{"id":14357,"date":"2014-10-03T11:46:30","date_gmt":"2014-10-03T09:46:30","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=14357"},"modified":"2016-11-13T23:34:08","modified_gmt":"2016-11-13T22:34:08","slug":"22eme-festival-jazz-a-junas-i-little-res-suitcase-ulf-wakenius-trio-tonbruket-quartet-satu-niiranen-junas-francia-2014-07-23","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/22eme-festival-jazz-a-junas-i-little-res-suitcase-ulf-wakenius-trio-tonbruket-quartet-satu-niiranen-junas-francia-2014-07-23\/","title":{"rendered":"21\u00e8me Festival Jazz \u00c0 Junas (II): Little Res Suitcase \/ Ulf Wakenius Trio \/ Tonbruket Quartet \/ Satu Niiranen (Junas, Francia. 2014-07-24)"},"content":{"rendered":"<p>21\u00e8me Festival Jazz \u00c0 Junas (II)<\/p>\n<p><strong>Little Red Suitcase<\/strong><\/p>\n<ul>\n<li>Fecha: Jueves, 24 de julio de 2014<\/li>\n<li>Lugar: Temple<\/li>\n<li>Componentes:<br \/>\nElena Seti\u00e9n, viol\u00edn y voz<br \/>\nJohanna Borchert, teclados y voz<\/li>\n<\/ul>\n<p><strong>Ulf Wakenius Trio<\/strong><\/p>\n<ul>\n<li>Fecha: Jueves, 24 de julio de 2014, 21:00<\/li>\n<li>Lugar: Carri\u00e8res<\/li>\n<li>Componentes:<br \/>\nUlf Wakenius, guitarras ac\u00fasticas<br \/>\nVincent Peirani, acorde\u00f3n y voz<br \/>\nSimon Tailleu, contrabajo<\/li>\n<\/ul>\n<p><strong>Tonbruket Quartet<\/strong><\/p>\n<ul>\n<li>Fecha: Jueves, 24 de julio de 2014, 22:30<\/li>\n<li>Lugar: Carri\u00e8res<\/li>\n<li>Componentes:<br \/>\nDan Berglund, contrabajo<br \/>\nJohan Lindstr\u00f6m, pedal steel, guitarras y piano<br \/>\nMartin Hederos, piano, teclados y viol\u00edn<br \/>\nAndreas Werliin, bater\u00eda<\/li>\n<\/ul>\n<p><strong>Satu Niiranen<\/strong><\/p>\n<ul>\n<li>Fecha: Viernes, 25 de julio de 2014<\/li>\n<li>Lugar: Temple<\/li>\n<li>Componentes:<br \/>\nSatu Niiranen, acorde\u00f3n, arpa finlandesa y voz<\/li>\n<\/ul>\n<p>Comentario:<\/p>\n<p style=\"text-align: justify;\">El d\u00fao de la escena danesa, <strong>Little Red Suitcase<\/strong>, formado por la donostiarra <strong>Elena<\/strong> <strong>Seti\u00e9n<\/strong> y la berlinesa <strong>Johanna<\/strong> <strong>Borchert<\/strong>, ofrecieron un juego musical entre el pop, el rock y la improvisaci\u00f3n, con cierto regusto na\u00eff, en el espacio del Temple, entre los contrapuntos coloristas de los vitrales de Daniel Humair.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-14358\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F01_VITRALLS-\u00a9Joan-Cort\u00e8s_23jul14_Jazz-\u00e0-Junas.jpg\" alt=\"F01_VITRALLS (\u00a9Joan Cort\u00e8s)_23jul14_Jazz \u00e0 Junas\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F01_VITRALLS-\u00a9Joan-Cort\u00e8s_23jul14_Jazz-\u00e0-Junas.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F01_VITRALLS-\u00a9Joan-Cort\u00e8s_23jul14_Jazz-\u00e0-Junas-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F01_VITRALLS-\u00a9Joan-Cort\u00e8s_23jul14_Jazz-\u00e0-Junas-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F01_VITRALLS-\u00a9Joan-Cort\u00e8s_23jul14_Jazz-\u00e0-Junas-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F01_VITRALLS-\u00a9Joan-Cort\u00e8s_23jul14_Jazz-\u00e0-Junas-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F01_VITRALLS-\u00a9Joan-Cort\u00e8s_23jul14_Jazz-\u00e0-Junas-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Una propuesta que da la sensaci\u00f3n de estar pensada para espacios peque\u00f1os, con el p\u00fablico cercano, v\u00e1lido tanto para programaciones musicales como para las teatrales pr\u00f3ximas al mundo del cabaret. Alguno de sus pasajes podr\u00edan ser plenamente concordantes para proyectos de animaci\u00f3n f\u00edlmica, dicho sin el menor tono peyorativo (uno es un amante de este tipo de pel\u00edculas).<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-14359\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F02_LITTLE-RED-SUITCASE-\u00a9Joan-Cort\u00e8s_23jul14_Jazz-\u00e0-Junas.jpg\" alt=\"F02_LITTLE RED SUITCASE (\u00a9Joan Cort\u00e8s)_23jul14_Jazz \u00e0 Junas\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F02_LITTLE-RED-SUITCASE-\u00a9Joan-Cort\u00e8s_23jul14_Jazz-\u00e0-Junas.