{"id":14300,"date":"2014-09-30T10:15:32","date_gmt":"2014-09-30T08:15:32","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=14300"},"modified":"2016-11-13T21:27:54","modified_gmt":"2016-11-13T20:27:54","slug":"tomajazz-recupera-paco-charlin-en-su-propio-camino-por-pachi-tapiz","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-paco-charlin-en-su-propio-camino-por-pachi-tapiz\/","title":{"rendered":"Tomajazz recupera&#8230; Paco Charl\u00edn: en su propio camino, por Pachi Tapiz"},"content":{"rendered":"<p><center><figure id=\"attachment_14241\" aria-describedby=\"caption-attachment-14241\" style=\"width: 192px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/charlin_paco_3-192x300.jpg\" alt=\"Paco Charl\u00edn \u00a9 Sergio Cabanillas, 2005\" width=\"192\" height=\"300\" class=\"size-medium wp-image-14241\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/charlin_paco_3-192x300.jpg 192w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/charlin_paco_3-96x150.jpg 96w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/charlin_paco_3-35x55.jpg 35w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/charlin_paco_3.jpg 200w\" sizes=\"auto, (max-width: 192px) 100vw, 192px\" \/><figcaption id=\"caption-attachment-14241\" class=\"wp-caption-text\">Paco Charl\u00edn<br \/>\u00a9 Sergio Cabanillas, 2005<\/figcaption><\/figure><\/center>Pachi Tapiz: \u00bfQu\u00e9 opini\u00f3n te merece el llamado jazz europeo?<\/p>\n<p>Paco Charl\u00edn: Supongo que cuando se habla de jazz europeo se refiere tambi\u00e9n a Portugal, Espa\u00f1a, Inglaterra, Italia, pero tengo la extra\u00f1a sensaci\u00f3n de que no ocurre eso. No estoy muy puesto en estos t\u00e9rminos, como cuando habl\u00e1bamos antes de si el jazz tiene nacionalidad o no pues que te voy a decir\u2026 Creo que hay muchas maneras de interpretar jazz y es l\u00f3gico que cada una de ellas se etiquete de una manera distinta. En mi opini\u00f3n la palabra jazz define una cultura y una manera de interpretaci\u00f3n musical concreta, por lo que a mi respecta. Adem\u00e1s, no creo que sea el indicado para hablar de algo que no conozco con exactitud.<\/p>\n<p>Leer: <strong><a href=\"http:\/\/www.tomajazz.com\/web\/?p=14238\" title=\"Paco Charl\u00edn: en su propio camino, por Pachi Tapiz\" target=\"_blank\">Paco Charl\u00edn: en su propio camino, por Pachi Tapiz<\/a> <\/strong>(publicado originalmente en 2006)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pachi Tapiz: \u00bfQu\u00e9 opini\u00f3n te merece el llamado jazz europeo? Paco Charl\u00edn: Supongo que cuando se habla de jazz europeo se refiere tambi\u00e9n a Portugal, Espa\u00f1a, Inglaterra, Italia, pero tengo la extra\u00f1a sensaci\u00f3n de que no ocurre eso. No estoy muy puesto en estos t\u00e9rminos, como cuando habl\u00e1bamos antes de<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recupera-paco-charlin-en-su-propio-camino-por-pachi-tapiz\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":14241,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,17850,78,15537,9,15517,1038,6669],"tags":[339,10153,10773,181,10023,10769,10767,7079,440,1566,10766,7148,5219,6063,554,8880,4761,10786,7694,6064,378,10789,7467,10790,1870,9117,10765,10783,10780,10782,555,381,10777,6517,10784,6072,10776,6685,10781,10770,31,375,874,10788,1150,7958,9009,7502,10772,10787,2158,6376,10785,10774,187,2201,2225,2240,10775,10778,16099,16100,6068,10771,10779,2337,7422,10768],"class_list":["entry","author-pachi","post-14300","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-sergio-cabanillas","category-afondo","category-entrevistas","category-perfiles","category-textos","category-contenidos","category-tomajazz-recupera","tag-abe-rabade","tag-alberto-vilas","tag-alex-frasao","tag-avishai-cohen","tag-bernardo-sassetti","tag-bob-bowen","tag-carlos-barreto","tag-charlie-parker","tag-chris-cheek","tag-christian-mcbride","tag-christopher-thomas","tag-dave-holland","tag-donald-edwards","tag-free-code-jazz-records","tag-german-kucich","tag-greg-osby","tag-iago-fernandez","tag-iago-vazquez","tag-jaleel-shaw","tag-javier-pereiro","tag-javier-vercher","tag-jeff-williams","tag-jesus-santandreu","tag-joao-moreira","tag-john-coltrane","tag-john-ogallagher","tag-jonathan-kreiserg","tag-jorge-valero","tag-jose-ferro","tag-jose-santome","tag-juanma-barroso","tag-larry-grenadier","tag-luis-carballo","tag-mark-turner","tag-martin-brea","tag-max-gomez","tag-miguel-guerra","tag-miguel-zenon","tag-nacho-perez","tag-nuno-ferreira","tag-pachi-tapiz","tag-paco-charlin","tag-perico-sambeat","tag-ramon-cardo","tag-raynald-colom","tag-reginald-veal","tag-robert-hurst","tag-rodney-whitaker","tag-rodrigo-goncalves","tag-roi-adrio","tag-ron-carter","tag-scott-colley","tag-seir-caneda","tag-seminario-permanente-de-jazz-de-pontevedra","tag-sergio-cabanillas","tag-sheila-jordan","tag-sonny-rollins","tag-steve-kuhn","tag-suso-atanes","tag-telmo-fernandez","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-tono-otero","tag-vicente-espi","tag-virxilio-da-silva","tag-wayne-shorter","tag-xan-campos","tag-ze-eduardo"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/charlin_paco_3.