{"id":14281,"date":"2014-09-30T10:00:25","date_gmt":"2014-09-30T08:00:25","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=14281"},"modified":"2016-11-13T17:13:48","modified_gmt":"2016-11-13T16:13:48","slug":"bertrand-russell-sobre-las-leyes-del-azar","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/bertrand-russell-sobre-las-leyes-del-azar\/","title":{"rendered":"Bertrand Russell sobre las leyes del azar"},"content":{"rendered":"
\"NPG
\u00abBertrand Russell photo<\/a>\u00bb por Bassano Ltd – National Portrait Gallery, London: NPG x84663<\/a>De acuerdo a una pol\u00edtica de Commons<\/a>, esta imagen puede ser usado libremente de cualquier modo.<\/span> Las partes de este archivo, procedente de terceros, han formulado desacuerdos en los derechos de autor; la Fundaci\u00f3n Wikimedia rechaza en relaci\u00f3n con la obra que ha sido tratada por una fuente o una reproducci\u00f3n puramente mec\u00e1nica de los mismos. Esto puede ser debido al reconocimiento de la doctrina sweat of the brow<\/a> (lit esfuerzo del autor), permitiendo que los trabajos que deben acogerse a la protecci\u00f3n a trav\u00e9s de la habilidad y la mano de obra, y no meramente por su originalidad como es el caso en los Estados Unidos (donde se encuentra alojado este sitio web). Estas afirmaciones pueden ser o no ser v\u00e1lidas en todas las jurisdicciones.<\/span>Como tal uso, de esta imagen en la jurisdicci\u00f3n de los pa\u00edses reclamantes u otras pueden ser considerados como una infracci\u00f3n legal. V\u00e9ase Commons:Cu\u00e1ndo usar la etiqueta PD-Art<\/a> para mayor informaci\u00f3n.<\/span>See User:Dcoetzee\/NPG legal threat<\/a> for more information.Esta etiqueta no indica el estado de copyright del trabajo adjunto. Es necesario una etiqueta normal de copyright<\/a>. Para m\u00e1s informaci\u00f3n vea Commons:Sobre las licencias<\/a>.English<\/a>\u00a0| Espa\u00f1ol<\/a>\u00a0| Fran\u00e7ais<\/a>\u00a0| Magyar<\/a>\u00a0| Italiano<\/a>\u00a0| \u041c\u0430\u043a\u0435\u0434\u043e\u043d\u0441\u043a\u0438<\/a>\u00a0| T\u00fcrkmen\u00e7e<\/a>\u00a0| +\/\u2212<\/a><\/span>. Disponible bajo la licencia Public domain v\u00eda Wikimedia Commons<\/a>.<\/figcaption><\/figure>\n

\u00bfC\u00f3mo osamos hablar de leyes del azar? \u00bfNo es, acaso, el azar la ant\u00edtesis de cualquier ley?<\/p><\/blockquote>\n

Bertrand Russell (1872-1970)<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00bfC\u00f3mo osamos hablar de leyes del azar? \u00bfNo es, acaso, el azar la ant\u00edtesis de cualquier ley?<\/p>\n

Bertrand Russell (1872-1970)Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":14282,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"Bertrand Russell sobre las leyes del azar #NonJazz in\/en @Tomajazz","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[17847,4313,1038,4758],"tags":[10749,10561,4773,10359,10360,10750,31,16099,16100],"class_list":["entry","author-pachi","has-excerpt","post-14281","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-bun","category-contenidos","category-blogs","tag-bertrand-russell","tag-bun-2","tag-cita","tag-estadistica","tag-matematicas","tag-off-topic","tag-pachi-tapiz","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":15173,"url":"https:\/\/tomajazz.com\/web\/bertrand-russell-la-vieja-y-la-nueva-ciencia\/","url_meta":{"origin":14281,"position":0},"title":"Bertrand Russell: la vieja y la nueva ciencia","author":"Tomajazz","date":"4 noviembre, 2014","format":false,"excerpt":"Hay dos clases de ciencia: la vieja, que es la oficial, y una nueva ciencia, que la mayor\u00eda de los viejos mira con horror. 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