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F02_LITTLE-RED-SUITCASE-\u00a9Joan-Cort\u00e8s_23jul14_Jazz-\u00e0-Junas-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F02_LITTLE-RED-SUITCASE-\u00a9Joan-Cort\u00e8s_23jul14_Jazz-\u00e0-Junas-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F02_LITTLE-RED-SUITCASE-\u00a9Joan-Cort\u00e8s_23jul14_Jazz-\u00e0-Junas-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F02_LITTLE-RED-SUITCASE-\u00a9Joan-Cort\u00e8s_23jul14_Jazz-\u00e0-Junas-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F02_LITTLE-RED-SUITCASE-\u00a9Joan-Cort\u00e8s_23jul14_Jazz-\u00e0-Junas-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">El resultado final nos resulto algo disperso, aunque tambi\u00e9n cabe la posibilidad que fuera uno quien lo estuviera, o incluso ambos.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-14360\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F03_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_23jul14_Jazz-\u00e0-Junas.jpg\" alt=\"F03_ULF WAKENIUS (\u00a9Joan Cort\u00e8s)_23jul14_Jazz \u00e0 Junas\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F03_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_23jul14_Jazz-\u00e0-Junas.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F03_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_23jul14_Jazz-\u00e0-Junas-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F03_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_23jul14_Jazz-\u00e0-Junas-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F03_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_23jul14_Jazz-\u00e0-Junas-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F03_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_23jul14_Jazz-\u00e0-Junas-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F03_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_23jul14_Jazz-\u00e0-Junas-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">A las nueve de la noche, con el escenario de las Carri\u00e8res totalmente recuperado y con el todav\u00eda persistente mal regusto entre los asistentes por el desgraciado final de la noche anterior como consecuencia del aguacero descargado, dio comienzo la actuaci\u00f3n de la propuesta del sueco <strong>Ulf Wakenius<\/strong> al frente de sus dos c\u00f3mplices franceses. Los tres, a su vez, son los acompa\u00f1antes de la cantante coreana Youn Sun Nah.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-14361\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F04_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg\" alt=\"F04_ULF WAKENIUS (\u00a9Joan Cort\u00e8s)_24jul14_Jazz \u00e0 Junas\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F04_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F04_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F04_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F04_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F04_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F04_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Wakenius comenz\u00f3 en solitario jugando e improvisando alrededor del tema \u201cWhen God created the coffeebreak\u201d de sus compatriotas E.S.T. (Esbj\u00f6rn Svensson Trio). Una interpretaci\u00f3n con una estimable querencia por el sonido limpio, mel\u00f3dico y la exposici\u00f3n pausada, que nos asust\u00f3 un poco cuando <strong>Ulf<\/strong> cogi\u00f3 una botella de pl\u00e1stico de color rojo y empez\u00f3 a golpear las cuerdas de la guitarra, por suerte solo dur\u00f3 unos breves instantes, algo forzados, para volver a la calidez y gusto que le viene caracterizando \u00faltimamente.