{"id":13547,"date":"2014-12-01T10:50:11","date_gmt":"2014-12-01T09:50:11","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=13547"},"modified":"2016-11-13T20:09:58","modified_gmt":"2016-11-13T19:09:58","slug":"tomajazz-recomienda-un-cd-our-man-in-paris-dexter-gordon-1963","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-our-man-in-paris-dexter-gordon-1963\/","title":{"rendered":"Tomajazz recomienda\u2026 un CD: <i>Our Man in Paris<\/i> (Dexter Gordon, 1963)"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/Dexter_Gordon_Our_Man_In_Paris.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-13538\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/Dexter_Gordon_Our_Man_In_Paris.jpg\" alt=\"Dexter Gordon :: OUR MAN IN PARIS\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/Dexter_Gordon_Our_Man_In_Paris.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/Dexter_Gordon_Our_Man_In_Paris-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/Dexter_Gordon_Our_Man_In_Paris-55x55.jpg 55w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a>La interpretaci\u00f3n de Dexter Gordon en la pel\u00edcula <em>Round Midnight<\/em> fue tan extraordinaria que le nominaron al Oscar. A\u00fan as\u00ed ser\u00eda una pena que se le recordara m\u00e1s por su ocasional faceta de actor que por la de m\u00fasico. De muestra un bot\u00f3n: este <em>Our Man in Paris<\/em> es toda una gu\u00eda de jazz para novatos e iniciados, para expertos y para m\u00fasicos. Gordon y el tr\u00edo que le acompa\u00f1a surcan siete <em>standards <\/em>(cinco en el LP original) con tal agilidad y desenvoltura que acu\u00f1an versiones can\u00f3nicas de los mismos. Las improvisaciones del l\u00edder discurren con desparpajo y sinceridad llevado en volandas por un tr\u00edo de ensue\u00f1o: al piano el mism\u00edsimo Bud Powell (s\u00ed, en cuya vida est\u00e1 basado parte del personaje que represent\u00f3 Gordon en <em>Round Midnight<\/em>), al contrabajo Pierre Michelot (ofreciendo notas de peso en la introducci\u00f3n a \u00abA Night in Tunisia\u00bb) y a la bater\u00eda Kenny Clarke. Un franc\u00e9s y tres yanquis exiliados grabando en un estudio parisino un material inolvidable cuya vigencia tardar\u00e1 en verse retada.<\/p>\n<p style=\"text-align: right;\">\u00a9\u00a0Adolphus van Tenzing, 2014<\/p>\n<p class=\"ESparrafodespuesdeepigrafe\"><span lang=\"EN-US\">Dexter Gordon \u2013 <i>Our Man in Paris <\/i>(Blue Note)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La interpretaci\u00f3n de Dexter Gordon en la pel\u00edcula Round Midnight fue tan extraordinaria que le nominaron al Oscar. A\u00fan as\u00ed ser\u00eda una pena que se le recordara m\u00e1s por su ocasional faceta de actor que por la de m\u00fasico. De muestra un bot\u00f3n: este Our Man in Paris es toda<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-our-man-in-paris-dexter-gordon-1963\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":13538,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17860,1278,5,1038,1273],"tags":[10102,5366,1487,1522,12651,7021,12696,13,12415,15295,8234,10101,9020,7022,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-13547","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-disco","category-grabaciones","category-contenidos","category-tomajazz-recomienda","tag-a-night-in-tunisia","tag-adolphus-van-tenzing","tag-blue-note","tag-bud-powell","tag-cd","tag-dexter-gordon","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-kenny-clarke","tag-our-man-in-paris","tag-pierre-michelot","tag-round-midnight","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/Dexter_Gordon_Our_Man_In_Paris.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=13547"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13547\/revisions"}],"predecessor-version":[{"id":15781,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13547\/revisions\/15781"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/13538"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=13547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=13547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=13547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}