{"id":14069,"date":"2014-09-19T10:40:48","date_gmt":"2014-09-19T08:40:48","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=14069"},"modified":"2016-11-13T15:55:03","modified_gmt":"2016-11-13T14:55:03","slug":"bill-evans-symbiosis-mps-1974-orig-2014-reed-digital","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/bill-evans-symbiosis-mps-1974-orig-2014-reed-digital\/","title":{"rendered":"Bill Evans: <i>Symbiosis<\/i> (MPS. 1974 -orig-, 2014 -reed.digital)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-14071\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Bill-Evans_Symbiosis_MPS_1974-200x200.jpg\" alt=\"Bill Evans_Symbiosis_MPS_1974\" width=\"200\" height=\"200\" title=\"\">El tr\u00edo de Bill Evans m\u00e1s la colaboraci\u00f3n del compositor alem\u00e1n de origen polaco Claus Ogerman, autor de la totalidad de los temas, conforman \u00e9ste \u00e1lbum conceptual del a\u00f1o 1974 a la manera de una sinfon\u00eda. Desarrollado en dos movimientos, el primero de los cuales se subdivide en tres partes y el segundo en dos.\u00a0Bill Evans toca piano ac\u00fastico y el\u00e9ctrico, Eddie G\u00f3mez al contrabajo y Marty Morell completa con la bater\u00eda.\u00a0Posiblemente no es el disco m\u00e1s valorado de maestro Bill Evans. El a\u00f1o de grabaci\u00f3n es un argumento que juega en su contra ya que se acerca a sonidos m\u00e1s propios de la fusi\u00f3n (Bill Evans muestra esta faceta con precisi\u00f3n e intensidad con el <em>Fender Rhodes<\/em> en la \u00faltima secci\u00f3n del primer movimiento) muy prodigados por entonces; no obstante la obra merece ser valorada en su justa medida.\u00a0La secci\u00f3n primera del segundo movimiento es una autentica delicia. La orquesta acaricia los o\u00eddos con dulzura de seda y Bill Evans se muestra sensible y po\u00e9tico muy bien\u00a0apoyado por su inigualable tr\u00edo. La segunda secci\u00f3n transita entre lo apote\u00f3sico y la belleza l\u00edrica, lo que pone un broche de oro a la obra.<\/p>\n<p style=\"text-align: right;\">\u00a9 Enrique Farelo, 2014<\/p>\n<p style=\"text-align: left;\">Bill Evans: <em>Symbiosis<\/em> (MPS. 1974 -orig-, 2014 -reed.digital)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El tr\u00edo de Bill Evans m\u00e1s la colaboraci\u00f3n del compositor alem\u00e1n de origen polaco Claus Ogerman, autor de la totalidad de los temas, conforman \u00e9ste \u00e1lbum conceptual del a\u00f1o 1974 a la manera de una sinfon\u00eda. Desarrollado en dos movimientos, el primero de los cuales se subdivide en tres partes<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/bill-evans-symbiosis-mps-1974-orig-2014-reed-digital\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":14071,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17848,5,1038],"tags":[1335,427,12651,10593,112,304,12696,13,12415,15295,10594,2030,16099,77,16100],"class_list":["entry","author-pachi","post-14069","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-grabaciones","category-contenidos","tag-1335","tag-bill-evans","tag-cd","tag-claus-ogeman","tag-eddie-gomez","tag-enrique-farelo","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-marty-morell","tag-mps","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Bill-Evans_Symbiosis_MPS_1974-e1411076945291.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":55423,"url":"https:\/\/tomajazz.com\/web\/bill-evans-trio-behind-the-dikes-cuando-lo-dificil-es-elegir-grabacion-de-jazz-por-juan-f-trillo\/","url_meta":{"origin":14069,"position":0},"title":"Cuando lo dif\u00edcil es elegir. Bill Evans Trio: Behind the Dikes (Elemental Music, 2021) [Grabaci\u00f3n de jazz] Por Juan F. Trillo","author":"Tomajazz","date":"16 julio, 2021","format":false,"excerpt":"\u00bfD\u00f3nde estaban ustedes all\u00e1 por el 69? Juan F. Trillo repasa \"Behind The Dikes\" (Resonance Records), la nueva grabaci\u00f3n del Bill Evans Trio que registr\u00f3 en Holanda junto a Eddie Gomez y Marty Morell.","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/07\/Bill-Evans-Behind-the-Dikes.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/07\/Bill-Evans-Behind-the-Dikes.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/07\/Bill-Evans-Behind-the-Dikes.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/07\/Bill-Evans-Behind-the-Dikes.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/07\/Bill-Evans-Behind-the-Dikes.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/07\/Bill-Evans-Behind-the-Dikes.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":43648,"url":"https:\/\/tomajazz.com\/web\/hdo-510-tres-gigantes-del-piano-bill-evans-paul-bley-y-horace-tapscott-podcast\/","url_meta":{"origin":14069,"position":1},"title":"HDO 510. Tres gigantes del piano: Bill Evans, Paul Bley y Horace Tapscott [Podcast]","author":"Tomajazz","date":"4 junio, 2019","format":false,"excerpt":"Por\u00a0Pachi Tapiz. En HDO 510 suenan tres grabaciones publicadas en 2019 de tres gigantes del piano: Bill Evans (doble CD grabado en directo en Ronnie Scott en 1969), Paul Bley (acompa\u00f1ado de Gary Peacock y Paul Motian en un concierto de 1999, publicado por ECM), y Horace Tapscott (con The\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0510_maestros-del-piano.