{"id":13020,"date":"2014-07-15T11:49:26","date_gmt":"2014-07-15T09:49:26","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=13020"},"modified":"2022-09-17T13:27:57","modified_gmt":"2022-09-17T11:27:57","slug":"taylor-ho-bynum-tomas-fujiwara-through-foundation-autoedicion-2014","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/taylor-ho-bynum-tomas-fujiwara-through-foundation-autoedicion-2014\/","title":{"rendered":"Taylor Ho Bynum &#038; Tomas Fujiwara: Through Foundation (Autoedici\u00f3n, 2014) Por Jes\u00fas Mateu Rossell\u00f3 [Grabaci\u00f3n de jazz]"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-13022\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/07\/Fujiwara-Bynum-200x200.jpg\" alt=\"Fujiwara - Bynum\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/07\/Fujiwara-Bynum-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/07\/Fujiwara-Bynum-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/07\/Fujiwara-Bynum-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/07\/Fujiwara-Bynum.jpg 480w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Taylor Ho Bynum, uno de los grandes sopladores de los \u00faltimos a\u00f1os en los circuitos m\u00e1s vanguardistas, nos alegra los o\u00eddos con la publicaci\u00f3n de su \u00faltimo trabajo a d\u00fao con el baterista Tomas Fujiwara. Tras la publicaci\u00f3n de <em>True Events<\/em> (482 Music \u2013 2007) y <em>Stepwise <\/em>(Nottwo \u2013 2010) llega <em>Through Foundation<\/em> (Autoedici\u00f3n \u2013 2014) editado \u00fanicamente en vinilo (249 copias) y formato digital.<\/p>\n<p style=\"text-align: justify;\">Las composiciones de este nuevo \u00e1lbum corren a cargo de los dos m\u00fasicos conjuntamente en todos los temas exceptuando \u201cSecondary Source\u201d de Taylor Ho Bynum y \u201cPrime 3\u201d de Tomas Fujiwara. En el caso que nos ocupa, imagino que se est\u00e1 utilizando la palabra composiciones simplemente para confirmar la autor\u00eda de los temas legalmente ya que por lo que a m\u00ed me sugieren, son ejercicios de libre improvisaci\u00f3n, si bien hay que decir que en algunos casos si existe una breve conjunci\u00f3n de notas escritas que conforman una melod\u00eda reconocible, pero est\u00e1n siempre enfocadas a dejar que los m\u00fasicos sigan sus instintos y vuelen a los parajes que crean convenientes.<\/p>\n<p style=\"text-align: justify;\"><em>Through Foundation<\/em> siendo un disco a d\u00fao, (y digo siendo ya que son muchos los que no creen en las posibilidades ilimitadas de cualquier instrumento castig\u00e1ndolo-se- a que siempre suene igual) es incre\u00edblemente heterog\u00e9neo. Desde temas que se podr\u00edan incluir dentro de la definici\u00f3n del concepto minimalista, \u201cMicro\u201d y \u201cBackyard Wind\u201d, con una base r\u00edtmica no convencional pero que proporciona un ritmo constante; pasando por un ejercicio de solo de bater\u00eda de unos cinco minutos, \u00fanicamente pincelado (o acuchillado) con breves notas de corneta <em>(\u201c<\/em>Reuni\u00f3n (for Alan Dawson)\u201d) y que como bien indica el par\u00e9ntesis, est\u00e1 dedicado al legendario baterista de Boston; hasta llegar a deliciosos delirios cornet\u00edsticos a cargo de Bynum en el tema de curioso t\u00edtulo \u201cLiterary References And Basketball Minutia\u201d con un trabajo de bater\u00eda para quitarse el sombrero.<\/p>\n<p style=\"text-align: justify;\">El trabajo de los dos m\u00fasicos es excepcional. Es m\u00e1s que evidente que poseen una t\u00e9cnica excelente. La conjunci\u00f3n entre los dos fusiona sus pensamientos y los convierte en m\u00fasica al momento. Sin medias tintas. En definitiva. Un preciso (y precioso) trabajo a d\u00fao. Muy recomendable a todo aquel que se quiera implicar en ganar (que no perder) tiempo escuchando y enriqueciendo su yo.