{"id":13988,"date":"2014-09-16T10:20:45","date_gmt":"2014-09-16T08:20:45","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=13988"},"modified":"2016-11-13T21:27:58","modified_gmt":"2016-11-13T20:27:58","slug":"tomajazz-recupera-scott-dubois-the-tempest-is-coming-by-arturo-mora","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-scott-dubois-the-tempest-is-coming-by-arturo-mora\/","title":{"rendered":"Tomajazz recupera&#8230; Scott DuBois: the tempest is coming, by Arturo Mora"},"content":{"rendered":"<figure id=\"attachment_13977\" aria-describedby=\"caption-attachment-13977\" style=\"width: 200px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13977\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_red-200x133.jpg\" alt=\"Scott DuBois \u00a9 Sergio Cabanillas, 2006\" width=\"200\" height=\"133\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_red-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_red-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_red-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_red-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_red-120x80.jpg 120w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_red.jpg 299w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><figcaption id=\"caption-attachment-13977\" class=\"wp-caption-text\">Scott DuBois<br \/>\u00a9 Sergio Cabanillas, 2006<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p align=\"left\">ARTURO MORA: There\u2019s an almost ethnic motive in some parts of <em>Tempest<\/em>, strengthened by Dave Liebman\u2019s Indian flute sound. In other parts your guitar strumming reminds of a folk environment, and elements of rock and drum\u2019n\u2019bass can also be found throughout the recording. Do you think crossover is, today, a central element of jazz?<\/p>\n<p align=\"left\">SCOTT DUBOIS: Absolutely. The music people are writing today in the modern jazz\/improvised music scene has influences from every type of music you can imagine. This has been in jazz since the beginning when it began as a blend of European harmony and African rhythm coming together in America. I listen to almost every type of music that is out there and it just naturally flows through my pencil when I\u2019m composing.<\/p>\n<p align=\"left\">Leer: <a title=\"Scott DuBois: the tempest is coming, by Arturo Mora\" href=\"http:\/\/www.tomajazz.com\/web\/?p=13983\" target=\"_blank\"><strong>Scott DuBois: the tempest is coming, by Arturo Mora<\/strong><\/a> Publicado en noviembre de 2006.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; ARTURO MORA: There\u2019s an almost ethnic motive in some parts of Tempest, strengthened by Dave Liebman\u2019s Indian flute sound. In other parts your guitar strumming reminds of a folk environment, and elements of rock and drum\u2019n\u2019bass can also be found throughout the recording. Do you think crossover is, today,<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recupera-scott-dubois-the-tempest-is-coming-by-arturo-mora\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":13977,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17861,17850,78,15537,9,15517,1038,6669],"tags":[260,7599,187,16099,16100],"class_list":["entry","author-pachi","post-13988","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arturo-mora-rioja","category-sergio-cabanillas","category-afondo","category-entrevistas","category-perfiles","category-textos","category-contenidos","category-tomajazz-recupera","tag-arturo-mora-rioja","tag-scott-dubois","tag-sergio-cabanillas","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_red.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":13983,"url":"https:\/\/tomajazz.com\/web\/scott-dubois-the-tempest-is-coming-by-arturo-mora\/","url_meta":{"origin":13988,"position":0},"title":"Scott DuBois: the tempest is coming, by Arturo Mora","author":"Sergio Cabanillas","date":"15 noviembre, 2006","format":false,"excerpt":"Scott Dubois is one of the top modern jazz guitarists in the New York scene today. Having just released his new CD Tempest (Soul Note, 2006), he will be performing live in Madrid's 23rd Jazz Festival. Arturo Mora had the chance to interview him before his Spanish appearance. \u00a0 \u00a0\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Scott DuBois \u00a9 Sergio Cabanillas, 2006","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_red.