{"id":14344,"date":"2014-10-02T11:00:15","date_gmt":"2014-10-02T09:00:15","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=14344"},"modified":"2016-11-13T15:55:00","modified_gmt":"2016-11-13T14:55:00","slug":"lionel-hampton-milt-buckner-alive-jumping-mps-1977-orig-2014-reed-digital","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/lionel-hampton-milt-buckner-alive-jumping-mps-1977-orig-2014-reed-digital\/","title":{"rendered":"Lionel Hampton \/ Milt Buckner: <i>Alive &#038; Jumping<\/i> (MPS. 1977 -orig-, 2014 -reed.digital)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-14345\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Lionel-Hampton-with-Milt-Buckner_Alive-and-Jumping_MPS_1977-200x200.jpg\" alt=\"Lionel Hampton with Milt Buckner_Alive and Jumping_MPS_1977\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Lionel-Hampton-with-Milt-Buckner_Alive-and-Jumping_MPS_1977-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Lionel-Hampton-with-Milt-Buckner_Alive-and-Jumping_MPS_1977-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Lionel-Hampton-with-Milt-Buckner_Alive-and-Jumping_MPS_1977-54x55.jpg 54w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Lionel-Hampton-with-Milt-Buckner_Alive-and-Jumping_MPS_1977.jpg 600w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>El vibrafonista Lionel Hampton graba conjuntamente este disco en directo con el organista Milt Buckner en el a\u00f1o 1977 poco antes de su fallecimiento.<\/p>\n<p style=\"text-align: justify;\">El considerado primer vibrafonista del jazz, Lionel Hampton, muestra sus mejores dotes en este disco grabado en la ciudad alemana de Villingen en el a\u00f1o 1977 junto al organista Milt Buckner en un alarde de <em>swing<\/em> sin freno y <em>mainstream jazz<\/em>, plasmado principalmente en el tema \u201cHamp&#8217;s Boogie Woogie\u201d compuesto al lim\u00f3n entre ambos protagonistas. No menos <em>swingueante<\/em> y <em>funky<\/em> es la composici\u00f3n de Donald Byrd \u201cFunky Mama\u201d, \u201cHow High the Moon\u201d, \u201cThe Birth of the Blues \/ Old Man River\u201d o la obertura \u201cAvalon\u201d donde se reparten el protagonismo Lionel Hampton, el trompetista Cat Anderson con Milt Buckner en un destacado segundo plano. El quinto corte, \u201cI&#8217;m Confessin\u201d, es para lucimiento de Lionel Hampton como cantante y \u201cMidnight Sun\u201d es una pieza tranquila de impactante <em>feeling<\/em>.<\/p>\n<p style=\"text-align: justify;\">Cierra el disco \u201cFlying Home\u201d cuya firma corre a cargo de Lionel Hampton y muestra una vez m\u00e1s las caracter\u00edsticas inherentes a \u00e9ste artista y su amor por el <em>swing<\/em> desenfrenado.<\/p>\n<p style=\"text-align: right;\">\u00a9 Enrique Farelo, 2014<\/p>\n<p>Lionel Hampton \/ Milt Buckner:\u00a0<em>Alive &amp; Jumping<\/em> (MPS. 1977 -orig-, 2014 -reed.digital)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El vibrafonista Lionel Hampton graba conjuntamente este disco en directo con el organista Milt Buckner en el a\u00f1o 1977 poco antes de su fallecimiento. El considerado primer vibrafonista del jazz, Lionel Hampton, muestra sus mejores dotes en este disco grabado en la ciudad alemana de Villingen en el a\u00f1o 1977<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/lionel-hampton-milt-buckner-alive-jumping-mps-1977-orig-2014-reed-digital\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":14345,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17848,5,1038],"tags":[1338,9578,12651,304,12696,13,12415,15295,10841,10842,2030,16099,77,16100],"class_list":["entry","author-pachi","post-14344","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-grabaciones","category-contenidos","tag-1338","tag-cat-anderson","tag-cd","tag-enrique-farelo","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-lionel-hampton","tag-milt-buckner","tag-mps","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/Lionel-Hampton-with-Milt-Buckner_Alive-and-Jumping_MPS_1977.