![\"extensions\"](\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/extensions.jpg\" "\\"\\"")
<\/a>Rodeado de un intenso halo de misticismo, McCoy Tyner hizo suya la sonoridad del cuarteto de John Coltrane al que \u00e9l mismo hab\u00eda pertenecido tres a\u00f1os despu\u00e9s de la muerte de su l\u00edder. Con Alice, esposa del maestro del saxof\u00f3n, al harpa, y rodeado de los saxos de Wayne Shorter y Gary Bartz y una secci\u00f3n r\u00edtmica de a\u00fapa con Ron Carter al contrabajo y el tambi\u00e9n sideman<\/i> de Coltrane Elvin Jones a la bater\u00eda, Tyner explora formas modales en todo un entorno de world music<\/i> (\u00bfse hab\u00eda acu\u00f1ado ya el t\u00e9rmino?). Shorter y Bartz exploran con tenacidad, Jones aprovecha la consistencia de su contrabajista para superponer ritmos y Alice aporta pinceladas sobrecogedoras. Su marido les bendec\u00eda desde las alturas y Rudy Van Gelder desde los controles de sonido.<\/p>\n\u00a0\u00a9\u00a0Adolphus van Tenzing, 2014<\/p>\n
McCoy Tyner: Extensions <\/i>(Blue Note 7243 8 97646 2 4)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"Rodeado de un intenso halo de misticismo, McCoy Tyner hizo suya la sonoridad del cuarteto de John Coltrane al que \u00e9l mismo hab\u00eda pertenecido tres a\u00f1os despu\u00e9s de la muerte de su l\u00edder. Con Alice, esposa del maestro del saxof\u00f3n, al harpa, y rodeado de los saxos de Wayne ShorterContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,5,1038,1273],"tags":[5366,10120,1487,12651,1674,10119,10121,12696,13,12415,15295,1870,1983,2158,2169,16099,77,16100,2337],"class_list":["entry","author-adolphus-van-tenzing","post-13555","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-disco","category-grabaciones","category-contenidos","category-tomajazz-recomienda","tag-adolphus-van-tenzing","tag-alice-coltrane","tag-blue-note","tag-cd","tag-elvin-jones","tag-extensions","tag-gary-bartz","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-john-coltrane","tag-mccoy-tyner","tag-ron-carter","tag-rudy-van-gelder","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-wayne-shorter"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":5269,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-black-nile-wayne-shorter-1964\/","url_meta":{"origin":13555,"position":0},"title":"Tomajazz recomienda… un tema: \u00abBlack Nile\u00bb (Wayne Shorter, 1964)","author":"Adolphus van Tenzing","date":"4 marzo, 2013","format":false,"excerpt":"En 1964 Wayne Shorter era una especie de Rey Midas del jazz: lo que tocaba lo convert\u00eda en oro. Fue a lo largo de ese a\u00f1o cuando el saxofonista escribi\u00f3 y grab\u00f3 standards modernos como \"Virgo\", \"Juju\", \"Yes Or No\", \"Witch Hunt\", \"Fee-Fi-Fo-Fum\", \"Infant Eyes\" o \"Speak No Evil\". En\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/03\/Wayne-Shorter-_Night-Dreamer.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2072,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-amen-john-coltrane-1965\/","url_meta":{"origin":13555,"position":1},"title":"Tomajazz recomienda… un tema: \u00abAmen\u00bb (John Coltrane, 1965)","author":"Adolphus van Tenzing","date":"15 octubre, 2012","format":false,"excerpt":"1965 marc\u00f3 el \u00faltimo punto de inflexi\u00f3n en la carrera de John Coltrane. Tras sus \"sheets of sound\", sus \"Coltrane changes\", las sonoridades \u00e9tnicas al soprano y la \u00e9poca m\u00edstica de Crescent y A Love Supreme, el saxofonista de Carolina del Norte preparaba su inmersi\u00f3n final en el concepto libre\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2012\/10\/recomienda.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":29566,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-crescent-john-coltrane-67\/","url_meta":{"origin":13555,"position":2},"title":"365 razones para amar el jazz: un disco. Crescent (John Coltrane) [67]","author":"Tomajazz","date":"8 marzo, 2017","format":false,"excerpt":"Un disco.\u00a0John Coltrane:\u00a0Crescent (Impulse!, 1964) Seleccionado por\u00a0Arturo Mora Rioja. Con John Coltrane, McCoy Tyner, Jimmy Garrison, Elvin Jones.","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/03\/John_Coltrane_-_Crescent_Impulse_1964-200x177.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":28744,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-john-coltrane-a-love-supreme-impulse-1965-22\/","url_meta":{"origin":13555,"position":3},"title":"365 razones para amar el jazz: un disco. John Coltrane: A Love Supreme (Impulse!, 1965) [22]","author":"Tomajazz","date":"22 enero, 2017","format":false,"excerpt":"365 razones para amar el jazz: un disco. John Coltrane: A Love Supreme (Impulse!, 1965) [22]","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_A-Love-Supreme_Impulse_1965-200x187.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":21505,"url":"https:\/\/tomajazz.com\/web\/coltrane-dolphy-tyner-workman-jones-the-john-coltrane-quintet-en-europa-1961-hdo-0054-audioblog\/","url_meta":{"origin":13555,"position":4},"title":"Coltrane, Dolphy, Tyner, Workman, Jones: The John Coltrane Quintet en Europa, 1961. HDO (0054) [Audioblog]","author":"Tomajazz","date":"25 diciembre, 2015","format":"audio","excerpt":"En noviembre de 1961 John Coltrane realiz\u00f3 una gira por Europa encabezando un quinteto en el que a los habituales McCoy Tyner (piano), Reggie Workman (contrabajo) y Elvin Jones (bater\u00eda), incorpor\u00f3 a Eric Dolphy (saxo alto, clarinete bajo, flauta). Durante tres semanas dieron unos treinta conciertos tanto en la Europa\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/The-John-Coltrane-Quintet_So-Many-Things_The-European-Tour-1961_Acrobat-Music_Rec.2015.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/The-John-Coltrane-Quintet_So-Many-Things_The-European-Tour-1961_Acrobat-Music_Rec.2015.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/The-John-Coltrane-Quintet_So-Many-Things_The-European-Tour-1961_Acrobat-Music_Rec.2015.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1993,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-solo-mccoy-tyner-central-park-west-john-coltrane-1960\/","url_meta":{"origin":13555,"position":5},"title":"Tomajazz recomienda… un solo: McCoy Tyner. \u00abCentral Park West\u00bb (John Coltrane, 1960)","author":"Adolphus van Tenzing","date":"27 mayo, 2011","format":false,"excerpt":"Los Coltrane changes, la sucesi\u00f3n de acordes que popularizara el saxofonista John Coltrane en composiciones como \"Giant Steps\", \"Countdown\" o \"26-2\" no s\u00f3lo funcionaban sobre tiempos r\u00e1pidos, como demostr\u00f3 en 1960 en su original \"Central Park West\", cuya melod\u00eda caminaba con delicadeza y brillantez. La prueba definitiva la aport\u00f3 el\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"McCoy Tyner en \"Central Park West\". Coltrane's Sound. John Coltrane. 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