{"id":13989,"date":"2014-09-16T10:40:48","date_gmt":"2014-09-16T08:40:48","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=13989"},"modified":"2018-05-04T11:41:54","modified_gmt":"2018-05-04T09:41:54","slug":"tomajazz-recupera-scott-dubois-llega-la-tempestad-por-arturo-mora","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-scott-dubois-llega-la-tempestad-por-arturo-mora\/","title":{"rendered":"Tomajazz recupera&#8230; Scott DuBois: llega la tempestad, por Arturo Mora"},"content":{"rendered":"<figure id=\"attachment_13976\" aria-describedby=\"caption-attachment-13976\" style=\"width: 200px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-13976\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_orange-200x133.jpg\" alt=\"Scott DuBois \u00a9 Sergio Cabanillas, 2006\" width=\"200\" height=\"133\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_orange-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_orange-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_orange-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_orange-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_orange-120x80.jpg 120w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_orange.jpg 299w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><figcaption id=\"caption-attachment-13976\" class=\"wp-caption-text\">Scott DuBois<br \/>\u00a9 Sergio Cabanillas, 2006<\/figcaption><\/figure>\n<p align=\"left\">ARTURO MORA: \u00bfQu\u00e9 m\u00fasica est\u00e1s escuchando ahora mismo?<\/p>\n<p align=\"left\">SCOTT DUBOIS: \u00bfPor d\u00f3nde empiezo? He estado catando muchos compositores cl\u00e1sicos del siglo XX como Charles Ives, Gyorgy Ligeti y Bela Bartok. En cuanto a jazz, he estado escuchando la caja de Cecil Taylor\/Buell Neidlinger para Mosaic, la caja de <em>In a Silent Way<\/em> de Miles Davis, mucho Paul Bley, un disco a cuarteto de Anthony Braxton que grab\u00f3 en directo en el Festival de Jazz de Willisau, Ornette Coleman, y a muchos de mis contempor\u00e1neos, que est\u00e1n sacando grandes CDs. Tambi\u00e9n he estado escuchando a una gran cantante noruega llamada Hanne Hukkelberg.<\/p>\n<p align=\"left\">Leer: <a title=\"Scott DuBois: llega la tempestad, por Arturo Mora\" href=\"http:\/\/www.tomajazz.com\/web\/?p=13973\" target=\"_blank\"><strong>Scott DuBois: llega la tempestad, por Arturo Mora<\/strong><\/a> Publicado originalmente en noviembre de 2006<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ARTURO MORA: \u00bfQu\u00e9 m\u00fasica est\u00e1s escuchando ahora mismo? SCOTT DUBOIS: \u00bfPor d\u00f3nde empiezo? He estado catando muchos compositores cl\u00e1sicos del siglo XX como Charles Ives, Gyorgy Ligeti y Bela Bartok. En cuanto a jazz, he estado escuchando la caja de Cecil Taylor\/Buell Neidlinger para Mosaic, la caja de In a<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recupera-scott-dubois-llega-la-tempestad-por-arturo-mora\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":13976,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17861,17850,78,15537,13061,9,15517,1038,6669],"tags":[63,260,10559,8428,1199,10558,9089,10560,2004,1200,7688,7599,187,16099,16100],"class_list":["entry","author-pachi","post-13989","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arturo-mora-rioja","category-sergio-cabanillas","category-afondo","category-entrevistas","category-ornette-coleman-gracias-maestro","category-perfiles","category-textos","category-contenidos","category-tomajazz-recupera","tag-anthony-braxton","tag-arturo-mora-rioja","tag-bela-bartok","tag-buell-neidlinger","tag-cecil-taylor","tag-charles-ives","tag-gyorgy-ligeti","tag-hanne-hukkelberg","tag-miles-davis","tag-ornette-coleman","tag-paul-bley","tag-scott-dubois","tag-sergio-cabanillas","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_orange.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":13973,"url":"https:\/\/tomajazz.com\/web\/scott-dubois-llega-la-tempestad-por-arturo-mora\/","url_meta":{"origin":13989,"position":0},"title":"Scott DuBois: llega la tempestad, por Arturo Mora","author":"Sergio Cabanillas","date":"15 noviembre, 2006","format":false,"excerpt":"Scott Dubois es uno de los guitarristas de jazz moderno fundamentales en la escena neoyorquina actual. Con su nuevo CD Tempest (Soul Note, 2006) reci\u00e9n publicado, ofrecer\u00e1 dos conciertos en el XXIII Festival de Jazz de Madrid. Arturo Mora tuvo la oportunidad de entrevistarle antes de su aparici\u00f3n espa\u00f1ola. ARTURO\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Scott DuBois \u00a9 Sergio Cabanillas, 2006","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_red.