<\/p>\n<p style=\"text-align: right;\">\u00a0\u00a9 <a href=\"http:\/\/1984cronicas.blogspot.com.es\/\" target=\"_blank\" rel=\"noopener\">Jes\u00fas Mateu Rossell\u00f3<\/a>, 2014<\/p>\n<h4 style=\"text-align: justify;\">Taylor Ho Bynum &amp; Tomas Fujiwara: <em>Through Foundation<\/em><\/h4>\n<p style=\"text-align: justify;\">Taylor Ho Bynum (corneta) y Tomas Fujiwara (bater\u00eda)<\/p>\n<p style=\"text-align: justify;\">\u201cReunion (for Alan Dawson)\u201d, \u201cBlack Cherry Basement\u201d, \u201cBackyard Wind\u201d, \u201cSecondary Source (Bonus Track para la edici\u00f3n digital)\u201d, \u201cLoJo (for Bill Lowe and Joseph Daley)\u201d, \u201cPrime 3\u201d, \u201cLemuel Birks\u201d, \u201cMicro (for Bill Dixon)\u201d, \u201cLiterary References And Basketball Minutia\u201d y \u201cTwenty\u201d.<\/p>\n<p style=\"text-align: justify;\">Todos los temas compuestos y producidos por Taylor Ho Bynum y Tomas Fujiwara a excepci\u00f3n de \u201cSecondary Source\u201d compuesto por Taylor Ho Bunum, y \u201cPrime 3\u201d compuesto por Tomas Fujiwara\u201d.<\/p>\n<p style=\"text-align: justify;\">Grabado el 4 de abril de 2014 en el s\u00f3tano de Taylor Ho Bynum.<\/p>\n<h4>Jes\u00fas Mateu Rossell\u00f3 en Tomajazz<\/h4>\n<p><a href=\"https:\/\/tomajazz.com\/web\/category\/jesus-mateu-rossello\/\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/category\/jesus-mateu-rossello\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jes\u00fas Mateu Rossell\u00f3 repasa la grabaci\u00f3n de Taylor Ho Bynum &#038; Tomas Fujiwara: Through Foundation (Autoedici\u00f3n, 2014).<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/taylor-ho-bynum-tomas-fujiwara-through-foundation-autoedicion-2014\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1003599,"featured_media":13022,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17851,5,15517,1038],"tags":[9831,12651,12696,13,12415,15295,9830,7649,16099,77,16100,8754],"class_list":["entry","author-jesusmateurossello","has-excerpt","post-13020","post","type-post","status-publish","format-standard","has-post-thumbnail","category-jesus-mateu-rossello","category-grabaciones","category-textos","category-contenidos","tag-autoedicion","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jesus-mateu-rossello","tag-taylor-ho-bynum","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-tomas-fujiwara"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/07\/Fujiwara-Bynum.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":14668,"url":"https:\/\/tomajazz.com\/web\/mary-halvorson-reverse-blue-relative-pitch-records-2014\/","url_meta":{"origin":13020,"position":0},"title":"Mary Halvorson: Reverse Blue (Relative Pitch Records, 2014)","author":"Jes\u00fas Mateu Rossell\u00f3","date":"14 octubre, 2014","format":false,"excerpt":"Mary Halvorson es una guitarrista muy activa en la escena de Nueva York. Es poseedora de una discograf\u00eda de lujo en muy pocos a\u00f1os. Desde sus participaciones como sideman con Anthony Braxton, pasando por el sexteto y otras formaciones del cornetista Taylor Ho Bynum, hasta colaborando con la creme de\u2026","rel":"","context":"En \u00ab*_Jes\u00fas Mateu Rossell\u00f3\u00bb","block_context":{"text":"*_Jes\u00fas Mateu Rossell\u00f3","link":"https:\/\/tomajazz.com\/web\/category\/jesus-mateu-rossello\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Mary-Halvorson-Reverse-Blue1-e1413229535979.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Mary-Halvorson-Reverse-Blue1-e1413229535979.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Mary-Halvorson-Reverse-Blue1-e1413229535979.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":16139,"url":"https:\/\/tomajazz.com\/web\/tomas-fujiwara-trio-variable-bets-relative-pitch-records-2014\/","url_meta":{"origin":13020,"position":1},"title":"Tomas Fujiwara Tr\u00edo: Variable Bets (Relative Pitch Records, 2014)","author":"Jes\u00fas Mateu Rossell\u00f3","date":"31 diciembre, 2014","format":false,"excerpt":"Hace unos meses me estren\u00e9 en Tomajazz rese\u00f1ando el disco Through Foundation (Autoedici\u00f3n, 2014) del cornetista Taylor Ho Bynum y del baterista protagonista de esta nueva rese\u00f1a, Tomas Fujiwara. Poco despu\u00e9s, nos hac\u00edamos eco del disco Reverse Blue (Relative Pitch Records, 2014) de la guitarrista Mary Halvorson en el que\u2026","rel":"","context":"En \u00ab*_Jes\u00fas Mateu Rossell\u00f3\u00bb","block_context":{"text":"*_Jes\u00fas Mateu Rossell\u00f3","link":"https:\/\/tomajazz.com\/web\/category\/jesus-mateu-rossello\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/12\/Tomas-Fujiwara-Trio.