{"id":13174,"date":"2014-07-24T11:05:25","date_gmt":"2014-07-24T09:05:25","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=13174"},"modified":"2016-11-13T17:14:05","modified_gmt":"2016-11-13T16:14:05","slug":"joelle-leandre-cosecha-de-2014-pascal-contet-joelle-leandre-3-ayler-records-2014-theo-ceccaldi-trio-joelle-leandre-can-you-smile-ayler-records-2014-joelle-leandre-nicole-mitchell","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/joelle-leandre-cosecha-de-2014-pascal-contet-joelle-leandre-3-ayler-records-2014-theo-ceccaldi-trio-joelle-leandre-can-you-smile-ayler-records-2014-joelle-leandre-nicole-mitchell\/","title":{"rendered":"Jo\u00eblle L\u00e9andre: cosecha de 2014. Pascal Contet, Jo\u00eblle L\u00e9andre: 3<\/i> (Ayler Records, 2014) \/ Th\u00e9o Ceccaldi Trio + Jo\u00eblle L\u00e9andre: Can You Smile?<\/i> (Ayler Records, 2014) \/ Jo\u00eblle L\u00e9andre – Nicole Mitchell: Sisters Where<\/i> (RogueArt, 2014) \/ Thomas Buckner, Jo\u00eblle L\u00e9andre, Nicole Mitchell: Flowing Stream<\/i> (Leo Records, 2014)"},"content":{"rendered":"

\"Buckner La contrabajista francesa Jo\u00eblle L\u00e9andre<\/strong> sigue en plena forma. A\u00f1o tras a\u00f1o sigue incrementando las referencias que integran su discograf\u00eda sin defraudar a quienes en alg\u00fan momento hayan decidido meterse en su universo creativo, ya que contin\u00faa siendo igualmente atractivo.<\/p>\n

Resulta llamativo que aunque en estas referencias sus compa\u00f1eros van cambi\"Joelleando (algunos repiten, otros m\u00fasicos o grupos son novedad en forma de referencia discogr\u00e1fica), sus grabaciones se mueven con una libertad brillante tanto por los terrenos de la improvisaci\u00f3n libre idiom\u00e1tica, como por los de la improvisaci\u00f3n libre no idiom\u00e1tica. Un elemento que se repite a lo largo de sus grabaciones, y por tanto en las \u00faltimas referencias en las que esta gigante del contrabajo participa, es la capacidad que exhibe esta artista para llegar con sus compa\u00f1eros a un terreno com\u00fan en el que todos los m\u00fasicos transmiten una gran comodidad en sus viajes musicales. Poco importa que sus partenaires sean un acordeonista (Pascal Contet<\/strong> en 3<\/em> -Ayler Records, 2014), un tr\u00edo asentado (el Th\u00e9o Ceccaldi Trio<\/strong> en Can You Smile?<\/em> -Ayler Records, 2014), un d\u00fao de flauta\u00a0y voz (Nicole Mitchell<\/strong> y Thomas Buckner<\/strong> en Flowing Stream<\/em> -Leo Records, 2014), o esta misma flautista, compa\u00f1era a lo largo de distintas grabaciones con distintos acompa\u00f1antes (Sister Where<\/em> -Rogue Art, 2014).<\/p>\n

\"TheoCada una de las grabaciones tiene el atractivo de las distintas sonoridades y personalidades que aportan cada uno de los m\u00fasicos. Los temas relativamente breves junto a la guitarra (por momentos afilada) de Guillaume<\/strong> Aknine<\/strong> y la combinaci\u00f3n de viola, viol\u00edn y contrabajo en el disco con el Th\u00e9o Ceccaldi Trio<\/strong>; la combinaci\u00f3n de flauta, contrabajo y voces en el disco con Buckner<\/strong> y Mitchell<\/strong>; la libertad expandida que da la comodidad del d\u00fao con una vieja compa\u00f1era como es Nicole Mitchell<\/strong>; o la sorprendente escucha proactiva (con unos magn\u00edficos momentos a d\u00fao) junto al acordeonista Pascal Contet<\/strong>.\"Leandre<\/p>\n

\u00a9 Pachi Tapiz, 2014<\/p>\n

Pascal Contet, Jo\u00eblle L\u00e9andre: 3<\/em> (Ayler Records, 2014)
\nTh\u00e9o Ceccaldi Trio + Jo\u00eblle L\u00e9andre: Can You Smile?<\/em> (Ayler Records, 2014)
\nJo\u00eblle L\u00e9andre – Nicole Mitchell: Sisters Where<\/em> (RogueArt, 2014)
\nThomas Buckner, Jo\u00eblle L\u00e9andre, Nicole Mitchell: Flowing Stream<\/em> (Leo Records, 2014)<\/p>\n","protected":false},"excerpt":{"rendered":"