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-14362\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F05_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg\" alt=\"F05_ULF WAKENIUS (\u00a9Joan Cort\u00e8s)_24jul14_Jazz \u00e0 Junas\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F05_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F05_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F05_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F05_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F05_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F05_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Posteriormente aparecieron en escena los dos j\u00f3venes m\u00fasicos galos. El contrabajista <strong>Simon<\/strong> <strong>Tailleu<\/strong>, int\u00e9rprete din\u00e1mico, de sonido redondo, que engarz\u00f3 a la perfecci\u00f3n las distintas concepciones y sonoridades de sus compa\u00f1eros. El tercer v\u00e9rtice de la propuesta fue el acordeonista, fehacientemente promiscuo, <strong>Vincent Peirani<\/strong>. Qu\u00e9 decir de \u00e9l, a estas alturas que no hayamos comentado en el \u00faltimo a\u00f1o, pues, a modo de ejemplo, poder escucharlo en un dueto, que no en duelo, con Richard Galliano, o con Antonello Salis, y puestos porqu\u00e9 no los tres juntos como en aquel <em>Vignola ReunionTtrio<\/em> de 1991 (Ermitage, 1996) con Marcel Azzola, Galliano y Salis<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-14363\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F06_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg\" alt=\"F06_ULF WAKENIUS (\u00a9Joan Cort\u00e8s)_24jul14_Jazz \u00e0 Junas\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F06_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F06_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F06_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F06_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F06_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F06_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p>El tr\u00edo ofreci\u00f3 un repertorio que podr\u00edamos calificar de multiestil\u00edstico, con una amplia diversidad de latitudes, pero de total coherencia formal, en una especie de folk-jazz-improvisaci\u00f3n sin fronteras, con claras referencias conceptuales a su disco <em>Vagabond<\/em> (ACT, 2012), aunque s\u00f3lo interpretaron dos de sus temas, el hom\u00f3nimo y \u201cBretagne\u201d. Otros t\u00edtulos fueron \u201cChorinho pra Sivuca\u201d, \u201cMomento m\u00e1gico\u201d (de su colaboraci\u00f3n con Youn Sun Nah), \u201cIstanbul\u201d, as\u00ed como dos temas de folk sueco, \u201cVem kam segla\u201d y un segundo dedicado al desaparecido Charlie Haden. Redondeando la noche con el tema \u201cMistral\u201d.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-14364\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F07_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg\" alt=\"F07_ULF WAKENIUS (\u00a9Joan Cort\u00e8s)_24jul14_Jazz \u00e0 Junas\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F07_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F07_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F07_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F07_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F07_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F07_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Una remarcable actuaci\u00f3n con la sutileza y el lirismo como estandarte.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-14365\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F08_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg\" alt=\"F08_TONBRUKET 4t (\u00a9Joan Cort\u00e8s)_24jul14_Jazz \u00e0 Junas\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F08_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F08_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F08_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F08_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F08_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F08_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">La segunda parte de la noche correspondi\u00f3 al cuarteto, tambi\u00e9n sueco, <strong>Tonbruket<\/strong>. Hasta la fecha tienen tres discos publicados, todos en el sello ACT (sello que este a\u00f1o hubiera podido servir como lema del festival, debido a la n\u00f3mina de m\u00fasicos participantes que graban en \u00e9l). En el primer trabajo la formaci\u00f3n todav\u00eda antepon\u00eda el nombre del bajista, <strong>Dan Berglund<\/strong>, a la denominaci\u00f3n actual.