{"id":14340,"date":"2014-10-02T10:20:17","date_gmt":"2014-10-02T08:20:17","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=14340"},"modified":"2016-11-13T17:13:47","modified_gmt":"2016-11-13T16:13:47","slug":"zsa-zsa-gabor-una-diferencia-entre-hombres-y-mujeres","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/zsa-zsa-gabor-una-diferencia-entre-hombres-y-mujeres\/","title":{"rendered":"Zsa Zsa Gabor: una diferencia entre hombres y mujeres"},"content":{"rendered":"<figure id=\"attachment_14341\" aria-describedby=\"caption-attachment-14341\" style=\"width: 200px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-14341\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Touch_of_Evil-Zsa_Zsa_Gabor-200x151.jpg\" alt=\"Orson Welles y Zsa Zsa Gabor en un fotograma de la pel\u00edcula Touch of evil (t\u00edtulo traducido como Sed de mal en Espa\u00f1a).\" width=\"200\" height=\"151\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Touch_of_Evil-Zsa_Zsa_Gabor-200x151.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Touch_of_Evil-Zsa_Zsa_Gabor-150x113.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Touch_of_Evil-Zsa_Zsa_Gabor-72x55.jpg 72w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Touch_of_Evil-Zsa_Zsa_Gabor.jpg 464w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><figcaption id=\"caption-attachment-14341\" class=\"wp-caption-text\">Orson Welles y Zsa Zsa Gabor en un fotograma de la pel\u00edcula <i>Touch of evil<\/i> (t\u00edtulo traducido como <i>Sed de mal<\/i> en Espa\u00f1a).<\/figcaption><\/figure>\n<blockquote><p>Cuando un hombre se echa atr\u00e1s, retrocede de verdad. Una mujer s\u00f3lo retrocede para coger m\u00e1s carrerilla.<\/p><\/blockquote>\n<p>Zsa Zsa Gabor<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cuando un hombre se echa atr\u00e1s, retrocede de verdad. Una mujer s\u00f3lo retrocede para coger m\u00e1s carrerilla.<\/p>\n<p>Zsa Zsa Gabor<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/zsa-zsa-gabor-una-diferencia-entre-hombres-y-mujeres\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":14341,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[17847,4313,1038,4758],"tags":[4773,10840,31,16099,16100,10839],"class_list":["entry","author-pachi","has-excerpt","post-14340","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-bun","category-contenidos","category-blogs","tag-cita","tag-orson-welles","tag-pachi-tapiz","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-zsa-zsa-gabor"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Touch_of_Evil-Zsa_Zsa_Gabor.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":33080,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-macho-gabor-szabo-309-a-new-perspective-32\/","url_meta":{"origin":14340,"position":0},"title":"365 razones para amar el jazz: una portada. Macho (Gabor Szabo) [310] [A New Perspective 32]","author":"Tomajazz","date":"6 noviembre, 2017","format":false,"excerpt":"Una portada:\u00a0Macho\u00a0(Gabor Szabo. Salvation, 1975). Fotograf\u00eda de John Paul Endress Seleccionado por\u00a0Jos\u00e9 Luis Luna Rocafort. Trig\u00e9sima segunda entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central.","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Gabor-Szabo_Macho.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":49402,"url":"https:\/\/tomajazz.com\/web\/instantzz-taho-jazz-palma-festival-2020-galeria-fotografica\/","url_meta":{"origin":14340,"position":1},"title":"INSTANTZZ: Taho (Jazz Palma Festival 2020) [Galer\u00eda fotogr\u00e1fica]","author":"Tomajazz","date":"4 marzo, 2020","format":false,"excerpt":"Jos\u00e9 Luis Luna Rocafort retrata en INSTANTZZ la actuaci\u00f3n del grupo Taho en el Jazz Palma Festival 2020.","rel":"","context":"En \u00abFotoblog - Galer\u00eda fotogr\u00e1fica\u00bb","block_context":{"text":"Fotoblog - Galer\u00eda fotogr\u00e1fica","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/03\/001-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/03\/001-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/03\/001-1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":23598,"url":"https:\/\/tomajazz.com\/web\/billie-holiday-una-gigante-del-jazz-iv-la-odisea-de-la-musica-afroamericana-046-podcast\/","url_meta":{"origin":14340,"position":2},"title":"Billie Holiday, una gigante del Jazz (IV). La Odisea de la M\u00fasica Afroamericana (046) [Podcast]","author":"Tomajazz","date":"16 abril, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. En la entrega n\u00famero 46 de La Odisea de la M\u00fasica Afroamericana, la protagonista central sigue siendo Billie Holiday. Siguiendo\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/604px-Billie_Holiday_Carnegie_Hall_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_04231.