{"id":1315,"date":"2011-04-29T00:00:28","date_gmt":"2011-04-28T22:00:28","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1315"},"modified":"2016-11-13T20:11:07","modified_gmt":"2016-11-13T19:11:07","slug":"tomajazz-recomienda-un-disco-y-un-guitarrista-guitar-conceptions-elek-bacsik-1963","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-y-un-guitarrista-guitar-conceptions-elek-bacsik-1963\/","title":{"rendered":"Tomajazz recomienda\u2026 un disco (y un guitarrista): Guitar Conceptions (Elek Bacsik, 1963)"},"content":{"rendered":"<p style=\"text-align: justify;\">&nbsp;<\/p>\n<figure id=\"attachment_1316\" aria-describedby=\"caption-attachment-1316\" style=\"width: 150px\" class=\"wp-caption alignright\"><a href=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2011\/04\/bacsik.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1316\" title=\"Guitar Conceptions. Elek Bacsik. 1963\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2011\/04\/bacsik.jpg\" alt=\"Guitar Conceptions. Elek Bacsik. 1963\" width=\"150\" height=\"131\" \/><\/a><figcaption id=\"caption-attachment-1316\" class=\"wp-caption-text\">Guitar Conceptions. Elek Bacsik. 1963<\/figcaption><\/figure>\n<p>La carrera musical de este gitano h\u00fangaro se desarroll\u00f3 principalmente en Francia, donde grab\u00f3 un pu\u00f1ado de discos a su nombre, adem\u00e1s de participar en numerosas sesiones de m\u00fasicos de \u201cvari\u00e9t\u00e9\u201d (como en el maravilloso <em>Confidentiel<\/em> de Serge Gainsbourg).<\/p>\n<p style=\"text-align: justify;\">No faltaron las comparaciones con Django Reinhardt, que el propio Bacsik foment\u00f3. Su toque limpio, en el que cada nota se escucha con claridad, su <em>swing<\/em> vigoroso y el lirismo propio de la escuela c\u00edngara se pueden disfrutar en todo su esplendor en este disco.<\/p>\n<p style=\"text-align: justify;\">Elek Bacsik <em>Guitar Conceptions<\/em> (Gitanes\/Emarcy\/Universal 542 231-2, en la serie \u201cJazz in Paris\u201d), grabado en 1963.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; La carrera musical de este gitano h\u00fangaro se desarroll\u00f3 principalmente en Francia, donde grab\u00f3 un pu\u00f1ado de discos a su nombre, adem\u00e1s de participar en numerosas sesiones de m\u00fasicos de \u201cvari\u00e9t\u00e9\u201d (como en el maravilloso Confidentiel de Serge Gainsbourg). No faltaron las comparaciones con Django Reinhardt, que el propio<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-y-un-guitarrista-guitar-conceptions-elek-bacsik-1963\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,1284,1273],"tags":[1327,1434,1736,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-1315","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-disco","category-musico","category-tomajazz-recomienda","tag-1327","tag-bacsik-elek","tag-gitanes","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1882,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-sassy-swings-the-tivoli-sarah-vaughan-1963\/","url_meta":{"origin":1315,"position":0},"title":"Tomajazz Recomienda&#8230; un disco: Sassy Swings the Tivoli (Sarah Vaughan, 1963)","author":"Adolphus van Tenzing","date":"7 junio, 2010","format":false,"excerpt":"Cierto. No hay mucho riesgo en recomendar un disco de la tremenda Sarah Vaughan. Pero es de suponer que eso no debiera ser un problema para disfrutar con su tremenda voz.","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Sarah Vaughan. Sassy Swings The Tivoli (Mercury, 1963)","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/Sarah-Vaughan.-Sassy-Swings-The-Tivoli-Mercury-1963.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2019,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-trompetista-dupree-bolton\/","url_meta":{"origin":1315,"position":1},"title":"Tomajazz recomienda\u2026 un trompetista: Dupree Bolton","author":"Adolphus van Tenzing","date":"22 julio, 2011","format":false,"excerpt":"La discograf\u00eda de este m\u00fasico se limita a dos discos: The Fox (1959), de Harold Land, y Katanga! (1962-63), inicialmente firmado por Curtis Amy el propio Bolton. Y nada m\u00e1s. La escasez de su producci\u00f3n ha alimentado su car\u00e1cter de trompetista legendario de la Costa Oeste misteriosamente desaparecido. Pero ser\u00eda\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Dupree Bolton. Harold Land. The Fox. 