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":13983,"url":"https:\/\/tomajazz.com\/web\/scott-dubois-the-tempest-is-coming-by-arturo-mora\/","url_meta":{"origin":13989,"position":1},"title":"Scott DuBois: the tempest is coming, by Arturo Mora","author":"Sergio Cabanillas","date":"15 noviembre, 2006","format":false,"excerpt":"Scott Dubois is one of the top modern jazz guitarists in the New York scene today. Having just released his new CD Tempest (Soul Note, 2006), he will be performing live in Madrid's 23rd Jazz Festival. Arturo Mora had the chance to interview him before his Spanish appearance. \u00a0 \u00a0\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Scott DuBois \u00a9 Sergio Cabanillas, 2006","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_red.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":13988,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-scott-dubois-the-tempest-is-coming-by-arturo-mora\/","url_meta":{"origin":13989,"position":2},"title":"Tomajazz recupera&#8230; Scott DuBois: the tempest is coming, by Arturo Mora","author":"Tomajazz","date":"16 septiembre, 2014","format":false,"excerpt":"\u00a0 ARTURO MORA: There\u2019s an almost ethnic motive in some parts of Tempest, strengthened by Dave Liebman\u2019s Indian flute sound. In other parts your guitar strumming reminds of a folk environment, and elements of rock and drum\u2019n\u2019bass can also be found throughout the recording. Do you think crossover is, today,\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Scott DuBois \u00a9 Sergio Cabanillas, 2006","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/scott_dubois_red-200x133.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":9890,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-scott-dubois-committed-and-risky-music-for-hard-times-by-enrique-farelo\/","url_meta":{"origin":13989,"position":3},"title":"Tomajazz recupera&#8230; Scott DuBois: committed and risky music for hard times, by Enrique Farelo","author":"Tomajazz","date":"13 enero, 2014","format":false,"excerpt":"With\u00a0Banshees\u00a0(Sunnyside Records 2008), Scott DuBois takes a new direction merging free jazz, rock and avant-garde bop with modesty and authenticity. He is a self-confident musician and a grey-matter filled brain whose music rewards with its creative richness the full attention it demands from audiences. Read more...\u00a0Scott DuBois: committed and risky\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Scott Dubois por Sergio Cabanillas","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/scott_dubois_1078.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8669,"url":"https:\/\/tomajazz.com\/web\/scott-dubois-guitarrista-del-siglo-xxi\/","url_meta":{"origin":13989,"position":4},"title":"Scott DuBois: guitarrista del siglo XXI","author":"Sergio Cabanillas","date":"2 abril, 2005","format":false,"excerpt":"Scott Dubois, guitarrista del \u00e1rea de Chicago y New York, desde hace unos 8 o 9 a\u00f1os ha tocado y grabado al lado de m\u00fasicos de la categor\u00eda de Chris Potter, Bob Mintzer, Donny McCaslin o Dave Liebman (Monsoon, 2004, Soul Note). Graduado en Manhattan School of Music y, aclamado\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Scott DuBois \u00a9 David Chen","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/scott_dubois_01.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":9888,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-scott-dubois-musica-arriesgada-y-comprometida-para-tiempos-dificiles-por-enrique-farelo\/","url_meta":{"origin":13989,"position":5},"title":"Tomajazz recupera&#8230; Scott DuBois: m\u00fasica arriesgada y comprometida para tiempos dif\u00edciles, por Enrique Farelo","author":"Tomajazz","date":"13 enero, 2014","format":false,"excerpt":"ENRIQUE FARELO: \u00bfQu\u00e9 aspecto es m\u00e1s importante en tu m\u00fasica, el intelectual o el emotivo? SCOTT DUBOIS: El emotivo. Pero muchas veces, a trav\u00e9s del intelecto, puedes encontrar maneras de expresar emociones nuevas. Seguir leyendo...\u00a0Scott DuBois: m\u00fasica arriesgada y comprometida para tiempos dif\u00edciles, por Enrique Farelo","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Scott Dubois por Sergio Cabanillas","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/scott_dubois_1069.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13989","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=13989"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13989\/revisions"}],"predecessor-version":[{"id":13991,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/13989\/revisions\/13991"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/13976"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=13989"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=13989"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=13989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}