Round Midnight<\/em>), al contrabajo Pierre Michelot (ofreciendo notas de peso en la introducci\u00f3n a \u00abA Night in Tunisia\u00bb) y a la bater\u00eda Kenny Clarke. Un franc\u00e9s y tres yanquis exiliados grabando en un estudio parisino un material inolvidable cuya vigencia tardar\u00e1 en verse retada.<\/p>\n\u00a9\u00a0Adolphus van Tenzing, 2014<\/p>\n
Dexter Gordon \u2013 Our Man in Paris <\/i>(Blue Note)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"La interpretaci\u00f3n de Dexter Gordon en la pel\u00edcula Round Midnight fue tan extraordinaria que le nominaron al Oscar. A\u00fan as\u00ed ser\u00eda una pena que se le recordara m\u00e1s por su ocasional faceta de actor que por la de m\u00fasico. De muestra un bot\u00f3n: este Our Man in Paris es todaContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":13538,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,5,1038,1273],"tags":[10102,5366,1487,1522,12651,7021,12696,13,12415,15295,8234,10101,9020,7022,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-13547","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-disco","category-grabaciones","category-contenidos","category-tomajazz-recomienda","tag-a-night-in-tunisia","tag-adolphus-van-tenzing","tag-blue-note","tag-bud-powell","tag-cd","tag-dexter-gordon","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-kenny-clarke","tag-our-man-in-paris","tag-pierre-michelot","tag-round-midnight","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/Dexter_Gordon_Our_Man_In_Paris.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":101638,"url":"https:\/\/tomajazz.com\/web\/dexter-gordon-more-than-you-know-2025\/","url_meta":{"origin":13547,"position":0},"title":"Dexter Gordon: More Than You Know (GleAM Records; 1981; edici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"10 noviembre, 2025","format":false,"excerpt":"More Than You Know es una grabaci\u00f3n in\u00e9dita de Dexter Gordon de 1981 publicada por GleAM Records en 2025. Pachi Tapiz repasa la grabaci\u00f3n. Con Dexter Gordon, Kirk Lightsey, David Eubanks, Edward Gladden","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Dexter Gordon: More Than You Know (GleAM Records; 1981; edici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - More Than You Know es una grabaci\u00f3n in\u00e9dita de Dexter Gordon de 1981 publicada por GleAM Records en 2025. Pachi Tapiz repasa la grabaci\u00f3n. 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A todos ellos les pregunt\u00f3 cu\u00e1les ser\u00edan sus tres deseos (\"Three Wishes\"). D\u00e9cadas\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Three Wishes - Pannonica de Koenigswarter","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/recomienda1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":41225,"url":"https:\/\/tomajazz.com\/web\/dexter-gordon-ii-la-odisea-de-la-musica-afroamericana-178-podcast\/","url_meta":{"origin":13547,"position":2},"title":"Dexter Gordon (II). La Odisea de la M\u00fasica Afroamericana (178) [Podcast]","author":"Tomajazz","date":"21 enero, 2019","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. En el cap\u00edtulo 178 de\u00a0La Odisea de\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Dexter-Gordon_Stable-Mates.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Dexter-Gordon_Stable-Mates.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/01\/Dexter-Gordon_Stable-Mates.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":8236,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-manha-de-carnaval-dexter-gordon-1966\/","url_meta":{"origin":13547,"position":3},"title":"Tomajazz recomienda\u2026 un tema: \u201cManha de Carnaval\u201d (Dexter Gordon, 1966)","author":"Adolphus van Tenzing","date":"23 diciembre, 2013","format":false,"excerpt":"Ciertas interpretaciones tienen la virtud de abstraer al oyente de cualquier tarea que est\u00e9 realizando, por trascendente que sea. Ahora lo trascendente es la m\u00fasica. Dexter Gordon decidi\u00f3 abrir su Gettin\u2019 Around (qu\u00e9 portada m\u00e1s conseguida, por cierto) con una versi\u00f3n inolvidable de \u201cManha de Carnaval\u201d, bossa nova triste como\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Dexter Gordon - Gettin' Around","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/recomienda1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10949,"url":"https:\/\/tomajazz.com\/web\/driftin-herbie-hancock-1962\/","url_meta":{"origin":13547,"position":4},"title":"Tomajazz recomienda\u2026 un tema: \u201cDriftin\u2019\u201d (Herbie Hancock, 1962) Por Adolphus van Tenzing","author":"Tomajazz","date":"11 marzo, 2014","format":false,"excerpt":"A lo largo de la historia del jazz han surgido una serie de temas protot\u00edpicos de los diversos subestilos del g\u00e9nero (\u201cConfirmation\u201d como muestra de be-bop, \u201cSo What\u201d de jazz modal, \u201cBirdland\u201d de jazz fusion). La etiqueta hard-bop cubre un campo bastante extenso, pero gran parte de sus caracter\u00edsticas quedan\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Herbie_Hancock_-_Takin'_Off","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Herbie_Hancock_-_Takin_Off-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":67724,"url":"https:\/\/tomajazz.com\/web\/maxine-gordon-dexter-gordon-biografia-2022\/","url_meta":{"origin":13547,"position":5},"title":"Maxine Gordon: Dexter Gordon (Turner Noema, 2022) Por Pachi Tapiz [Libro de jazz]","author":"Tomajazz","date":"24 octubre, 2022","format":false,"excerpt":"Pachi Tapiz repasa Dexter Gordon (Turner Noema, 2022), la biograf\u00eda del saxofonista escrita por Maxine Gordon.","rel":"","context":"En \u00abLibros...\u00bb","block_context":{"text":"Libros...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/libros\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/10\/Maxine-Gordon-Dexter-Gordon-Turner-Noema-2022WEB.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=13547"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13547\/revisions"}],"predecessor-version":[{"id":15781,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13547\/revisions\/15781"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/13538"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=13547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=13547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=13547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"Dexter](\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/Dexter_Gordon_Our_Man_In_Paris.jpg\" "\\"\\"")
<\/a>La interpretaci\u00f3n de Dexter Gordon en la pel\u00edcula Round Midnight<\/em> fue tan extraordinaria que le nominaron al Oscar. A\u00fan as\u00ed ser\u00eda una pena que se le recordara m\u00e1s por su ocasional faceta de actor que por la de m\u00fasico. De muestra un bot\u00f3n: este Our Man in Paris<\/em> es toda una gu\u00eda de jazz para novatos e iniciados, para expertos y para m\u00fasicos. Gordon y el tr\u00edo que le acompa\u00f1a surcan siete standards <\/em>(cinco en el LP original) con tal agilidad y desenvoltura que acu\u00f1an versiones can\u00f3nicas de los mismos. Las improvisaciones del l\u00edder discurren con desparpajo y sinceridad llevado en volandas por un tr\u00edo de ensue\u00f1o: al piano el mism\u00edsimo Bud Powell (s\u00ed, en cuya vida est\u00e1 basado parte del personaje que represent\u00f3 Gordon en Round Midnight<\/em>), al contrabajo Pierre Michelot (ofreciendo notas de peso en la introducci\u00f3n a \u00abA Night in Tunisia\u00bb) y a la bater\u00eda Kenny Clarke. Un franc\u00e9s y tres yanquis exiliados grabando en un estudio parisino un material inolvidable cuya vigencia tardar\u00e1 en verse retada.<\/p>\n