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-14366\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F09_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg\" alt=\"F09_TONBRUKET 4t (\u00a9Joan Cort\u00e8s)_24jul14_Jazz \u00e0 Junas\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F09_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F09_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F09_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F09_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F09_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F09_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\"><strong>Berglund<\/strong>, como es sobradamente sabido, fue el contrabajista de E.S.T., hasta el desgraciado deceso del pianista Esbj\u00f6rn Svensson, en el a\u00f1o 2008. A principios del pasado mes de mayo el <strong>Dan<\/strong> actu\u00f3 en el <a title=\"Wesseltoft &amp; Schwarz &amp; Berglund Trio \/ SAI Tr\u00edo \/Bad Currency \/ Marco Mezquida \/ Lynn Cassiers. 16 Voll Damm Festival Jazz Vic (Vic. 2014-05-08\/17)\" href=\"http:\/\/www.tomajazz.com\/web\/?p=12762\" target=\"_blank\">festival de Jazz de Vic<\/a> como miembro del interesante proyecto \u201cRevisiting John Coltrane\u00b4s a Love Supreme\u201d con Bugge Wesseltoft y Henrik Schwarz.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-14367\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F10_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg\" alt=\"F10_TONBRUKET 4t (\u00a9Joan Cort\u00e8s)_24jul14_Jazz \u00e0 Junas\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F10_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F10_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F10_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F10_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F10_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F10_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">El grupo deambula por coordenadas varias, el pop, rock, electr\u00f3nica, psicodelia, m\u00fasica atmosf\u00e9rica y de banda sonora con cierto gusto \u201cd\u00e9j\u00e0 vu\u201d. Con un esmerado trabajo en la cualidad y calidad del sonido, tanto es as\u00ed que por algunos momentos parec\u00eda m\u00e1s un trabajo de estudio que propiamente un directo. Se encontr\u00f3 a faltar una mayor soltura, un dejarse ir, a lo largo de toda la actuaci\u00f3n.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-14368\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F11_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg\" alt=\"F11_TONBRUKET 4t (\u00a9Joan Cort\u00e8s)_24jul14_Jazz \u00e0 Junas\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F11_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F11_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F11_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F11_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F11_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F11_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">La decena de temas interpretados, dos de ellos en la tanda de los bises, correspondieron a sus dos \u00faltimos trabajos discogr\u00e1ficos<em> Nubium Swimtrip<\/em> (2013) y <em>Dig it to the end<\/em> (2011), con un ligero predominio del pen\u00faltimo as\u00ed como de las composiciones escritas por Johan Lindstr\u00f6m<em>. <\/em>No hay nada nuevo, aunque tiene su atractivo, sumamente bien resuelto y expuesto, a pesar que el directo devenga algo frio y distante.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-14369\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F12_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg\" alt=\"F12_TONBRUKET 4t (\u00a9Joan Cort\u00e8s)_24jul14_Jazz \u00e0 Junas\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F12_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F12_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F12_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F12_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F12_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F12_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Posteriormente hemos escuchado varias veces su \u00faltimo trabajo discogr\u00e1fico y resulta francamente agradable, muy especialmente mientras vas conduciendo entre distancias no muy cortas.