1959","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/07\/63-dupree_bolton..jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1928,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-solo-jim-hall-en-samba-de-orfeu\/","url_meta":{"origin":1315,"position":2},"title":"Tomajazz recomienda&#8230; un solo: \u00abSamba de Orfeu\u00bb (Jim Hall, 1963)","author":"Adolphus van Tenzing","date":"13 diciembre, 2010","format":false,"excerpt":"Uno de los atractivos del jazz son los solos, las intervenciones, m\u00e1s o menos improvisadas, que realizan los miembros de un grupo acompa\u00f1ados por el resto de sus compa\u00f1eros. Salvo honrosas excepciones, las grandes estrellas que configuran el canon del jazz suelen ser grandes solistas. Algunos de estos solistas parecen\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"\u201cSamba de Orfeu\u201d. Jim Hall (Paul Desmong <i>Take Ten<\/i>, 1963)","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2010\/12\/PaulDesmond_TakeTen.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":41315,"url":"https:\/\/tomajazz.com\/web\/john-coltrane-1963-new-directions-impulse-2018-grabacion\/","url_meta":{"origin":1315,"position":3},"title":"John Coltrane: 1963: New Directions (Impulse!, 2018) [Grabaci\u00f3n]","author":"Tomajazz","date":"24 enero, 2019","format":false,"excerpt":"Por Carlos Lara. Para John Coltrane el a\u00f1o 1963 fue uno de los m\u00e1s activos de su mete\u00f3rica carrera profesional. En esas fechas dos sellos discogr\u00e1ficos editaban sus temas, independientemente del d\u00eda y a\u00f1o de grabaci\u00f3n, Prestige e Impulse! Pero, como es conocido, en los \u00faltimos a\u00f1os hasta su muerte\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/John-Coltrane_1963-New-Directions.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1915,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-solo-all-the-things-you-are-paul-bley-1963\/","url_meta":{"origin":1315,"position":4},"title":"Tomajazz recomienda&#8230; un solo: \u201cAll The Things You Are\u201d (Paul Bley, 1963)","author":"Adolphus van Tenzing","date":"5 noviembre, 2010","format":false,"excerpt":"En 1963 RCA puso a Coleman Hawkins y a Sonny Rollins, dos de los saxofonistas m\u00e1s importantes de sus respectivas generaciones, frente a frente en una sesi\u00f3n de grabaci\u00f3n. Sin embargo el punto culminante del disco, que tuvo lugar en la versi\u00f3n de \u201cAll The Things You Are\u201d, no vino\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Sonny Rollins and Coleman Hawkins_Sonny Meets Hawk","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Sonny-Rollins-and-Coleman-Hawkins_Sonny-Meets-Hawk-200x198.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":101457,"url":"https:\/\/tomajazz.com\/web\/universos-paralelos-t31-p08-2025-26\/","url_meta":{"origin":1315,"position":5},"title":"Universos Paralelos: emisi\u00f3n 6 de noviembre de 2025 (UP.T.31 P.08) [Noticias de jazz]","author":"Tomajazz","date":"6 noviembre, 2025","format":false,"excerpt":"En la edici\u00f3n del 6 de noviembre de 2025 de Universos Paralelos, Sergio Cabanillas elige el nuevo disco de Max Villavecchia como disco de portada, pero no es lo \u00fanico... #Noticiasdejazz","rel":"","context":"En \u00abUniversos Paralelos - UP\u00bb","block_context":{"text":"Universos Paralelos - UP","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/noticias-2\/universos-paralelos-up\/"},"img":{"alt_text":"Universos Paralelos: emisi\u00f3n 6 de noviembre de 2025 (UP.T.31 P.08) [Noticias de jazz] - Tomajazz - En la edici\u00f3n del 6 de noviembre de 2025 de Universos Paralelos, Sergio Cabanillas elige el nuevo disco de Max Villavecchia como disco de portada, pero no es lo \u00fanico... #Noticiasdejazz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Max-Villavecchia-Entre-Mar-i-Roca-1080.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Max-Villavecchia-Entre-Mar-i-Roca-1080.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Max-Villavecchia-Entre-Mar-i-Roca-1080.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Max-Villavecchia-Entre-Mar-i-Roca-1080.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1315","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1315"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1315\/revisions"}],"predecessor-version":[{"id":3797,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1315\/revisions\/3797"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1315"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1315"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1315"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}