{"id":15491,"date":"2014-11-18T10:49:54","date_gmt":"2014-11-18T09:49:54","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=15491"},"modified":"2016-11-13T23:26:30","modified_gmt":"2016-11-13T22:26:30","slug":"dieter-reith-knock-out-mps-1975-orig-2014-reed-digital","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/dieter-reith-knock-out-mps-1975-orig-2014-reed-digital\/","title":{"rendered":"Dieter Reith: <i>Knock Out<\/i> (MPS. 1975 -orig-, 2014 -reed.digital)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-15492\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Dieter-Reith_Knock-Out_MPS_1975-200x200.jpg\" alt=\"Dieter Reith_Knock Out_MPS_1975\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Dieter-Reith_Knock-Out_MPS_1975-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Dieter-Reith_Knock-Out_MPS_1975-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Dieter-Reith_Knock-Out_MPS_1975-54x55.jpg 54w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Dieter-Reith_Knock-Out_MPS_1975.jpg 599w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Cuatro temas componen <em>Knock Out <\/em>del teclista alem\u00e1n Dieter Reith. Tres de ellos escritos por el propio Reith y un cuarto por el saxofonista Wilton Gaynair (\u201cOrita\u201d)<\/p>\n<p style=\"text-align: justify;\">Cuenta entre sus filas con el bajista Dave King que fuera miembro del grupo Embryo en <em>Father, Son And Holy Ghosts<\/em>, <em>Steig Aus <\/em>y <em>Rocksession<\/em> entre 1972 al 1973.<\/p>\n<p style=\"text-align: justify;\">La obra podr\u00edamos definirla de <em>jazz-rock,<\/em> <em>krautrock, fusion<\/em> o <em>funk<\/em> influenciada por el sonido americano m\u00e1s que por el europeo. \u201cDay Dreamer\u201d tiene una larga introducci\u00f3n de <em>Fender Rhodes<\/em> a cargo de Dieter Reith realmente sugerente, que est\u00e1 muy bien secundado por el saxo soprano de Wilton Gaynair y un solo de bater\u00eda de Todd Canedy impactante.<\/p>\n<p style=\"text-align: justify;\">El corte que cierra el disco (\u201cDark Green\u201d) es m\u00e1s jazz\u00edstico con un solo de Dieter Reith al piano ac\u00fastico al comienzo del mismo, al que van sum\u00e1ndose el saxo soprano de Wilton Gaynair, y un breve solo de Todd Canedy.<\/p>\n<p style=\"text-align: justify;\">Los dos primeros <em>tracks<\/em> (\u201cKnock Out\u201d y \u201cOrita\u201d) se caracterizan por un sonido virado al <em>funk<\/em> en la linea de los Head Hunters de Herbie Hancock. Buen solo de saxo tenor de Wilton Gaynair y ambientes oscuros y espaciales del \u00f3rgano de cuerdas de Dieter Reith en el primero de ellos.<\/p>\n<p style=\"text-align: right;\">\u00a9 Enrique Farelo, 2014<\/p>\n<p>Dieter Reith: <em>Knock Out <\/em>(MPS. 1975 -orig-, 2014 -reed.digital)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cuatro temas componen Knock Out del teclista alem\u00e1n Dieter Reith. Tres de ellos escritos por el propio Reith y un cuarto por el saxofonista Wilton Gaynair (\u201cOrita\u201d) Cuenta entre sus filas con el bajista Dave King que fuera miembro del grupo Embryo en Father, Son And Holy Ghosts, Steig Aus<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/dieter-reith-knock-out-mps-1975-orig-2014-reed-digital\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":15492,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17848,5,1038],"tags":[1336,12651,11339,11335,11340,304,12696,11337,253,13,12415,15295,2030,11336,16099,77,16100,11338],"class_list":["entry","author-pachi","post-15491","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-grabaciones","category-contenidos","tag-1336","tag-cd","tag-dave-king","tag-dieter-reith","tag-embryo","tag-enrique-farelo","tag-grabaciones","tag-head-hunters","tag-herbie-hancock","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-mps","tag-todd-canedy","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-wilton-gaynair"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Dieter-Reith_Knock-Out_MPS_1975.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29258,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-embryo-wee-keep-on-53\/","url_meta":{"origin":15491,"position":0},"title":"365 razones para amar el jazz: un disco. Embryo: Wee Keep On [53]","author":"Tomajazz","date":"22 febrero, 2017","format":false,"excerpt":"Un disco. Embryo Featuring Charlie Mariano: Wee Keep On (BASF, 1973) Seleccionado por\u00a0Enrique Farelo. Con\u00a0Christian Burchard, Dieter Miekautsch, Roman Bunka, Charlie Mariano.","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Embryo_We-Keep-On_BASF_1973-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":100769,"url":"https:\/\/tomajazz.com\/web\/david-hernando-vitores-sandro-bakhuashvili-ccvaldebernardo-2025\/","url_meta":{"origin":15491,"position":1},"title":"David Hernando V\u00edtores &#8211; Sandro Bakhuashvili \u00abHorizontes sonoros\u00bb (Centro Cultural Valdebernardo, Madrid. 