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-14370\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F13_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg\" alt=\"F13_TONBRUKET 4t (\u00a9Joan Cort\u00e8s)_24jul14_Jazz \u00e0 Junas\" width=\"600\" height=\"399\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F13_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F13_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F13_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F13_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F13_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F13_TONBRUKET-4t-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Si Brian Eno compuso <em>Music for airports<\/em> y el gran pianista Stephan Oliva hizo lo propio para una supuesta banda sonora parar libros &#8211;<em>musique de livres<\/em>&#8211; de Paul Auster <em>Co\u00efncidences<\/em> (La Buissonne, 2005), por qu\u00e9 no una banda sonora para desplazarse por la carretera.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-14371\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F14_PLACE-DE-LAVENIR-\u00a9Joan-Cort\u00e8s_25jul14_Jazz-\u00e0-Junas.jpg\" alt=\"F14_PLACE DE L&#039;AVENIR (\u00a9Joan Cort\u00e8s)_25jul14_Jazz \u00e0 Junas\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F14_PLACE-DE-LAVENIR-\u00a9Joan-Cort\u00e8s_25jul14_Jazz-\u00e0-Junas.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F14_PLACE-DE-LAVENIR-\u00a9Joan-Cort\u00e8s_25jul14_Jazz-\u00e0-Junas-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F14_PLACE-DE-LAVENIR-\u00a9Joan-Cort\u00e8s_25jul14_Jazz-\u00e0-Junas-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F14_PLACE-DE-LAVENIR-\u00a9Joan-Cort\u00e8s_25jul14_Jazz-\u00e0-Junas-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F14_PLACE-DE-LAVENIR-\u00a9Joan-Cort\u00e8s_25jul14_Jazz-\u00e0-Junas-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F14_PLACE-DE-LAVENIR-\u00a9Joan-Cort\u00e8s_25jul14_Jazz-\u00e0-Junas-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">A media tarde del d\u00eda siguiente, el viernes 25, volvi\u00f3 a caer otro considerable aguacero veraniego, de \u00e1mbito local, aunque a pocos kil\u00f3metros apenas cayeran unas gotas mientras en Junas descargaba sus buenos litros por metro cuadrado, que oblig\u00f3 a la organizaci\u00f3n a suspender las dos actuaciones previstas para el escenario de las canteras, Magnus Ostrom Quartet (bater\u00eda del desaparecido E.S.T.) y Erik Truffaz Quartet con la cantante noruega Torun Eriksen.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-14372\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F15_SATU-NIIRANEN-4t-\u00a9Joan-Cort\u00e8s_25jul14_Jazz-\u00e0-Junas.jpg\" alt=\"F15_SATU NIIRANEN 4t (\u00a9Joan Cort\u00e8s)_25jul14_Jazz \u00e0 Junas\" width=\"399\" height=\"600\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F15_SATU-NIIRANEN-4t-\u00a9Joan-Cort\u00e8s_25jul14_Jazz-\u00e0-Junas.jpg 399w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F15_SATU-NIIRANEN-4t-\u00a9Joan-Cort\u00e8s_25jul14_Jazz-\u00e0-Junas-99x150.jpg 99w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F15_SATU-NIIRANEN-4t-\u00a9Joan-Cort\u00e8s_25jul14_Jazz-\u00e0-Junas-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F15_SATU-NIIRANEN-4t-\u00a9Joan-Cort\u00e8s_25jul14_Jazz-\u00e0-Junas-36x55.jpg 36w\" sizes=\"auto, (max-width: 399px) 100vw, 399px\" \/>Foto15<\/p>\n<p style=\"text-align: justify;\">A las seis de la tarde y con la lluvia desaparecida, pero con los brillos y frescor consecuente, comenz\u00f3 el segundo acorde\u00f3n solo del festival, en esta ocasi\u00f3n a cargo de <strong>Satu Niiranen<\/strong>, joven finlandesa residente en el norte de Francia.