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0510_maestros-del-piano.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0510_maestros-del-piano.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0510_maestros-del-piano.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":102587,"url":"https:\/\/tomajazz.com\/web\/peter-evans-ars-ludicra-2025\/","url_meta":{"origin":14069,"position":2},"title":"Peter Evans Being &#038; Becoming: Ars Ludicra (More is More Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"5 diciembre, 2025","format":false,"excerpt":"Ars Ludicra (More is More Records; 2025) es lo nuevo de Peter Evans Being & Becoming. Carlos Lara repasa la grabaci\u00f3n. Con Peter Evans, Joel Ross, Nick Jozwi, Michael Shekwoaga Ode, Alice Teyssier","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"Peter Evans Being & Becoming: Ars Ludicra (More is More Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Ars Ludicra (More is More Records; 2025) es lo nuevo de Peter Evans Being & Becoming. Carlos Lara repasa la grabaci\u00f3n. Con Peter Evans, Joel Ross, Nick Jozwi, Michael Shekwoaga Ode, Alice Teyssier","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Ars-Ludicra.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":104313,"url":"https:\/\/tomajazz.com\/web\/duos-with-myself-trevor-coleman-2026-news\/","url_meta":{"origin":14069,"position":3},"title":"Duos with Myself nueva grabaci\u00f3n de Trevor Coleman [Noticias de jazz]","author":"Tomajazz","date":"6 marzo, 2026","format":false,"excerpt":"Duos with myself es el t\u00edtulo de la nueva grabaci\u00f3n - proyecto del trompetista residente en Sevilla, Trevor Coleman #Noticiasdejazz","rel":"","context":"En \u00abNoticias\u00bb","block_context":{"text":"Noticias","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/noticias-2\/"},"img":{"alt_text":"Duos with Myself nueva grabaci\u00f3n de Trevor Coleman [Noticias de jazz] - Tomajazz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/03\/Trevor-Coleman-Duos-With-Myself-Tomajazz-noticias.webp?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":14087,"url":"https:\/\/tomajazz.com\/web\/dave-pike-set-infra-red-mps-1970-orig-2014-reed-digital\/","url_meta":{"origin":14069,"position":4},"title":"Dave Pike Set: Infra-Red (MPS. 1970 -orig-, 2014 -reed.digital)","author":"Tomajazz","date":"22 septiembre, 2014","format":false,"excerpt":"El vibrafonista de Michigan (Detroit) David Samuel Pike ha tocado al lado de prestigiosos m\u00fasicos como Herbie Mann, Bill Evans, Nick Brignola, Paul Bley o Kenny Clarke, si bien es conocido por su filiaci\u00f3n al sello alem\u00e1n MPS. Afincado en Alemania form\u00f3 el grupo Set al lado del afamado guitarrista\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Dave-Pike-Set_Infra-Red_MPS_1970.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Dave-Pike-Set_Infra-Red_MPS_1970.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Dave-Pike-Set_Infra-Red_MPS_1970.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":102503,"url":"https:\/\/tomajazz.com\/web\/eddie-mejia-jamboree-2025\/","url_meta":{"origin":14069,"position":5},"title":"Eddie Mej\u00eda 4t \u201cPar\u00e9ntesis del Miedo\u201d (Jamboree -sala 1-, 2025-11-14 \/ Barcelona) Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"4 diciembre, 2025","format":false,"excerpt":"Eddie Mej\u00eda 4t present\u00f3 \u201cPar\u00e9ntesis del Miedo\u201d en Jamboree, Barcelona, el 14 de noviembre de 2025. Joan Cort\u00e8s lo retrata en INSTANTZZ. Actuaron Eddie Mej\u00eda, Bill McHenry, Masa Kamaguchi, Ramon Prats, Magda Garre","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"Eddie Mej\u00eda 4t \u201cPar\u00e9ntesis del Miedo\u201d (Jamboree -sala 1-, 2025-11-14 \/ Barcelona) Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Eddie Mej\u00eda 4t present\u00f3 \u201cPar\u00e9ntesis del Miedo\u201d en Jamboree, Barcelona, el 14 de noviembre de 2025. Joan Cort\u00e8s lo retrata en INSTANTZZ. Actuaron Eddie Mej\u00eda, Bill McHenry, Masa Kamaguchi, Ramon Prats, Magda Garre\n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/destacado-02-dd-Mj-4t-Photo-By-Joan-Cortes-14nov25-Jmbrr.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/destacado-02-dd-Mj-4t-Photo-By-Joan-Cortes-14nov25-Jmbrr.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/destacado-02-dd-Mj-4t-Photo-By-Joan-Cortes-14nov25-Jmbrr.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/14069","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=14069"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/14069\/revisions"}],"predecessor-version":[{"id":14072,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/14069\/revisions\/14072"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/14071"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=14069"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=14069"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=14069"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}