2025-10-04) Por Enrique Farelo [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"20 octubre, 2025","format":false,"excerpt":"David Hernando V\u00edtores - Sandro Bakhuashvili \"Horizontes sonoros\" actuaron en el Centro Cultural Valdebernardo de Madrid, el 4 de octubre de 2025. Enrique Farelo los retrata en INSTANTZZ","rel":"","context":"En \u00abINSTANTZZ\u00bb","block_context":{"text":"INSTANTZZ","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/imagenes\/photoblogs\/instantzz\/"},"img":{"alt_text":"David Hernando V\u00edtores - Sandro Bakhuashvili \"Horizontes sonoros\" (Centro Cultural Valdebernardo, Madrid. 2025-10-04) Por Enrique Farelo [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - David Hernando V\u00edtores - Sandro Bakhuashvili \"Horizontes sonoros\" actuaron en el Centro Cultural Valdebernardo de Madrid, el 4 de octubre de 2025. Enrique Farelo los retrata en INSTANTZZ","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Destacada-David-Hernando-Vitores-Sandro-Bakhuashvili.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Destacada-David-Hernando-Vitores-Sandro-Bakhuashvili.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Destacada-David-Hernando-Vitores-Sandro-Bakhuashvili.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Destacada-David-Hernando-Vitores-Sandro-Bakhuashvili.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":100717,"url":"https:\/\/tomajazz.com\/web\/entrevista-ruben-reinaldo-a-proposito-de-fusion-olivica-2025\/","url_meta":{"origin":15491,"position":2},"title":"Pr\u00f3ximamente&#8230; Entrevista con el guitarrista Rub\u00e9n Reinaldo a prop\u00f3sito de Fusi\u00f3n Ol\u00edvica. Por Carlos Lara, Enrique Farelo y Pachi Tapiz [Entrevista de jazz]","author":"Tomajazz","date":"20 octubre, 2025","format":false,"excerpt":"El guitarrista Rub\u00e9n Reinaldo ha publicado Fusi\u00f3n Ol\u00edvica (Free Code Jazz Records; 2025), su primera grabaci\u00f3n como l\u00edder. Carlos Lara, Enrique Farelo y Pachi Tapiz lo entrevistan con tal ocasi\u00f3n","rel":"","context":"En \u00abEntrevistas...\u00bb","block_context":{"text":"Entrevistas...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/entrevistas-criticas\/"},"img":{"alt_text":"Entrevista con el guitarrista Rub\u00e9n Reinaldo a prop\u00f3sito de Fusi\u00f3n Ol\u00edvica. Por Carlos Lara, Enrique Farelo y Pachi Tapiz [Entrevista de jazz] - Tomajazz - El guitarrista Rub\u00e9n Reinaldo ha publicado Fusi\u00f3n Ol\u00edvica (Free Code Jazz Records; 2025), su primera grabaci\u00f3n como l\u00edder. Carlos Lara, Enrique Farelo y Pachi Tapiz lo entrevistan con tal ocasi\u00f3n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/DESTACADA-IMG-0163.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/DESTACADA-IMG-0163.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/DESTACADA-IMG-0163.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/DESTACADA-IMG-0163.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":14087,"url":"https:\/\/tomajazz.com\/web\/dave-pike-set-infra-red-mps-1970-orig-2014-reed-digital\/","url_meta":{"origin":15491,"position":3},"title":"Dave Pike Set: Infra-Red (MPS. 1970 -orig-, 2014 -reed.digital)","author":"Tomajazz","date":"22 septiembre, 2014","format":false,"excerpt":"El vibrafonista de Michigan (Detroit) David Samuel Pike ha tocado al lado de prestigiosos m\u00fasicos como Herbie Mann, Bill Evans, Nick Brignola, Paul Bley o Kenny Clarke, si bien es conocido por su filiaci\u00f3n al sello alem\u00e1n MPS. 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Enrique Farelo lo retrata y relata. 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Con Mark Wingfield, Gary Husband, Asaf Sirkis, Tony Levin, Percy Jones\n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2026\/01\/Mark-Wingfield-The-Gathering-MoonJune-Records-2024.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/15491","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=15491"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/15491\/revisions"}],"predecessor-version":[{"id":15493,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/15491\/revisions\/15493"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/15492"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=15491"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=15491"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=15491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}