La contrabajista francesa Jo\u00eblle L\u00e9andre sigue en plena forma. A\u00f1o tras a\u00f1o sigue incrementando las referencias que integran su discograf\u00eda sin defraudar a quienes en alg\u00fan momento hayan decidido meterse en su universo creativo, ya que contin\u00faa siendo igualmente atractivo. Resulta llamativo que aunque en estas referencias sus compa\u00f1eros vanContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":13175,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,1038],"tags":[1432,12651,12696,9960,13,12415,15295,5363,1931,7387,31,9963,5323,9962,9959,9965,16099,77,16100,9961],"class_list":["entry","author-pachi","post-13174","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-ayler-records","tag-cd","tag-grabaciones","tag-guillaume-aknine","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-joelle-leandre","tag-leo-records","tag-nicole-mitchell","tag-pachi-tapiz","tag-pascal-content","tag-rogue-art","tag-theo-ceccaldi","tag-theo-ceccaldi-trio-1","tag-thomas-buckner","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-valentin-ceccaldi"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/07\/Buckner-Leandre-Mitchell-Flowing-Stream.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":24162,"url":"https:\/\/tomajazz.com\/web\/hdo-112-joelle-leandre-his-voice-and-his-music-podcast-english\/","url_meta":{"origin":13174,"position":0},"title":"HDO 112. Jo\u00eblle L\u00e9andre: her voice and her music [Podcast] [English]","author":"Tomajazz","date":"13 mayo, 2016","format":false,"excerpt":"The unique voice of Jo\u00eblle L\u00e9andre makes her one of the most important creative musician\u00a0in Europe. Pachi Tapiz interviews her in the HDO Tomajazz podcast.","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"Jo\u00eblle Leandre. 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La puesta en circulaci\u00f3n de nuevo del CD a\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Joelle-Leandre-10_Can-You-Hear-Me_Ayler-Records_2016-e1463082293784.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Joelle-Leandre-10_Can-You-Hear-Me_Ayler-Records_2016-e1463082293784.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Joelle-Leandre-10_Can-You-Hear-Me_Ayler-Records_2016-e1463082293784.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":26449,"url":"https:\/\/tomajazz.com\/web\/hdo-166-improvisando-ayer-y-hoy-lazro-leandre-lewis-enfances-mcphee-flowers-leandre-ceccaldi-elastic-3x3-013-podcast\/","url_meta":{"origin":13174,"position":2},"title":"HDO 166. Improvisando ayer y hoy. Lazro – L\u00e9andre – Lewis \u00abEnfances\u00bb \/ McPhee \u00abFlowers\u00bb \/ L\u00e9andre – Ceccaldi \u00abElastic\u00bb. 3×3 (013) [Podcast]","author":"Tomajazz","date":"22 septiembre, 2016","format":false,"excerpt":"La improvisaci\u00f3n libre tiene m\u00faltiples facetas. En la entrega 166 de HDO, se muestran algunas de ellas acudiendo a tres grabaciones publicadas en los \u00faltimos meses. 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Comenzando su conmemoraci\u00f3n, y con permiso de RogueArt que hace no demasiado publicaba Before After a nombre de Jo\u00eblle L\u00e9andre - Nicole Mitchell - Dylan van der Schyff, Leo Records publica un doble CD en directo que la muestra en\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/03\/Joelle-Leandre-Tentet.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":42398,"url":"https:\/\/tomajazz.com\/web\/hdo-496-joelle-leandre-y-su-strings-garden-podcast\/","url_meta":{"origin":13174,"position":4},"title":"HDO 496. Jo\u00eblle L\u00e9andre y su Strings Garden [Podcast]","author":"Tomajazz","date":"19 marzo, 2019","format":false,"excerpt":"Por\u00a0Pachi Tapiz. 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HDO (0010) [Audioblog]","author":"Tomajazz","date":"16 septiembre, 2015","format":"image","excerpt":"La francesa Jo\u00eblle L\u00e9andre es una gigante del contrabajo, una primer\u00edsima figura de la escena de la libre improvisaci\u00f3n. Su actividad es la de \"a busy musician\" (en sus propias palabras), tanto en forma de actuaciones como de grabaciones. En este apartado, en los pr\u00f3ximos meses ver\u00e1 la publicaci\u00f3n de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150915_002-e1442353376998.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150915_002-e1442353376998.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150915_002-e1442353376998.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150915_002-e1442353376998.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/WP_20150915_002-e1442353376998.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13174","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=13174"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13174\/revisions"}],"predecessor-version":[{"id":13238,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13174\/revisions\/13238"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/13175"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=13174"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=13174"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=13174"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}