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-14373\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F16_SATU-NIIRANEN-4t-\u00a9Joan-Cort\u00e8s_25jul14_Jazz-\u00e0-Junas.jpg\" alt=\"F16_SATU NIIRANEN 4t (\u00a9Joan Cort\u00e8s)_25jul14_Jazz \u00e0 Junas\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F16_SATU-NIIRANEN-4t-\u00a9Joan-Cort\u00e8s_25jul14_Jazz-\u00e0-Junas.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F16_SATU-NIIRANEN-4t-\u00a9Joan-Cort\u00e8s_25jul14_Jazz-\u00e0-Junas-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F16_SATU-NIIRANEN-4t-\u00a9Joan-Cort\u00e8s_25jul14_Jazz-\u00e0-Junas-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F16_SATU-NIIRANEN-4t-\u00a9Joan-Cort\u00e8s_25jul14_Jazz-\u00e0-Junas-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F16_SATU-NIIRANEN-4t-\u00a9Joan-Cort\u00e8s_25jul14_Jazz-\u00e0-Junas-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F16_SATU-NIIRANEN-4t-\u00a9Joan-Cort\u00e8s_25jul14_Jazz-\u00e0-Junas-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: justify;\">Los temas interpretados, con gran nivel instrumental, desenvoltura y perfecta osmosis con su instrumento, con su correspondiente sensaci\u00f3n de levedad, cabalgaron entre temas populares de su pa\u00eds de origen, con un par de polcas, y composiciones m\u00e1s contempor\u00e1neas donde destacaron \u201cBaobap\u201d y \u201cAino\u201d. Termino su actuaci\u00f3n con el tema \u201cMaanitun\u201d cantando en fin\u00e9s.<\/p>\n<p style=\"text-align: justify;\">Posteriormente nos acercamos a las canteras, como el que no quiere terminar de aceptar los hechos y espera una reconducci\u00f3n final. Con un sol radiante y ambiente de finales de setiembre, contrastamos la diferencia entre lo deseado y la evidencia palpable.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-14374\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F17_CARRI\u00c8RES-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg\" alt=\"F17_CARRI\u00c8RES (\u00a9Joan Cort\u00e8s)_24jul14_Jazz \u00e0 Junas\" width=\"600\" height=\"400\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F17_CARRI\u00c8RES-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F17_CARRI\u00c8RES-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F17_CARRI\u00c8RES-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F17_CARRI\u00c8RES-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F17_CARRI\u00c8RES-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F17_CARRI\u00c8RES-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas-120x80.jpg 120w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p style=\"text-align: right;\">Texto y fotograf\u00edas: \u00a9 Joan Cort\u00e8s, 2014<\/p>\n","protected":false},"excerpt":{"rendered":"<p>21\u00e8me Festival Jazz \u00c0 Junas (II) Little Red Suitcase Fecha: Jueves, 24 de julio de 2014 Lugar: Temple Componentes: Elena Seti\u00e9n, viol\u00edn y voz Johanna Borchert, teclados y voz Ulf Wakenius Trio Fecha: Jueves, 24 de julio de 2014, 21:00 Lugar: Carri\u00e8res Componentes: Ulf Wakenius, guitarras ac\u00fasticas Vincent Peirani, acorde\u00f3n<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/22eme-festival-jazz-a-junas-i-little-res-suitcase-ulf-wakenius-trio-tonbruket-quartet-satu-niiranen-junas-francia-2014-07-23\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":14362,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17853,4,1038],"tags":[10849,338,10853,10340,9613,10864,1557,335,7123,1660,10861,10857,6752,10851,10850,9614,1041,336,10862,10868,6675,10856,10854,10866,10855,10852,10867,7207,7997,10860,16099,16100,10865,10858,6287,10863,6288,6285],"class_list":["entry","author-pachi","post-14357","post","type-post","status-publish","format-standard","has-post-thumbnail","category-joan-cortes","category-conciertos","category-contenidos","tag-21eme-festival-jazz-a-junas","tag-andreas-werliin","tag-antonello-salis","tag-brian-eno","tag-bugge-wesseltoft","tag-carrieres","tag-charlie-haden","tag-dan-berglund","tag-daniel-humair","tag-e-s-t","tag-elena-setien","tag-erik-truffaz-quartet","tag-esbjorn-svensson","tag-esbjorn-svensson-trio","tag-festival-jazz-a-junas","tag-henrik-schwarz","tag-joan-cortes","tag-johan-lindstrom","tag-johanna-borchert","tag-little-red-suitcase","tag-magnus-ostrom","tag-magnus-ostrom-quartet","tag-marcel-azzola","tag-martin-hederos","tag-paul-auster","tag-richard-galliano","tag-satu-niiranen","tag-simon-tailleu","tag-stephan-oliva","tag-temple","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-tonbruket-quartet","tag-torum-eriksen","tag-ulf-wakenius","tag-ulf-wakenius-trio","tag-vincent-peirani","tag-youn-sun-nah"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/F05_ULF-WAKENIUS-\u00a9Joan-Cort\u00e8s_24jul14_Jazz-\u00e0-Junas.