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/604px-Billie_Holiday_Carnegie_Hall_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_04231.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/604px-Billie_Holiday_Carnegie_Hall_New_York_N.Y._between_1946_and_1948_William_P._Gottlieb_04231.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":100541,"url":"https:\/\/tomajazz.com\/web\/juan-chiavassa-fourth-generation-2025\/","url_meta":{"origin":14340,"position":3},"title":"Juan Chiavassa: Fourth Generation (Whirlwind Recordings; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"15 octubre, 2025","format":false,"excerpt":"Fourth Generation (Whirlwind Recordings; 2025) es la nueva grabaci\u00f3n del joven baterista argentino Juan Chiavassa. Pachi Tapiz repasa la grabaci\u00f3n. Con Juan Chiavassa, John Patitucci, Leo Genovese, George Garzone, Mike Stern, Pedrito Martinez, Federico Gonz\u00e1lez Pe\u00f1a","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Juan Chiavassa: Fourth Generation (Whirlwind Recordings; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Fourth Generation (Whirlwind Recordings; 2025) es la nueva grabaci\u00f3n del joven baterista argentino Juan Chiavassa. Pachi Tapiz repasa la grabaci\u00f3n. Con Juan Chiavassa, John Patitucci, Leo Genovese, George Garzone, Mike Stern, Pedrito Martinez, Federico Gonz\u00e1lez Pe\u00f1a","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Juan-Chiavassa-Fourth-Generation-2025-Whirlwind-Recordings-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Juan-Chiavassa-Fourth-Generation-2025-Whirlwind-Recordings-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Juan-Chiavassa-Fourth-Generation-2025-Whirlwind-Recordings-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Juan-Chiavassa-Fourth-Generation-2025-Whirlwind-Recordings-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":102562,"url":"https:\/\/tomajazz.com\/web\/rahsaan-roland-kirk-seek-listen-1967-2025\/","url_meta":{"origin":14340,"position":4},"title":"Rahsaan Roland Kirk: Seek &#038; Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"4 diciembre, 2025","format":false,"excerpt":"Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) es una grabaci\u00f3n in\u00e9dita de Rahsaan Roland Kirk. Pachi Tapiz repasa la grabaci\u00f3n. Con Rahsaan Roland Kirk, Rahn Burton, Steve Novosel, Jimmy Hopps","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Rahsaan Roland Kirk: Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) es una grabaci\u00f3n in\u00e9dita de Rahsaan Roland Kirk. Pachi Tapiz repasa la grabaci\u00f3n. Con Rahsaan Roland Kirk, Rahn Burton, Steve Novosel, Jimmy Hopps","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":102777,"url":"https:\/\/tomajazz.com\/web\/jorge-martinez-1955-2025-in-memoriam\/","url_meta":{"origin":14340,"position":5},"title":"Jorge Mart\u00ednez (1955-2025) In Memoriam","author":"Tomajazz","date":"10 diciembre, 2025","format":false,"excerpt":"Jorge Mart\u00ednez falleci\u00f3 el 9 de diciembre de 2025. Pachi Tapiz recupera una cita in\u00e9dita relacionada con el jazz y la acompa\u00f1amos con una instant\u00e1nea de Sergio Cabanillas. DEP","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Jorge Mart\u00ednez (1955-2025) In Memoriam - Tomajazz - Jorge Mart\u00ednez falleci\u00f3 el 9 de diciembre de 2025. Pachi Tapiz recupera una cita relacionada con el jazz de una entrevista y la acompa\u00f1amos con una fotograf","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Ilegales-Junio-1998-CABANIJAZZ.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Ilegales-Junio-1998-CABANIJAZZ.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Ilegales-Junio-1998-CABANIJAZZ.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Ilegales-Junio-1998-CABANIJAZZ.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Ilegales-Junio-1998-CABANIJAZZ.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/14340","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=14340"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/14340\/revisions"}],"predecessor-version":[{"id":14343,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/14340\/revisions\/14343"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/14341"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=14340"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=14340"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=14340"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}