![\"acoustic_romance\"](\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/acoustic_romance.jpg\" "\\"\\"")
<\/a>Gene Bertoncini ha sido capaz de adaptar perfectamente la sonoridad de la guitarra ac\u00fastica al mundo del jazz. Sabe atacar r\u00e1pidas improvisaciones con virtuosismo mientras conserva el lirismo natural del instrumento. En este Acoustic Romance<\/i> sus cuerdas de nailon repasan doce standards <\/i>de corte relajado. El neoyorquino sabe emocionar a guitarra sola, especialmente en los temas m\u00e1s lentos, pero combina dicha capacidad con animados di\u00e1logos con su secci\u00f3n r\u00edtmica: Akira Tana a la bater\u00eda y un soberbio Rufus Reid al contrabajo. Merece la pena prestar atenci\u00f3n a la interacci\u00f3n guitarra-contrabajo en \u00abTwo for the Road\u00bb y a la evoluci\u00f3n de \u00abWhat Are You Doing the Rest of Your Life?\u00bb desde la languidez asentada en el arco del contrabajo hasta un pegadizo ritmo latino. De igual modo la deliciosa aproximaci\u00f3n a \u00abEmily\u00bb da paso a un \u00abInvitation\u00bb que invita, en este caso, a bailar. Un disco obligado para los amantes de la guitarra ac\u00fastica.<\/p>\n\u00a0\u00a9\u00a0Adolphus van Tenzing, 2014<\/p>\n
Gene Bertoncini:\u00a0Acoustic Romance <\/i>(King Record 155)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"Gene Bertoncini ha sido capaz de adaptar perfectamente la sonoridad de la guitarra ac\u00fastica al mundo del jazz. Sabe atacar r\u00e1pidas improvisaciones con virtuosismo mientras conserva el lirismo natural del instrumento. En este Acoustic Romance sus cuerdas de nailon repasan doce standards de corte relajado. El neoyorquino sabe emocionar aContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":13536,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,5,1038,1273],"tags":[1352,5366,10108,12651,10106,12696,13,12415,15295,10109,8238,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-13551","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-grabaciones","category-contenidos","category-tomajazz-recomienda","tag-1352","tag-adolphus-van-tenzing","tag-akira-tana","tag-cd","tag-gene-bertoncini","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-king-record","tag-rufus-reid","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/acoustic_romance.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":100178,"url":"https:\/\/tomajazz.com\/web\/akira-sakata-hyperentasis-defkaz-2025\/","url_meta":{"origin":13551,"position":0},"title":"Akira Sakata: Hyperentasis (Defkaz; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"10 octubre, 2025","format":false,"excerpt":"Hyperentasis (Defkaz; 2025) es el nuevo doble LP de Akira Sakata. Pachi Tapiz repasa la grabaci\u00f3n. Intervienen Akira Sakata, Giovanni Di Domenico, Giotis Damianidis, Petros Damianidis, Aleksandar \u0160kori\u0107, Paal Nilssen-Love, Tatsuhisa Yamamoto","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"20251010 Akira Sakata: Hyperentasis (Defkaz; 2025) - Tomajazz - Hyperentasis (Defkaz; 2025) es el nuevo doble LP de Akira Sakata. Pachi Tapiz repasa la grabaci\u00f3n. Intervienen Akira Sakata, Giovanni Di Domenico, Giotis Damianidis, Petros Damianidis, Aleksandar \u0160kori\u0107, Paal Nilssen-Love, Tatsuhisa Yamamoto","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Akira-Sakata-Hyperentasis-2025-Defkaz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Akira-Sakata-Hyperentasis-2025-Defkaz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Akira-Sakata-Hyperentasis-2025-Defkaz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Akira-Sakata-Hyperentasis-2025-Defkaz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":103232,"url":"https:\/\/tomajazz.com\/web\/steve-lehman-the-music-of-anthony-braxton-2025\/","url_meta":{"origin":13551,"position":1},"title":"Steve Lehman Trio + Mark Turner: The Music of Anthony Braxton (Pi Recordings: 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"8 enero, 2026","format":false,"excerpt":"The Music of Anthony Braxton (Pi Recordings: 2025) es lo nuevo de Steve Lehman Trio + Mark Turner. Carlos Lara repasa la grabaci\u00f3n. Con Steve Lehman, Mark Turner, Matt Brewer, Damion Reid","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Steve Lehman Trio + Mark Turner: The Music of Anthony Braxton (Pi Recordings: 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - The Music of Anthony Braxton (Pi Recordings: 2025) es lo nuevo de Steve Lehman Trio + Mark Turner. Carlos Lara repasa la grabaci\u00f3n. Con Steve Lehman, Mark Turner, Matt Brewer, Damion Reid","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Steve-Lehman-Trio-Mark-Turner-The-Music-of-Anthony-Braxton-Pi-Recordings-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Steve-Lehman-Trio-Mark-Turner-The-Music-of-Anthony-Braxton-Pi-Recordings-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Steve-Lehman-Trio-Mark-Turner-The-Music-of-Anthony-Braxton-Pi-Recordings-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Steve-Lehman-Trio-Mark-Turner-The-Music-of-Anthony-Braxton-Pi-Recordings-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":101775,"url":"https:\/\/tomajazz.com\/web\/al-di-meola-jazzmadrid-2025\/","url_meta":{"origin":13551,"position":2},"title":"Al Di Meola Acoustic Trio (Festival Internacional JazzMadrid 2025, Centro Cultural de la Villa, Sala Guirau Madrid. 