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":13477,"url":"https:\/\/tomajazz.com\/web\/tres-notables-festivales-del-sur-de-francia\/","url_meta":{"origin":14357,"position":0},"title":"Tres notables festivales del sur de Francia: 24\u00e8me Jazz \u00c0 Luz \/ 21\u00e8me Jazz \u00c0 Junas \/ 3\u00e8me Festival Musiques Dels Monts (2014-07)","author":"Arturo Mora","date":"17 agosto, 2014","format":false,"excerpt":"Tres notables festivales del Sur de Francia. 24\u00e8me Jazz \u00c0 Luz del \u00a011 al 14 de julio Luz-Saint-Sauveur Hautes-Pyrenees\u00a0(Francia) 21\u00e8me Jazz \u00c0 Junas del \u00a023 al 26 de julio Junas Languedoc-Roussillon\u00a0(Francia) 3\u00e8me Festival Musiques Dels Monts del \u00a007 al 10 de julio Villelongue-dels-Monts Languedoc-Roussillon (Francia) Comentario: Este verano hemos tenido\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/Foto-01_3PROGRAMAS%C2%A9Joan-Cort%C3%A8s_Luz-Junas-Villalongue1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/Foto-01_3PROGRAMAS%C2%A9Joan-Cort%C3%A8s_Luz-Junas-Villalongue1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/08\/Foto-01_3PROGRAMAS%C2%A9Joan-Cort%C3%A8s_Luz-Junas-Villalongue1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":14145,"url":"https:\/\/tomajazz.com\/web\/22eme-festival-jazz-a-junas-i-vincent-peirani-doudou-gouirand-michel-marre-art-deco-quartet-youn-sun-nah-junas-francia-2014-07-23\/","url_meta":{"origin":14357,"position":1},"title":"21\u00e8me Festival Jazz \u00c0 Junas (I): Vincent Peirani \/ Doudou Gouirand \/ Michel Marre Art D\u00e9co Quartet \/ Youn Sun Nah (Junas, Francia. 2014-07-23)","author":"Tomajazz","date":"26 septiembre, 2014","format":false,"excerpt":"21\u00e8me Festival Jazz \u00c0 Junas Vincent Peirani Fecha: Mi\u00e9rcoles, 23 de julio de 2014 Lugar: Temple Componentes: Vincent Peirani, acorde\u00f3n \u00a0 Doudou Gouirand \/ Michel Marre Art D\u00e9co Quartet Fecha: Mi\u00e9rcoles, 23 de julio de 2014, 21h Lugar: Carri\u00e8res Componentes: Doudou Gouirand, saxo alto Michel Marre, trompeta Guillaume S\u00e9guron, contrabajo\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/F02_Binoms-de-dos-carrers-%C2%A9Joan-Cort%C3%A8s_23jul14_Jazz-%C3%A0-Junas.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/F02_Binoms-de-dos-carrers-%C2%A9Joan-Cort%C3%A8s_23jul14_Jazz-%C3%A0-Junas.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/F02_Binoms-de-dos-carrers-%C2%A9Joan-Cort%C3%A8s_23jul14_Jazz-%C3%A0-Junas.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":101881,"url":"https:\/\/tomajazz.com\/web\/martin-taylor-ulf-wakenius-jazzmadrid-2025\/","url_meta":{"origin":14357,"position":2},"title":"Martin Taylor &#038; Ulf Wakenius (Festival Internacional JazzMadrid 2025, Centro Centro, Madrid. 2025-11-15) Por Enrique Farelo [Concierto de jazz]","author":"Tomajazz","date":"18 noviembre, 2025","format":false,"excerpt":"Martin Taylor & Ulf Wakenius actuaron en el Festival Internacional JazzMadrid 2025, el 15 de noviembre de 2025. Enrique Farelo lo relata y retrata","rel":"","context":"En \u00abFestival Internacional JazzMadrid 2025\u00bb","block_context":{"text":"Festival Internacional JazzMadrid 2025","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/festival-internacional-jazzmadrid-2025\/"},"img":{"alt_text":"Martin Taylor & Ulf Wakenius (Festival Internacional JazzMadrid 2025, Centro Centro, Madrid. 2025-11-15) Por Enrique Farelo [Concierto de jazz] - Tomajazz - Martin Taylor & Ulf Wakenius actuaron en el Festival Internacional JazzMadrid 2025, el 15 de noviembre de 2025. Enrique Farelo lo relata y retrata","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Martin-Taylor-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Martin-Taylor-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Martin-Taylor-2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/destacada-Martin-Taylor-2.