{"id":1500,"date":"2011-05-21T18:28:59","date_gmt":"2011-05-21T16:28:59","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=1500"},"modified":"2016-05-21T20:31:49","modified_gmt":"2016-05-21T18:31:49","slug":"interface-pauline-oliveros-recording-field-h","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/interface-pauline-oliveros-recording-field-h\/","title":{"rendered":"Interface &#8211; Pauline Oliveros &#8211; Recording Field, H"},"content":{"rendered":"<p style=\"text-align: justify\"><a href=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/interface_recording_field.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-1501\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/interface_recording_field.jpg\" alt=\"\" width=\"150\" height=\"219\" title=\"\"><\/a>Improvisaci\u00f3n electr\u00f3nica y danza son los integrantes del encuentro entre el grupo <strong>interface<\/strong> y <strong>Pauline Oliveros<\/strong>. Comenzando por la danza, <em>Streams<\/em> y <em>Pikapika<\/em> (piezas 2 y 4) son dos propuestas muy interesantes. En ellas <strong>Tomie Hahn<\/strong> desarrolla el entorno sonoro con un sistema de danza interactivo dise\u00f1ado por <strong>Curtis Bahn<\/strong>. Si la primera de las piezas est\u00e1 relacionada con el agua y los flu\u00eddos, la segunda estar\u00eda relacionada con la industrializaci\u00f3n y elementos de la cultura (actual) japonesa. Las im\u00e1genes que acompa\u00f1an en una pantalla a las evoluciones de la bailarina-m\u00fasico en estas dos piezas aportan un elemento adicional complementario.<\/p>\n<p style=\"text-align: justify\">En cuanto a lo puramente sonoro (piezas 1, 3 y 5) resulta muy interesante poder visualizar el proceso de fabricaci\u00f3n de estas piezas sonoras. Improvisaciones electr\u00f3nicas instant\u00e1neas. <strong>Curtis Bahn<\/strong>, <strong>Dan Trueman<\/strong> y <strong>Pauline Oliveiros<\/strong> (acompa\u00f1ados en <em>Recording Fiels, H<\/em> por el shakuhachi de <strong>Tomie Hahn<\/strong>) trabajan con el sonido de sus instrumentos por medio de sus sistemas sonoros (siendo su interface unos port\u00e1tiles McIntosh), de tal modo que logran extraer unos sonidos que no corresponden a lo esperado de un viol\u00edn, contrabajo y acorde\u00f3n.<\/p>\n<p style=\"text-align: justify\">Con una realizaci\u00f3n variada (que no recurre exclusivamente a los planos fijos del conjunto de los m\u00fasicos o de la bailarina) y un precio de adquisici\u00f3n similar al de una edici\u00f3n discogr\u00e1fica, resulta una referencia bien interesante.<\/p>\n<p style=\"text-align: justify\">\u00a0<\/p>\n<p style=\"text-align: right\"><a href=\"mailto:jftapiz@tomajazz.com\">Jos\u00e9 Francisco \u00abPachi\u00bb Tapiz aka diyeipetea a.k.a. dj pta<\/a><\/p>\n<p><strong>T\u00edtulo:<\/strong> RECORDING FIELD, H<\/p>\n<p><strong>Sello:<\/strong> Deep Listening <a href=\"http:\/\/www.deeplistening.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.deeplistening.com<\/a><\/p>\n<p><strong>A\u00f1o:<\/strong> 2003 (grabaci\u00f3n y edici\u00f3n)<\/p>\n<p><strong>Componentes:<\/strong><br \/>\nPauline Oliveros &#8211; accordion and Expanded Instrument System (EIS)<br \/>\n<strong>interface<\/strong><br \/>\nCurtis Bahn &#8211; sensor bass<br \/>\nTomie Hahn &#8211; interactive dance system and shakuhachi<br \/>\nDan Trueman &#8211; sensor violin and bowed sensor\/speaker array<\/p>\n<p><strong>T\u00edtulos: <\/strong>035&#8243; max 12:34; streams 6:29; RECORDING FIELD, H 12:03; Pikapika 9:04; &lt;&#8211; 100&#8243;&#8211;&gt; 17:41<\/p>\n<p><strong>Extras:<\/strong> no tiene<\/p>\n<p style=\"text-align: justify\">\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Improvisaci\u00f3n electr\u00f3nica y danza son los integrantes del encuentro entre el grupo interface y Pauline Oliveros. Comenzando por la danza, Streams y Pikapika (piezas 2 y 4) son dos propuestas muy interesantes. En ellas Tomie Hahn desarrolla el entorno sonoro con un sistema de danza interactivo dise\u00f1ado por Curtis Bahn.