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":28756,"url":"https:\/\/tomajazz.com\/web\/lionel-hampton-ii-la-odisea-de-la-musica-afroamericana-081-podcast\/","url_meta":{"origin":14344,"position":0},"title":"Lionel Hampton (II). La Odisea de la M\u00fasica Afroamericana (081) [Podcast]","author":"Tomajazz","date":"16 enero, 2017","format":false,"excerpt":"El programa n\u00famero 81 de La Odisea de la M\u00fasica Afroamericana versa acerca del vibrafonistas, pianista y baterista Lionel Hampton.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Lionel_Hampton_Aquarium_New_York_ca._June_1946_William_P._Gottlieb_03841.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Lionel_Hampton_Aquarium_New_York_ca._June_1946_William_P._Gottlieb_03841.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Lionel_Hampton_Aquarium_New_York_ca._June_1946_William_P._Gottlieb_03841.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Lionel_Hampton_Aquarium_New_York_ca._June_1946_William_P._Gottlieb_03841.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":16826,"url":"https:\/\/tomajazz.com\/web\/bobby-hutcherson-enjoy-the-view-blue-note-2014\/","url_meta":{"origin":14344,"position":1},"title":"Bobby Hutcherson: Enjoy the View (Blue Note, 2014)","author":"Tomajazz","date":"3 febrero, 2015","format":false,"excerpt":"Si de fidelidad se trata, Bobby Hutcherson es uno de los m\u00fasicos m\u00e1s fieles de la historia del jazz moderno. Es, lo que en t\u00e9rminos futbol\u00edsticos llamar\u00edamos, un one-club man Blue Note tiene el privilegio de acoger en sus filas al magn\u00edfico vibrafonista angelino, aunque este matrimonio se rompi\u00f3 a\u2026","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/02\/Bobby-Hutcherson_Enjoy-the-view_Blue-Note_2014-e1422874315734.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":25810,"url":"https:\/\/tomajazz.com\/web\/bobby-hutcherson-in-memoriam\/","url_meta":{"origin":14344,"position":2},"title":"Bobby Hutcherson In Memoriam","author":"Tomajazz","date":"18 agosto, 2016","format":false,"excerpt":"En la bibliograf\u00eda que existe sobre Bobby Hutcherson, se suele decir de \u00e9l y de su sonido que son un h\u00edbrido entre el swing de Lionel Hampton y el bop de Milt Jackson, y no les falta raz\u00f3n, aunque en los \u00faltimos a\u00f1os ha recalado en el caj\u00f3n de sastre\u2026","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/Bobby-Hucherson_2007_Photograph-by-Nadja-von-Massow.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":28634,"url":"https:\/\/tomajazz.com\/web\/maxine-sullivan-ii-lionel-hampton-i-la-odisea-de-la-musica-afroamericana-079-podcast\/","url_meta":{"origin":14344,"position":3},"title":"Maxine Sullivan (II) &#8211; Lionel Hampton (I). La Odisea de la M\u00fasica Afroamericana (080) [Podcast]","author":"Tomajazz","date":"9 enero, 2017","format":false,"excerpt":"La cantante Maxine Sullivan y el vibrafonista, pianista y baterista Lionel Hampton son los protagonistas de la entrega n\u00famero 80 de La Odisea de la M\u00fasica Afroamericana.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Maxine_Sullivan_Village_vanguard_ca._19478-e1483880869578.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Maxine_Sullivan_Village_vanguard_ca._19478-e1483880869578.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Maxine_Sullivan_Village_vanguard_ca._19478-e1483880869578.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":16922,"url":"https:\/\/tomajazz.com\/web\/recuerdos-de-lionel-hampton-por-juanma-castro-medina\/","url_meta":{"origin":14344,"position":4},"title":"Recuerdos de Lionel Hampton por Juanma Castro Medina","author":"Tomajazz","date":"6 febrero, 2015","format":false,"excerpt":"Cuentan G\u00e9rald Arnaud y Maurice Cullaz que en 1930, Louis Armstrong mostr\u00f3 a su banda un artilugio musical nuevo y extra\u00f1o. El aparato fue creado en 1916 y por tanto ninguno de los chicos estaba familiarizado con \u00e9l. 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