{"id":14340,"date":"2014-10-02T10:20:17","date_gmt":"2014-10-02T08:20:17","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=14340"},"modified":"2016-11-13T17:13:47","modified_gmt":"2016-11-13T16:13:47","slug":"zsa-zsa-gabor-una-diferencia-entre-hombres-y-mujeres","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/zsa-zsa-gabor-una-diferencia-entre-hombres-y-mujeres\/","title":{"rendered":"Zsa Zsa Gabor: una diferencia entre hombres y mujeres"},"content":{"rendered":"
\"Orson
Orson Welles y Zsa Zsa Gabor en un fotograma de la pel\u00edcula Touch of evil<\/i> (t\u00edtulo traducido como Sed de mal<\/i> en Espa\u00f1a).<\/figcaption><\/figure>\n

Cuando un hombre se echa atr\u00e1s, retrocede de verdad. Una mujer s\u00f3lo retrocede para coger m\u00e1s carrerilla.<\/p><\/blockquote>\n

Zsa Zsa Gabor<\/p>\n","protected":false},"excerpt":{"rendered":"

Cuando un hombre se echa atr\u00e1s, retrocede de verdad. Una mujer s\u00f3lo retrocede para coger m\u00e1s carrerilla.<\/p>\n

Zsa Zsa GaborContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":14341,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,4313,1038,4758],"tags":[4773,10840,31,16099,16100,10839],"class_list":["entry","author-pachi","has-excerpt","post-14340","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-bun","category-contenidos","category-blogs","tag-cita","tag-orson-welles","tag-pachi-tapiz","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-zsa-zsa-gabor"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Touch_of_Evil-Zsa_Zsa_Gabor.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":33080,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-macho-gabor-szabo-309-a-new-perspective-32\/","url_meta":{"origin":14340,"position":0},"title":"365 razones para amar el jazz: una portada. Macho (Gabor Szabo) [310] [A New Perspective 32]","author":"Tomajazz","date":"6 noviembre, 2017","format":false,"excerpt":"Una portada:\u00a0Macho\u00a0(Gabor Szabo. Salvation, 1975). Fotograf\u00eda de John Paul Endress Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. Trig\u00e9sima segunda entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Gabor-Szabo_Macho.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":49402,"url":"https:\/\/tomajazz.com\/web\/instantzz-taho-jazz-palma-festival-2020-galeria-fotografica\/","url_meta":{"origin":14340,"position":1},"title":"INSTANTZZ: Taho (Jazz Palma Festival 2020) [Galer\u00eda fotogr\u00e1fica]","author":"Tomajazz","date":"4 marzo, 2020","format":false,"excerpt":"Jos\u00e9 Luis Luna Rocafort retrata en INSTANTZZ la actuaci\u00f3n del grupo Taho en el Jazz Palma Festival 2020.","rel":"","context":"En \u00abFotoblog - Galer\u00eda fotogr\u00e1fica\u00bb","block_context":{"text":"Fotoblog - Galer\u00eda fotogr\u00e1fica","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/03\/001-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/03\/001-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/03\/001-1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":23598,"url":"https:\/\/tomajazz.com\/web\/billie-holiday-una-gigante-del-jazz-iv-la-odisea-de-la-musica-afroamericana-046-podcast\/","url_meta":{"origin":14340,"position":2},"title":"Billie Holiday, una gigante del Jazz (IV). La Odisea de la M\u00fasica Afroamericana (046) [Podcast]","author":"Tomajazz","date":"16 abril, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. En la entrega n\u00famero 46 de La Odisea de la M\u00fasica Afroamericana, la protagonista central sigue siendo Billie Holiday. Siguiendo\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/604px-Billie_Holiday_Carnegie_Hall_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_04231.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/604px-Billie_Holiday_Carnegie_Hall_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_04231.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/604px-Billie_Holiday_Carnegie_Hall_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_04231.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":100541,"url":"https:\/\/tomajazz.com\/web\/juan-chiavassa-fourth-generation-2025\/","url_meta":{"origin":14340,"position":3},"title":"Juan Chiavassa: Fourth Generation (Whirlwind Recordings; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"15 octubre, 2025","format":false,"excerpt":"Fourth Generation (Whirlwind Recordings; 2025) es la nueva grabaci\u00f3n del joven baterista argentino Juan Chiavassa. Pachi Tapiz repasa la grabaci\u00f3n. Con Juan Chiavassa, John Patitucci, Leo Genovese, George Garzone, Mike Stern, Pedrito Martinez, Federico Gonz\u00e1lez Pe\u00f1a","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Juan Chiavassa: Fourth Generation (Whirlwind Recordings; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Fourth Generation (Whirlwind Recordings; 2025) es la nueva grabaci\u00f3n del joven baterista argentino Juan Chiavassa. Pachi Tapiz repasa la grabaci\u00f3n. Con Juan Chiavassa, John Patitucci, Leo Genovese, George Garzone, Mike Stern, Pedrito Martinez, Federico Gonz\u00e1lez Pe\u00f1a","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Juan-Chiavassa-Fourth-Generation-2025-Whirlwind-Recordings-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Juan-Chiavassa-Fourth-Generation-2025-Whirlwind-Recordings-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Juan-Chiavassa-Fourth-Generation-2025-Whirlwind-Recordings-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Juan-Chiavassa-Fourth-Generation-2025-Whirlwind-Recordings-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":102562,"url":"https:\/\/tomajazz.com\/web\/rahsaan-roland-kirk-seek-listen-1967-2025\/","url_meta":{"origin":14340,"position":4},"title":"Rahsaan Roland Kirk: Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"4 diciembre, 2025","format":false,"excerpt":"Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) es una grabaci\u00f3n in\u00e9dita de Rahsaan Roland Kirk. Pachi Tapiz repasa la grabaci\u00f3n. Con Rahsaan Roland Kirk, Rahn Burton, Steve Novosel, Jimmy Hopps","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Rahsaan Roland Kirk: Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) es una grabaci\u00f3n in\u00e9dita de Rahsaan Roland Kirk. Pachi Tapiz repasa la grabaci\u00f3n. Con Rahsaan Roland Kirk, Rahn Burton, Steve Novosel, Jimmy Hopps","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":15084,"url":"https:\/\/tomajazz.com\/web\/un-kind-of-blue-uw-sin-alma-ni-color\/","url_meta":{"origin":14340,"position":5},"title":"Un Kind of Blue sin alma ni color, por Jes\u00fas Gonzalo","author":"Jes\u00fas Gonzalo","date":"31 octubre, 2014","format":false,"excerpt":"Esto no es una rese\u00f1a de un disco. Para que lo fuera tendr\u00eda que haber m\u00fasica. Lo que el lector tiene delante es un an\u00e1silis de una obra conceptual. El objeto que nos ocupa forma parte del llamado \"arte acci\u00f3n\", en este caso representar algo vivo que muere al ser\u2026","rel":"","context":"En \u00ab*_Jes\u00fas Gonzalo\u00bb","block_context":{"text":"*_Jes\u00fas Gonzalo","link":"https:\/\/tomajazz.com\/web\/category\/jesus-gonzalo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/mopdtk-blue-cover-e1421362223371.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/mopdtk-blue-cover-e1421362223371.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/mopdtk-blue-cover-e1421362223371.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/14340","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=14340"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/14340\/revisions"}],"predecessor-version":[{"id":14343,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/14340\/revisions\/14343"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/14341"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=14340"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=14340"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=14340"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}