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/interface-pauline-oliveros-recording-field-h\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[11],"tags":[981,980,960,16099,77,16100],"class_list":["entry","author-autor1","post-1500","post","type-post","status-publish","format-standard","category-dvds","tag-h","tag-interface-pauline-oliveros-recording-field","tag-jose-francisco-tapiz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":7644,"url":"https:\/\/tomajazz.com\/web\/who-the-fuck-deep-listening-a-composers-sound-practice-pauline-oliveros-especial-agosto-2013\/","url_meta":{"origin":1500,"position":0},"title":"Who The Fuck?: Deep Listening: A Composer&#8217;s Sound Practice (Pauline Oliveros) [Especial agosto 2013]","author":"Tomajazz","date":"7 agosto, 2013","format":false,"excerpt":"Deep Listening: A Composer's Sound Practice Pauline Oliveros Seleccionado por Manolo Rodr\u00edguez.\u00a0http:\/\/www.manolo-rodriguez.com\/","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"pauline oliveros","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/pauline-oliveros.jpeg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":45613,"url":"https:\/\/tomajazz.com\/web\/edictoralia-llibres-i-publicacions-publica-deep-listening-una-practica-para-la-composicion-sonora-de-pauline-oliveros-noticias\/","url_meta":{"origin":1500,"position":1},"title":"EdictOr\u00e0lia Llibres i Publicacions publica Deep Listening. 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Jos\u00e9 Luis Luna Rocafort lo retrata en INSTANTZZ. En 2025 participaron Abe R\u00e1bade, Perico Sambeat, Mar\u00eda Toro, Ant\u00eda Mui\u00f1o, Reinier Elizarde \"El Negr\u00f3n\", Michael Olivera","rel":"","context":"En \u00ab37 Eivissa Jazz 2025\u00bb","block_context":{"text":"37 Eivissa Jazz 2025","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/37-eivissa-jazz-2025\/"},"img":{"alt_text":"Eivissa Jazz Experience (37 Eivissa Jazz 2025. Baluard de Santa Ll\u00facia. Eivissa. 2025-09-02) Por Jos\u00e9 Luis Luna Rocafort [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - La actuaci\u00f3n del Eivissa Jazz Experience es un cl\u00e1sico que no pod\u00eda faltar en el 37 Eivissa Jazz 2025. Jos\u00e9 Luis Luna Rocafort lo retrata en INSTANTZZ. 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Hank Jones Trio: \u00abInterface\u00bb [Minipodcast de jazz] Por Juan F. Trillo","author":"Tomajazz","date":"29 noviembre, 2021","format":false,"excerpt":"En Tomajazz tenemos el enorme placer de estrenar el nuevo podcast semanal A Time To Remember de Juan F. Trillo. En la primera entrega selecciona el tema \"Interface\" de la grabaci\u00f3n Oracle de Hank Jones Trio.","rel":"","context":"En \u00abTomajazz Remembers (Podcast de jazz)\u00bb","block_context":{"text":"Tomajazz Remembers (Podcast de jazz)","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/a_time_to_remember\/"},"img":{"alt_text":"Interface. Hank Jones Trio: The Oracle. 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