2025-11-12) Por Enrique Farelo [Concierto de jazz]","author":"Tomajazz","date":"15 noviembre, 2025","format":false,"excerpt":"Al Di Meola Acoustic Trio actu\u00f3 en el Festival Internacional JazzMadrid 2025, el 12 de noviembre de 2025. Enrique Farelo lo retrata y relata. Actuaron Al Di Meola, Peo Alfonsi, Sergio Mart\u00ednez","rel":"","context":"En \u00abFestival Internacional JazzMadrid 2025\u00bb","block_context":{"text":"Festival Internacional JazzMadrid 2025","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/festival-internacional-jazzmadrid-2025\/"},"img":{"alt_text":"Al Di Meola Acoustic Trio (Festival Internacional JazzMadrid 2025, Centro Cultural de la Villa, Sala Guirau Madrid. 2025-11-12) Por Enrique Farelo [Concierto de jazz] - Tomajazz - Al Di Meola Acoustic Trio actu\u00f3 en el Festival Internacional JazzMadrid 2025, el 12 de noviembre de 2025. Enrique Farelo lo retrata y relata. Actuaron Al Di Meola, Peo Alfonsi, Sergio Mart\u00ednez\n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Acoustic-Trio-.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Acoustic-Trio-.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Acoustic-Trio-.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Acoustic-Trio-.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2051,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-grupo-last-exit\/","url_meta":{"origin":13551,"position":3},"title":"Tomajazz recomienda\u2026 un grupo: Last Exit","author":"Adolphus van Tenzing","date":"26 marzo, 2012","format":false,"excerpt":"Last Exit fue uno de esos supergrupos tan al uso en los a\u00f1os ochenta. Lo que resulta m\u00e1s inusual es que se moviera por los territorios del free y otras vanguardias del jazz. Estaba formado por cuatro fuertes personalidades at\u00edpicas pero complementarias. Bill Laswell, productor y (fenomenal) bajista con un\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/Last-Exit-The-Noise-Of-Trouble-Live-In-Tokyo.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":104287,"url":"https:\/\/tomajazz.com\/web\/craig-taborn-tomeka-reid-ches-smith-dream-archives-2026\/","url_meta":{"origin":13551,"position":4},"title":"Craig Taborn, Tomeka Reid & Ches Smith: Dream Archives (ECM; 2026) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"4 marzo, 2026","format":false,"excerpt":"Dream Archives (ECM; 2026) es lo nuevo de Craig Taborn, Tomeka Reid & Ches Smith. Carlos Lara repasa la grabaci\u00f3n","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Craig Taborn, Tomeka Reid & Ches Smith: Dream Archives (ECM; 2026) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Dream Archives (ECM; 2026) es lo nuevo de Craig Taborn, Tomeka Reid & Ches Smith. Carlos Lara repasa la grabaci\u00f3n\n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/03\/Craig-Taborn-Tomeka-Reid-Ches-Smith-Dream-Archives-ECM-2026-.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/03\/Craig-Taborn-Tomeka-Reid-Ches-Smith-Dream-Archives-ECM-2026-.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/03\/Craig-Taborn-Tomeka-Reid-Ches-Smith-Dream-Archives-ECM-2026-.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/03\/Craig-Taborn-Tomeka-Reid-Ches-Smith-Dream-Archives-ECM-2026-.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":10110,"url":"https:\/\/tomajazz.com\/web\/frank-wess-magic-201-ipo-recordings-2014-en-la-casa-del-mundo-lxviii\/","url_meta":{"origin":13551,"position":5},"title":"Frank Wess: Magic 201 (IPO Recordings, 2014) [En \u00abLa Casa del Mundo\u00bb (LXVIII)]","author":"Tomajazz","date":"30 enero, 2014","format":false,"excerpt":"Magic 201*, grabaci\u00f3n p\u00f3stuma de Frank Wess, podr\u00eda llegar a verse como una estrategia comercial. Un lanzamiento a la sombra de su fallecimiento el pasado mes de octubre de 2013, o quiz\u00e1s como la continuaci\u00f3n del magn\u00edfico Magic 101. Sin embargo, hay al menos diez razones que contradicen este planteamiento.\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"frankwess_magic201_dm","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/frankwess_magic201_dm-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13551","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=13551"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13551\/revisions"}],"predecessor-version":[{"id":15905,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13551\/revisions\/15905"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/13536"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=13551"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=13551"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=13551"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}