-Variable-Bets.Relative-Pitch-Records.2014.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2463,"url":"https:\/\/tomajazz.com\/web\/taylor-ho-bynum-sextet-apparent-distance-firehouse-12-records-2011\/","url_meta":{"origin":13020,"position":2},"title":"Taylor Ho Bynum Sextet: Apparent Distance (Firehouse 12 Records, 2011)","author":"Tomajazz","date":"14 diciembre, 2011","format":false,"excerpt":"\u201cOur eyes can fool us in judging size and distance, foreground and background, the very nature of objects in space. These illusory perspectives offer a surreal poetry that sometimes trascend physical reality\u201d \u00a1Prueba conseguida! Taylor Ho Bynum supera con nota los objetivos que detalla en las notas de Apparent Distance.\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/2.bp.blogspot.com\/-9cEP-tnUs8c\/TufNHepIMOI\/AAAAAAAADyo\/9UZF0m1wDbY\/s200\/taylor%2Bho%2Bbynum%2Bsextet_apparent.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":9023,"url":"https:\/\/tomajazz.com\/web\/taylor-ho-bynum-caminos-que-se-bifurcan-por-pachi-tapiz\/","url_meta":{"origin":13020,"position":3},"title":"Taylor Ho Bynum: caminos que se bifurcan, por Pachi Tapiz","author":"Sergio Cabanillas","date":"2 abril, 2009","format":false,"excerpt":"A pesar de su juventud, Taylor Ho Bynum no debiera ser un m\u00fasico desconocido para algunos aficionados al jazz. En poco m\u00e1s de un a\u00f1o ha visitado dos veces nuestro pa\u00eds como acompa\u00f1ante de Anthony Braxton. En octubre de 2007 visit\u00f3 el escenario del Johnny madrile\u00f1o formando parte del Diamond\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Taylor Ho Bynum Sextet Asphalt Flowers Forking Paths (hatOLOGY 675, 2008)","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/taylor_ho_bynum_sextet_asphalt_flowers.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3000,"url":"https:\/\/tomajazz.com\/web\/positive-catastrophe-taylor-ho-bynum-abraham-gomez-delgado-garabatos-volume-one\/","url_meta":{"origin":13020,"position":4},"title":"Positive Catastrophe (Taylor Ho Bynum &#8211; Abraham Gomez-Delgado): Garabatos Volume One","author":"Tomajazz","date":"28 octubre, 2009","format":false,"excerpt":"Garabatos, el disco presentaci\u00f3n de Positive Catastrophe, el proyecto liderado por el cornetista Taylor Ho Bynum y el percusionista Abraham Gomez-Delgado, ha sido una de las sorpresas m\u00e1s agradables del verano. No voy a negar que una frase en el encarte del CD que dec\u00eda textualmente \"the ensemble draws on\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":62006,"url":"https:\/\/tomajazz.com\/web\/tomas-fujiwaras-triple-double-pack-up-coming-for-you-march-firehouse-12-records-2022-por-pachi-tapiz-jazzx5454-minipodcast-de-jazz\/","url_meta":{"origin":13020,"position":5},"title":"Tomas Fujiwara&#8217;s Triple Double: \u00abPack Up, Coming For You\u00bb [March (Firehouse 12 Records, 2022)] Por Pachi Tapiz. JazzX5#454 [Minipodcast de jazz]","author":"Tomajazz","date":"16 marzo, 2022","format":false,"excerpt":"En JazzX5 suena el tema \"Pack Up, Coming For You\" de March (Firehouse 12, 2022) de Tomas Fujiwara's Double Trio. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"Tomas Fujiwara's Triple Double: \"Pack Up, Coming For You\" [March (Firehouse 12 Records, 2022)] Por Pachi Tapiz. JazzX5#454 [Minipodcast de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0454.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0454.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0454.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/03\/JazzX5_0454.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1003599"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=13020"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13020\/revisions"}],"predecessor-version":[{"id":66738,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13020\/revisions\/66738"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/13022"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=13020"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=13020"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=13020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}