{"id":15487,"date":"2014-11-17T10:40:10","date_gmt":"2014-11-17T09:40:10","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=15487"},"modified":"2016-11-13T20:09:59","modified_gmt":"2016-11-13T19:09:59","slug":"tomajazz-recomienda-un-tema-crazy-blues-mamie-smith-1920","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-crazy-blues-mamie-smith-1920\/","title":{"rendered":"Tomajazz recomienda&#8230; un tema: \u00abCrazy Blues\u00bb (Mamie Smith, 1920)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-15488\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Crazy-Blues-200x213.jpg\" alt=\"Crazy Blues\" width=\"200\" height=\"213\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Crazy-Blues-200x213.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Crazy-Blues-140x150.jpg 140w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Crazy-Blues-51x55.jpg 51w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Crazy-Blues.jpg 274w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>\u00abCrazy Blues\u00bb de Mamie Smith es habitualmente el punto de partida de la\u00a0historia del jazz vocal. Antes de esta versi\u00f3n del tema de Perry Bradford\u00a0se hab\u00edan grabado algunos blues, pero este fue el primer\u00a0gran \u00e9xito a nivel popular. En\u00a0el primer mes de su publicaci\u00f3n (el tema se grab\u00f3 en agosto de 1920), vendi\u00f3 75000 copias, superando el mill\u00f3n a lo largo del tiempo. Sus m\u00e9ritos superan lo meramente musical, aunque\u00a0no era un fiel reflejo del blues rural sino una versi\u00f3n bastante m\u00e1s refinada. Este fue el punto de partida para que\u00a0las discogr\u00e1ficas intentaran explotar este\u00a0fil\u00f3n incorporando en sus cat\u00e1logos a cantantes, habitualmente femeninas. Gran parte de lo que vino despu\u00e9s se lo debemos a este tema.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing, 2014<\/p>\n<p style=\"text-align: justify;\">Mamie Smith and Her Jazz Sounds: \u00abCrazy Blues\u00bb (Okeh, 1920)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00abCrazy Blues\u00bb de Mamie Smith es habitualmente el punto de partida de la\u00a0historia del jazz vocal. Antes de esta versi\u00f3n del tema de Perry Bradford\u00a0se hab\u00edan grabado algunos blues, pero este fue el primer\u00a0gran \u00e9xito a nivel popular. En\u00a0el primer mes de su publicaci\u00f3n (el tema se grab\u00f3 en agosto<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-crazy-blues-mamie-smith-1920\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":15488,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1038,1273],"tags":[5366,11332,9307,11334,16099,16100],"class_list":["entry","author-adolphus-van-tenzing","post-15487","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-contenidos","category-tomajazz-recomienda","tag-adolphus-van-tenzing","tag-mamie-smith","tag-okeh","tag-perry-bradford","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Crazy-Blues.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":18615,"url":"https:\/\/tomajazz.com\/web\/la-musica-de-lodlma-crazy-blues-mamie-smith\/","url_meta":{"origin":15487,"position":0},"title":"La m\u00fasica de LODLMA: \u00abCrazy Blues\u00bb (Mamie Smith)","author":"Tomajazz","date":"8 junio, 2015","format":false,"excerpt":"En el quinto cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana (LODLMA) suena... \"Crazy Blues\" (Mamie Smith) \u201cCrazy Blues\u201d de Mamie Smith es habitualmente el punto de partida de la\u00a0historia del jazz vocal. Antes de esta versi\u00f3n del tema de Perry Bradford\u00a0se hab\u00edan grabado algunos blues, pero este fue el\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Crazy Blues","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Crazy-Blues-200x213.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":48216,"url":"https:\/\/tomajazz.com\/web\/jazzx5164-mamie-smith-crazy-blues-1920-minipodcast\/","url_meta":{"origin":15487,"position":1},"title":"JazzX5#164. Mamie Smith: Crazy Blues (1920) [Minipodcast]","author":"Tomajazz","date":"5 enero, 2020","format":false,"excerpt":"En 1920 se publicaba el primer blues grabado. La cantante Mamie Smith grab\u00f3 en agosto de ese a\u00f1o \"Crazy Blues\". Vaya desde Tomajazz un homenaje en el a\u00f1o de su centenario.\u00a0","rel":"","context":"En \u00abSonidos\u00bb","block_context":{"text":"Sonidos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_164.