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":13989,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-scott-dubois-llega-la-tempestad-por-arturo-mora\/","url_meta":{"origin":13988,"position":1},"title":"Tomajazz recupera&#8230; Scott DuBois: llega la tempestad, por Arturo Mora","author":"Tomajazz","date":"16 septiembre, 2014","format":false,"excerpt":"ARTURO MORA: \u00bfQu\u00e9 m\u00fasica est\u00e1s escuchando ahora mismo? SCOTT DUBOIS: \u00bfPor d\u00f3nde empiezo? He estado catando muchos compositores cl\u00e1sicos del siglo XX como Charles Ives, Gyorgy Ligeti y Bela Bartok. En cuanto a jazz, he estado escuchando la caja de Cecil Taylor\/Buell Neidlinger para Mosaic, la caja de In a\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Scott DuBois \u00a9 Sergio Cabanillas, 2006","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_orange-200x133.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8663,"url":"https:\/\/tomajazz.com\/web\/scott-dubois-committed-and-risky-music-for-hard-times-by-enrique-farelo\/","url_meta":{"origin":13988,"position":2},"title":"Scott DuBois: committed and risky music for hard times, by Enrique Farelo","author":"Sergio Cabanillas","date":"2 diciembre, 2009","format":false,"excerpt":"With Banshees (Sunnyside Records 2008), Scott DuBois takes a new direction merging free jazz, rock and avant-garde bop with modesty and authenticity. He is a self-confident musician and a grey-matter filled brain whose music rewards with its creative richness the full attention it demands from audiences. ENRIQUE FARELO: Do you\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Scott Dubois por Sergio Cabanillas","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/scott_dubois_1078.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":13973,"url":"https:\/\/tomajazz.com\/web\/scott-dubois-llega-la-tempestad-por-arturo-mora\/","url_meta":{"origin":13988,"position":3},"title":"Scott DuBois: llega la tempestad, por Arturo Mora","author":"Sergio Cabanillas","date":"15 noviembre, 2006","format":false,"excerpt":"Scott Dubois es uno de los guitarristas de jazz moderno fundamentales en la escena neoyorquina actual. Con su nuevo CD Tempest (Soul Note, 2006) reci\u00e9n publicado, ofrecer\u00e1 dos conciertos en el XXIII Festival de Jazz de Madrid. Arturo Mora tuvo la oportunidad de entrevistarle antes de su aparici\u00f3n espa\u00f1ola. ARTURO\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Scott DuBois \u00a9 Sergio Cabanillas, 2006","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_red.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":9890,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-scott-dubois-committed-and-risky-music-for-hard-times-by-enrique-farelo\/","url_meta":{"origin":13988,"position":4},"title":"Tomajazz recupera&#8230; Scott DuBois: committed and risky music for hard times, by Enrique Farelo","author":"Tomajazz","date":"13 enero, 2014","format":false,"excerpt":"With\u00a0Banshees\u00a0(Sunnyside Records 2008), Scott DuBois takes a new direction merging free jazz, rock and avant-garde bop with modesty and authenticity. He is a self-confident musician and a grey-matter filled brain whose music rewards with its creative richness the full attention it demands from audiences. Read more...\u00a0Scott DuBois: committed and risky\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Scott Dubois por Sergio Cabanillas","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/scott_dubois_1078.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8678,"url":"https:\/\/tomajazz.com\/web\/scott-dubois-21st-century-guitar\/","url_meta":{"origin":13988,"position":5},"title":"Scott DuBois: 21st century guitar","author":"Sergio Cabanillas","date":"2 abril, 2005","format":false,"excerpt":"Scott DuBois is a performer from the Chicago and New York area that has played and recorded for 8 or 9 years with top jazzmen like Chris Potter, Bob Mintzer, Donny McCaslin or Dave Liebman (\u201cMonsoon\u201d, Soul Note, 2004). He\u2019s a Manhattan School of Music Graduate who has been acclaimed\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/stillman_dubois_ferber_rigby_morgan.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/stillman_dubois_ferber_rigby_morgan.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/stillman_dubois_ferber_rigby_morgan.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13988","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=13988"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13988\/revisions"}],"predecessor-version":[{"id":22859,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13988\/revisions\/22859"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/13977"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=13988"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=13988"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=13988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}