Taylor<\/strong> a la bater\u00eda.<\/p>\nLa sesi\u00f3n, de la que tambi\u00e9n se public\u00f3 el disco All Mornin’ Long<\/em>, arranca con el blues<\/em>, original de Garland<\/strong>, que da t\u00edtulo al \u00e1lbum. Histri\u00f3nico como pocos, el pianista muestra todo su arsenal en diecis\u00e9is minutos de l\u00e1nguida interpretaci\u00f3n. Los vientos se sueltan en dos composiciones de Dizzy<\/strong> Gillespie<\/strong> para devolver protagonismo a Garland<\/strong>, que acaricia sus teclas en el \u00abI’ve Got It Bad\u00bb de Duke<\/strong> Ellington<\/strong>. Cierra la fiesta un \u00abHallelujah\u00bb tan r\u00e1pido como fluido.<\/p>\n\u00a9\u00a0Adolphus van Tenzing, 2014<\/p>\n
The Red Garland Quintet \u2013 Soul Junction <\/em>(Prestige 7181)<\/p>\n","protected":false},"excerpt":{"rendered":"Red Garland, el pianista boxeador, fue miembro destacado (qui\u00e9n no lo fue) del primer gran quinteto de Miles Davis. En este Soul Junction organiza una especie de spin-off del grupo del trompetista, del que conserva al contrabajista Paul Chambers y a un John Coltrane en plena ebullici\u00f3n, exactamente dos mesesContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":13544,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,5,1038,1273],"tags":[5366,10098,5567,12651,1639,5565,6637,12696,10100,10099,13,12415,15295,1870,2004,2083,2105,10096,10097,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-13535","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-disco","category-grabaciones","category-contenidos","category-tomajazz-recomienda","tag-adolphus-van-tenzing","tag-all-mornin-long","tag-art-taylor","tag-cd","tag-dizzy-gillespie","tag-donald-byrd","tag-duke-ellington","tag-grabaciones","tag-hallelujah","tag-ive-got-it-bad","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-john-coltrane","tag-miles-davis","tag-paul-chambers","tag-prestige","tag-red-garland","tag-soul-junction","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/soul_junction.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":31033,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-workin-miles-davis-171\/","url_meta":{"origin":13535,"position":0},"title":"365 razones para amar el jazz: un disco. Workin\u2019 (Miles Davis) [171]","author":"Tomajazz","date":"20 junio, 2017","format":false,"excerpt":"Un disco.\u00a0Miles Davis: Workin' With The Miles Davis Quintet (Prestige, 1959). Seleccionado por\u00a0Arturo Mora Rioja Con Miles Davis, John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Working-with-The-Miles-Davis-Quintet_prestige.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31005,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-cd-round-about-midnight-miles-davis-169\/","url_meta":{"origin":13535,"position":1},"title":"365 razones para amar el jazz: un CD. ‘Round About Midnight (Miles Davis) [169]","author":"Tomajazz","date":"18 junio, 2017","format":false,"excerpt":"Un CD. Miles Davis:\u00a0'Round About Midnight (Columbia, 1957) Seleccionado por Juan Antonio Serrano Cervantes Con Miles Davis, John Coltrane, Red Garland, Paul Chambers, Philly Joe Jones","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Round-About-Midnight-e1497648228466.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Round-About-Midnight-e1497648228466.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Miles-Davis_Round-About-Midnight-e1497648228466.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":61122,"url":"https:\/\/tomajazz.com\/web\/red-garland-its-a-blue-world-por-juan-f-trillo-tomajazz-remembers-12-minipodcast-de-jazz\/","url_meta":{"origin":13535,"position":2},"title":"Red Garland: \u201cIt\u2019s a Blue World\u201d Por Juan F. Trillo. Tomajazz Remembers #12 [Minipodcast de jazz]","author":"Tomajazz","date":"14 febrero, 2022","format":false,"excerpt":"En Tomajazz Remembers suena el tema \u201cIt\u2019s a Blue World\u201d de Red Garland. Tomajazz Remembers es una secci\u00f3n de Juan F. Trillo.","rel":"","context":"En \u00abTomajazz Remembers (Podcast de jazz)\u00bb","block_context":{"text":"Tomajazz Remembers (Podcast de jazz)","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/a_time_to_remember\/"},"img":{"alt_text":"Red Garland: \u201cIt\u2019s a Blue World\u201d Por Juan F. Trillo. 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A\u00f1o 1926) Seleccionado por\u00a0Luis Escalante Ozalla \"Bye bye Blackbird\". Miles Davis: \u2018Round About Midnight (1957) Miles Davis, Red Garland, Paul Chambers, Philly Joe Jones, John Coltrane. Grabaci\u00f3n: 5 de junio de 1956. Album:","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/Henderson-Dixon_Bye-Bye-Blackbird-200x254.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":13549,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-someone-to-watch-over-me-donald-byrd-1955\/","url_meta":{"origin":13535,"position":4},"title":"Tomajazz recomienda\u2026 un tema: \u00abSomeone to Watch Over Me\u00bb (Donald Byrd, 1955)","author":"Adolphus van Tenzing","date":"22 diciembre, 2014","format":false,"excerpt":"Es dif\u00edcil interpretar un standard de George Gershwin sin que suene a gloria, m\u00e1xime si se trata de una balada tan intensa y emocionante como \"Someone to Watch Over Me\". En cualquier caso Donald Byrd lleva al oyente al Para\u00edso con su interpretaci\u00f3n del cl\u00e1sico en su Byrd' Word. Su\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"album-33182","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/album-33182.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1927,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-soul-station-hank-mobley\/","url_meta":{"origin":13535,"position":5},"title":"Tomajazz recomienda… un CD: Soul Station (Hank Mobley, 1960)","author":"Adolphus van Tenzing","date":"6 diciembre, 2010","format":false,"excerpt":"Algunos solo le conocen por su breve etapa en el quinteto de Miles Davis (lleg\u00f3 a actuar con el trompetista en el m\u00edtico concierto de 1961 en el Carnegie Hall), para otros es uno de los grandes tenores de toda la historia del jazz. Su nombre: Hank Mobley y, posiblemente,\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Hank Mobley - Soul Station","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2010\/12\/recomienda.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13535","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=13535"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13535\/revisions"}],"predecessor-version":[{"id":14217,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13535\/revisions\/14217"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/13544"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=13535"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=13535"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=13535"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"soul_junction\"](\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/soul_junction.jpg\" "\\"\\"")
<\/a>Red Garland<\/strong>, el pianista boxeador, fue miembro destacado (qui\u00e9n no lo fue) del primer gran quinteto de Miles<\/strong> Davis<\/strong>. En este Soul Junction <\/em>organiza una especie de spin-off<\/em> del grupo del trompetista, del que conserva al contrabajista Paul<\/strong> Chambers<\/strong> y a un John<\/strong> Coltrane<\/strong> en plena ebullici\u00f3n, exactamente dos meses despu\u00e9s de grabar su legendario Blue Train<\/em>. Para mantener el nivel el l\u00edder completa la banda con Donald Byrd<\/strong> a la trompeta y Art<\/strong> Taylor<\/strong> a la bater\u00eda.<\/p>\n