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_164.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_164.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_164.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1978,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-saint-louis-blues-bessie-smith-1929\/","url_meta":{"origin":15487,"position":2},"title":"Tomajazz recomienda un tema\u2026 \u201cSaint Louis Blues\u201d (Bessie Smith, 1929)","author":"Adolphus van Tenzing","date":"15 abril, 2011","format":false,"excerpt":"En 1925 Bessie Smith grab\u00f3 por primera vez el tema de W.C. Handy en una formaci\u00f3n ciertamente inusual: corneta (interpretada por Louis Armstrong), armonio (por Fred Longshaw) y ella misma a la voz. Cuatro a\u00f1os m\u00e1s tarde lo interpret\u00f3 de nuevo en la pel\u00edcula hom\u00f3nima dirigida por Dudley Murphy. Tirada\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"\u201cSaint Louis Blues\u201d. Bessie Smith. 1929","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/04\/bessiesmith_theblues.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":18604,"url":"https:\/\/tomajazz.com\/web\/la-odisea-de-la-musica-afroamericana-capitulo-005-podcast\/","url_meta":{"origin":15487,"position":3},"title":"Blues I. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 005) [Podcast]","author":"Tomajazz","date":"1 junio, 2015","format":false,"excerpt":"En el quinto cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana Luis Escalante centra el programa en el blues. Como no pod\u00eda ser de otra manera aparecen referencias a los minstrel shows (con sus protagonistas Jim Crow y Zip Coon), y tambi\u00e9n a la guerra civil norteamericana. Tambi\u00e9n a su\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"Blues I. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 005) [Podcast]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/MamieSmith.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/MamieSmith.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/MamieSmith.png?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2176,"url":"https:\/\/tomajazz.com\/web\/fat-babies-china-moses-ernest-dawkins-a-vueltas-con-la-tradicion\/","url_meta":{"origin":15487,"position":4},"title":"Fat Babies, China Moses, Ernest Dawkins: a vueltas con la tradici\u00f3n","author":"Tomajazz","date":"20 noviembre, 2012","format":false,"excerpt":"El grupo Fat Babies, China Moses y Ernest Dawkins con las grabaciones Chicago Hot, Afro Straight y Crazy Blues respectivamente, muestran tres maneras de revisar la tradici\u00f3n. The Fat Babies son un septeto de Chicago a la viej\u00edsima usanza integrado por bater\u00eda, contrabajo, piano, banjo, corneta, clarinete\/saxos y tromb\u00f3n (m\u00e1s\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"fat babies_chicago hot","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/11\/fat-babies_chicago-hot.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2047,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-homenaje-amina-claudine-myers-salutes-bessie-smith-1980\/","url_meta":{"origin":15487,"position":5},"title":"Tomajazz recomienda&#8230; un homenaje: Amina Claudine Myers Salutes Bessie Smith (1980)","author":"Adolphus van Tenzing","date":"12 marzo, 2012","format":false,"excerpt":"En 1980 Amina Claudine Myers grababa en Leo Records su segundo disco titulado Amina Claudine Myers Salutes Bessie Smith. La pianista y cantante estaba acompa\u00f1ada por Cecil McBee y Jimmy Lovelace con los que compon\u00eda un disco que estaba lleno de sonidos que homenajeaban a la emperatriz del blues en\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/Amina-Claudine-Myers-Salutes-Bessie-Smith.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/15487","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=15487"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/15487\/revisions"}],"predecessor-version":[{"id":15490,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/15487\/revisions\/15490"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/15488"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=15487"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=15487"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=15487"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}