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":6695,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-magnus-ostrom-el-hilo-de-la-vida-por-arturo-mora-2\/","url_meta":{"origin":14357,"position":3},"title":"Tomajazz recupera&#8230; Magnus \u00d6strom. El hilo de la vida. Por Arturo Mora","author":"Tomajazz","date":"3 junio, 2013","format":false,"excerpt":"Que Esbj\u00f6rn Svensson ha sido uno de los m\u00fasicos m\u00e1s revolucionarios de los \u00faltimos a\u00f1os no lo duda nadie. Que e.s.t. era m\u00e1s que Esbj\u00f6rn Svensson tampoco. El contrabajista Dan Berglund ya dio serias pistas de ello en el disco debut de su nuevo grupo Tonbruket, pero la aseveraci\u00f3n del\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Magnus \u00d6str\u00f6m \"Thread Of Life\"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/thread_of_life.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10970,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-dan-berglund-magnus-ostrom-arte-en-el-ritmo-por-arturo-mora-y-sergio-cabanillas\/","url_meta":{"origin":14357,"position":4},"title":"Tomajazz recupera&#8230; Dan Berglund &#038; Magnus \u00d6str\u00f6m: arte en el ritmo. Por Arturo Mora y Sergio Cabanillas","author":"Tomajazz","date":"12 marzo, 2014","format":false,"excerpt":"Seis a\u00f1os despu\u00e9s de su primera aparici\u00f3n en el Festival de Jazz de Vitoria, E.S.T. (Esbj\u00f6rn Svensson Trio) reconquist\u00f3 el escenario del Teatro Principal. Seg\u00fan acab\u00f3 el concierto Arturo Mora y Sergio Cabanillas charlaron con la secci\u00f3n r\u00edtmica de la banda: el bajista Dan Berglund y el bater\u00eda Magnus \u00d6str\u00f6m.\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Dan Berglund \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/dan_berglund_1-200x133.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":63451,"url":"https:\/\/tomajazz.com\/web\/guitar-conference-ulf-wakenius-mark-whitfield-christian-escoude-41e-festival-jazz-terrassa-nova-jazz-cava-terrassa-barcelona-2022-03-26-iii-iii-por-joan-cortes-instan\/","url_meta":{"origin":14357,"position":5},"title":"Guitar Conference &#8211; Ulf Wakenius \u2022 Mark Whitfield \u2022 Christian Escoud\u00e9- (41\u00e8 Festival Jazz Terrassa \/ Nova Jazz Cava, Terrassa -Barcelona-. 2022-03-26) (III\/III) Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"14 mayo, 2022","format":false,"excerpt":"En INSTANTZZ una nueva galer\u00eda fotogr\u00e1fica tomada en el 41\u00e8 Festival Jazz Terrassa 2022 por Joan Cort\u00e8s. En las im\u00e1genes el proyecto Guitar Conference con Ulf Wakenius \u2022 Mark Whitfield \u2022 Christian Escoud\u00e9.","rel":"","context":"En \u00abINSTANTZZ\u00bb","block_context":{"text":"INSTANTZZ","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/instantzz\/"},"img":{"alt_text":"Guitar Conference - Ulf Wakenius \u2022 Mark Whitfield \u2022 Christian Escoud\u00e9- (41\u00e8 Festival Jazz Terrassa \/ Nova Jazz Cava, Terrassa -Barcelona-. 2022-03-26) (III\/III) Por Joan Cort\u00e8s [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/05\/07_Gtr-Cnfrnc-%C2%A9Joan-Cortes_26mrc22_41FJT_NJC_Trrss.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/05\/07_Gtr-Cnfrnc-%C2%A9Joan-Cortes_26mrc22_41FJT_NJC_Trrss.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/05\/07_Gtr-Cnfrnc-%C2%A9Joan-Cortes_26mrc22_41FJT_NJC_Trrss.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/14357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=14357"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/14357\/revisions"}],"predecessor-version":[{"id":14378,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/14357\/revisions\/14378"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/14362"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=14357"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=14357"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=14357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}