de Guere\u00f1u","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/haden_paint.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":32237,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-the-shape-of-jazz-to-come-ornette-coleman-256\/","url_meta":{"origin":12976,"position":2},"title":"365 razones para amar el jazz: una grabaci\u00f3n. The Shape Of Jazz To Come (Ornette Coleman) [256]","author":"Tomajazz","date":"13 septiembre, 2017","format":false,"excerpt":"Una grabaci\u00f3n.\u00a0Ornette Coleman:\u00a0The Shape Of Jazz To Come\u00a0(Atlantic, 1959) Seleccionado por Mart\u00ed Farr\u00e9 Con Ornette Coleman, Don Cherry, Charlie Haden, Billy Higgins","rel":"","context":"En \u00ab*_Mart\u00ed Farr\u00e9\u00bb","block_context":{"text":"*_Mart\u00ed Farr\u00e9","link":"https:\/\/tomajazz.com\/web\/category\/marti-farre\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Ornette-Coleman_The-Shape-Of-Jazz-To-Come_Atlantic_1959.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Ornette-Coleman_The-Shape-Of-Jazz-To-Come_Atlantic_1959.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Ornette-Coleman_The-Shape-Of-Jazz-To-Come_Atlantic_1959.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":30551,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-free-jazz-ornette-coleman-132\/","url_meta":{"origin":12976,"position":3},"title":"365 razones para amar el jazz: un disco. Free Jazz (Ornette Coleman) [133]","author":"Tomajazz","date":"13 mayo, 2017","format":false,"excerpt":"Un disco.\u00a0Free Jazz: A Collective Improvisation (Ornette Coleman. Atlantic, 1960) Seleccionado por Juan Antonio Serrano Cervantes Con\u00a0Ornette Coleman, Don Cherry, Scott LaFaro, Billy Higgins, Eric Dolphy, Freddie Hubbard, Charlie Haden, Ed Blackwell","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Free-Jazz_Atlantic_1960-e1494655834683.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Free-Jazz_Atlantic_1960-e1494655834683.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Ornette-Coleman_Free-Jazz_Atlantic_1960-e1494655834683.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":23028,"url":"https:\/\/tomajazz.com\/web\/pat-metheny-inclasificable-beyond-the-missouri-sky-short-stories\/","url_meta":{"origin":12976,"position":4},"title":"Pat Metheny. Inclasificable:  Beyond The Missouri Sky (Short Stories)","author":"Tomajazz","date":"1 julio, 2005","format":false,"excerpt":"Beyond the Missouri Sky (Short Stories) (Charlie Haden & Pat Metheny - Verve, 1997) Amplios espacios, infinitos atardeceres, el campo y el sol, la tranquilidad de la Am\u00e9rica m\u00e1s profunda. El contrabajista Charlie Haden se cri\u00f3 en Forsyth, Missouri, entrando en contacto desde una temprana edad con el universo de\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Beyond the Missouri Sky (Short Stories)","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/perfiles\/metheny\/misssky.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":11013,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-change-of-the-century-the-complete-session-ornette-coleman-1959\/","url_meta":{"origin":12976,"position":5},"title":"Tomajazz recomienda&#8230; un CD: Change of the Century. The Complete Session (Ornette Coleman, 1959)","author":"Tomajazz","date":"17 marzo, 2014","format":false,"excerpt":"Change of the Century es el segundo disco grabado por el cuarteto de Ornette Coleman. Don Cherry, Charlie Haden y Billy Higgins acompa\u00f1aban a Ornette Coleman (autor de todas las composiciones), en el desarrollo de su concepci\u00f3n musical. No habr\u00eda mucho que a\u00f1adir a la importancia de esta grabaci\u00f3n. Su\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Ornette_Coleman_Change_Of_The_Century_The_Complete_Sessions.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/12976","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=12976"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/12976\/revisions"}],"predecessor-version":[{"id":32667,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/12976\/revisions\/32667"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/6816"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=12976"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=12976"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=12976"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}