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":14238,"url":"https:\/\/tomajazz.com\/web\/paco-charlin-en-su-propio-camino-por-pachi-tapiz\/","url_meta":{"origin":14300,"position":0},"title":"Paco Charl\u00edn: en su propio camino, por Pachi Tapiz","author":"Sergio Cabanillas","date":"29 junio, 2006","format":false,"excerpt":"A pesar de su juventud, el contrabajista Paco Charl\u00edn (Vilanova de Arousa, 1975) es uno de los m\u00e1s activos en la escena nacional en estos momentos. Buena muestra de ello son su labor docente en el Seminario Permanente de Jazz de Pontevedra (que incluye su participaci\u00f3n en las grabaciones del\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Paco Charl\u00edn \u00a9 Sergio Cabanillas, 2005","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/charlin_paco_2.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":15356,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-kucich-charlin-y-barroso-trio-modernidad-asequible-por-sergio-cabanillas-enrique-farelo-y-carlos-lara\/","url_meta":{"origin":14300,"position":1},"title":"Tomajazz recupera&#8230; Kucich, Charl\u00edn y Barroso Tr\u00edo: modernidad asequible, por Sergio Cabanillas, Enrique Farelo y Carlos Lara","author":"Tomajazz","date":"12 noviembre, 2014","format":false,"excerpt":"Tomajazz recupera... Kucich, Charl\u00edn y Barroso Tr\u00edo: modernidad asequible, por Sergio Cabanillas, Enrique Farelo y Carlos Lara","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"Juanma Barroso \/ Germ\u00e1n Kucich \/ Paco Charl\u00edn \u00a9 Sergio Cabanillas, 2005","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Fotomontaje_azul.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":25334,"url":"https:\/\/tomajazz.com\/web\/hdo-144-en-concierto-con-raynald-colom-en-clamores-podcast\/","url_meta":{"origin":14300,"position":2},"title":"HDO 144. En concierto con&#8230; Raynald Colom en Clamores [Podcast]","author":"Tomajazz","date":"7 julio, 2016","format":false,"excerpt":"El trompetista Raynald Colom actuar\u00e1 el s\u00e1bado 9 y el domingo 10 de julio de 2016 en Clamores en Madrid acompa\u00f1ado por el saxo alto\u00a0Logan Richardson, el guitarrista\u00a0David Soler, m\u00e1s la r\u00edtmica formada por el contrabajista\u00a0Paco Charl\u00edn y la bater\u00eda de\u00a0Marc Miralta. En unos meses este m\u00fasico ver\u00e1 publicada la\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Raynald-Colom-promo-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Raynald-Colom-promo-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Raynald-Colom-promo-2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Raynald-Colom-promo-2.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":14822,"url":"https:\/\/tomajazz.com\/web\/kucich-charlin-y-barroso-trio-modernidad-asequible-por-sergio-cabanillas-enrique-farelo-y-carlos-lara\/","url_meta":{"origin":14300,"position":3},"title":"Kucich, Charl\u00edn y Barroso Tr\u00edo: modernidad asequible, por Sergio Cabanillas, Enrique Farelo y Carlos Lara [Entrevista]","author":"Sergio Cabanillas","date":"20 diciembre, 2005","format":false,"excerpt":"Kucich, Charl\u00edn y Barroso Tr\u00edo: modernidad asequible, por Sergio Cabanillas, Enrique Farelo y Carlos Lara [Entrevista]","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"German Kucich, Juanma Barroso, Paco Charlin This is New New Mood Jazz - FAM22010","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/kucich-charlin-barroso_this-is-new.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1705,"url":"https:\/\/tomajazz.com\/web\/juanma-barroso-nairi-big-music-records-2012\/","url_meta":{"origin":14300,"position":4},"title":"Juanma Barroso: Nairi (Big Music Records, 2012)","author":"Tomajazz","date":"19 diciembre, 2012","format":false,"excerpt":"Juanma Barroso: Nairi (Big Music Records, 2012)","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/12\/jb_c.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":24651,"url":"https:\/\/tomajazz.com\/web\/hdo-117-pindio-marco-mezquida-trio-bill-mchenry-los-cronopios-paco-weht-alberto-vilas-quartet-miguel-fernandez-carlos-lopez-ernesto-aurignac-quintet\/","url_meta":{"origin":14300,"position":5},"title":"HDO 117: Pindio, Marco Mezquida Trio + Bill McHenry, Los cronopios, Paco Weht, Alberto Vilas Quartet, Miguel Fern\u00e1ndez, Carlos L\u00f3pez, Ernesto Aurignac Quintet","author":"Tomajazz","date":"24 mayo, 2016","format":false,"excerpt":"Se podr\u00eda haber titulado Novejazzspain (NOVEdades de JAZZ en SPAIN), pero el palabro resultante era algo as\u00ed como infumable. As\u00ed que mejor indicamos que en la entrega 117 de HDO escuchamos temas pertenecientes a las \u00faltimas grabaciones de Pindio, Marco Mezquida Trio + Bill McHenry, Los cronopios, Paco Weht, Alberto\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Pindio_H.C._Leo-Records_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/14300","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=14300"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/14300\/revisions"}],"predecessor-version":[{"id":14301,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/14300\/revisions\/14301"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/14241"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=14300"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=14300"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=14300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}