{"id":14294,"date":"2014-09-30T10:30:23","date_gmt":"2014-09-30T08:30:23","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=14294"},"modified":"2016-11-13T16:00:09","modified_gmt":"2016-11-13T15:00:09","slug":"oscar-peterson-exclusively-for-my-friends-my-favorite-instrument-vol-iv-mps-1968-orig-2014-reed-digital","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/oscar-peterson-exclusively-for-my-friends-my-favorite-instrument-vol-iv-mps-1968-orig-2014-reed-digital\/","title":{"rendered":"Oscar Peterson: <i>Exclusively for My Friends. My Favorite Instrument, Vol. IV<\/i> (MPS. 1968 -orig-, 2014 -reed.digital)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-14295 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Oscar-Peterson_Exclusively-for-My-Friends_My-Favorite-Instrument-Vol.-IV_MPS_1968-200x200.jpg\" alt=\"????????????\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Oscar-Peterson_Exclusively-for-My-Friends_My-Favorite-Instrument-Vol.-IV_MPS_1968-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Oscar-Peterson_Exclusively-for-My-Friends_My-Favorite-Instrument-Vol.-IV_MPS_1968-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Oscar-Peterson_Exclusively-for-My-Friends_My-Favorite-Instrument-Vol.-IV_MPS_1968-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Oscar-Peterson_Exclusively-for-My-Friends_My-Favorite-Instrument-Vol.-IV_MPS_1968-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Oscar-Peterson_Exclusively-for-My-Friends_My-Favorite-Instrument-Vol.-IV_MPS_1968.jpg 602w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>El celebrado pianista de Montreal Oscar Peterson grab\u00f3 la serie <em>Exclusively for My Friends<\/em> en 1968. Una obra integral que da vida a una colecci\u00f3n completa de 36 temas en total, grabados en el estudio privado del productor de MPS Hans Georg Brunner y que, a lo largo del tiempo, han sido reeditados en series distintas. Todos los calificativos y alabanzas que merecen estos nueve temas del cuarto volumen a piano solo se pueden aplicar al resto de la serie donde todas las piezas brillan con luz propia y presentan a un Peterson que lo borda en cada una de sus interpretaciones. De car\u00e1cter bonach\u00f3n, este pianista, pieza angular en la historia de este instrumento en el jazz, estuvo siempre rodeado de \u201camigos\u201d. M\u00fasicos como Ray Brown, Ed Thigpen, Sam Jones o Niels-Henning Orsted Pedersen brillaron durante muchos a\u00f1os a la sombra de este gigante. La capacidad de Oscar Peterson hac\u00eda que todos los pianos parecieran peque\u00f1os en sus manos. Esta preciosa sesi\u00f3n, desde \u00abSomeone to Watch over Me\u00bb, composici\u00f3n de los hermanos Gershwin, que abre el disco hasta \u00abTake the \u00abA\u00bb Train\u00bb de Billy Strayhorn, supone un reto imposible tener que elegir entre las perlas que componen esta hist\u00f3rica e inolvidable grabaci\u00f3n.<\/p>\n<p style=\"text-align: right;\">\u00a9 Carlos Lara, 2014<\/p>\n<p>Oscar Peterson: <em>Exclusively for My Friends: My Favorite Instrument, Vol. IV<\/em> (MPS. 1968 -orig-, 2014 -reed.digital)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El celebrado pianista de Montreal Oscar Peterson grab\u00f3 la serie Exclusively for My Friends en 1968. Una obra integral que da vida a una colecci\u00f3n completa de 36 temas en total, grabados en el estudio privado del productor de MPS Hans Georg Brunner y que, a lo largo del tiempo,<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/oscar-peterson-exclusively-for-my-friends-my-favorite-instrument-vol-iv-mps-1968-orig-2014-reed-digital\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":14295,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849,5,1038],"tags":[1331,9392,84,12651,8978,10167,12696,10755,13,12415,15295,2030,2050,7031,2118,2176,16099,77,16100],"class_list":["entry","author-pachi","post-14294","post","type-post","status-publish","format-standard","has-post-thumbnail","category-carlos-lara","category-grabaciones","category-contenidos","tag-1331","tag-billy-strayhorn","tag-carlos-lara","tag-cd","tag-ed-thigpen","tag-gershwin","tag-grabaciones","tag-hans-georg-brunner","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-mps","tag-niels-henning-orsted-pedersen","tag-oscar-peterson","tag-ray-brown","tag-sam-jones","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Oscar-Peterson_Exclusively-for-My-Friends_My-Favorite-Instrument-Vol.-IV_MPS_1968.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":16514,"url":"https:\/\/tomajazz.com\/web\/the-art-van-damme-quintet-the-singers-unlimited-invitation-mps-1974-orig-2014-reed-digital\/","url_meta":{"origin":14294,"position":0},"title":"The Art van Damme Quintet, The Singers Unlimited: Invitation (MPS. 1974 -orig-, 2014 -reed.digital)","author":"Tomajazz","date":"22 enero, 2015","format":false,"excerpt":"The Singers Unlimited lo componen el cuarteto de vocalistas de Chicago: Gene Puerling, Don Shelton, Len Dresslar y Bonnie Herman. 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Estamos ante un pianista virtuoso, con fino estilo y\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"George Shearing_Light Airy And Swinging_MPS_reed.2014","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/George-Shearing_Light-Airy-And-Swinging_MPS_reed.2014-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":14068,"url":"https:\/\/tomajazz.com\/web\/don-cherry-eternal-rhythm-1968-orig-2014-reed-digital\/","url_meta":{"origin":14294,"position":2},"title":"Don Cherry: Eternal Rhythm (1968 -orig-, 2014 -reed.digital)","author":"Tomajazz","date":"19 septiembre, 2014","format":false,"excerpt":"Eternal Rhythm\u00a0es un \u00e1lbum grabado en directo en el Festival de Jazz de Berl\u00edn en el emblem\u00e1tico a\u00f1o de 1968 en plena efervescencia revolucionaria. 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Con la cantante y su m\u00fasica como eje central, Luis Escalante va acerc\u00e1ndose a las figuras de otros m\u00fasicos y compostiores como Kurt Weill, Joe Pass, Oscar Peterson o Antonio Carlos\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/1024px-Ella_Fitzgerald__Joe_Pass_1974-e1466332743384.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/1024px-Ella_Fitzgerald__Joe_Pass_1974-e1466332743384.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/1024px-Ella_Fitzgerald__Joe_Pass_1974-e1466332743384.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":15545,"url":"https:\/\/tomajazz.com\/web\/jim-hall-in-berlin-its-nice-to-be-with-you-mps-1969-reed-2014\/","url_meta":{"origin":14294,"position":4},"title":"Jim Hall: In Berlin &#8211; It&#8217;s Nice To Be With You (MPS, 1969. 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