{"id":15545,"date":"2014-11-20T10:30:06","date_gmt":"2014-11-20T09:30:06","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=15545"},"modified":"2016-11-13T16:00:07","modified_gmt":"2016-11-13T15:00:07","slug":"jim-hall-in-berlin-its-nice-to-be-with-you-mps-1969-reed-2014","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/jim-hall-in-berlin-its-nice-to-be-with-you-mps-1969-reed-2014\/","title":{"rendered":"Jim Hall: <i>In Berlin &#8211; It&#8217;s Nice To Be With You<\/i> (MPS, 1969. Reed. 2014)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-15548\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Jim-Hall-In-Berlin-Its-Nice-To-Be-With-YouMPS-1969-200x200.jpg\" alt=\"Jim Hall In Berlin It&#039;s Nice To Be With YouMPS 1969\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Jim-Hall-In-Berlin-Its-Nice-To-Be-With-YouMPS-1969-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Jim-Hall-In-Berlin-Its-Nice-To-Be-With-YouMPS-1969-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Jim-Hall-In-Berlin-Its-Nice-To-Be-With-YouMPS-1969-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Jim-Hall-In-Berlin-Its-Nice-To-Be-With-YouMPS-1969.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Jim Hall ha sido uno de los mejores guitarristas de sesi\u00f3n en la historia del jazz. Cuando estmos a punto de que se cumpla un a\u00f1o de su muerte, est\u00e1 bien recordar y mantener la llama encendida del extraordinario legado que el guitarrista de Buffalo nos dej\u00f3. <em>It&#8217;s Nice To Be With You<\/em> se grab\u00f3 en Berl\u00edn a finales de 1969 con Joachim Ernst Berendt como productor, acompa\u00f1ado por el contrabajista Jimmy Woode y el bater\u00eda Daniel Humair, que por aquella \u00e9poca ya destacaba en el jazz europeo. El disco est\u00e1 formado por ocho temas, algunos de ellos <em>standards <\/em>que suenan como aut\u00e9nticas delicias, tanto por su precisi\u00f3n como por la serenidad que transmiten sus notas. Jim Hall aporta tal finura en sus interpretaciones que pareciera que utilizara una guitarra con sordina. En las manos de Jim Hall, cl\u00e1sicos como \u201cMy Funny Valentine\u201d, \u201cBody and Soul\u201d, \u201cIn a Sentimental Mood\u201d o el propio tema que da t\u00edtulo al disco, se nos aparecen, con la perspectiva del tiempo, como sumamente frescos, siempre con el sello inconfundible de esa finura ac\u00fastica de la que est\u00e1 plagada toda su obra.<\/p>\n<p style=\"text-align: right;\">\u00a9 Carlos Lara, 2014<\/p>\n<p>Jim Hall: <em>in Berlin &#8211; It&#8217;s Nice To Be With You<\/em><\/p>\n<p>Grabado los d\u00edas 27 y 28 de junio de 1969<\/p>\n<p>Publicado originalmente en 1969. Reeditado en 2014 en formatos CD\u00a0y\u00a0digital.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jim Hall ha sido uno de los mejores guitarristas de sesi\u00f3n en la historia del jazz. Cuando estmos a punto de que se cumpla un a\u00f1o de su muerte, est\u00e1 bien recordar y mantener la llama encendida del extraordinario legado que el guitarrista de Buffalo nos dej\u00f3. It&#8217;s Nice To<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/jim-hall-in-berlin-its-nice-to-be-with-you-mps-1969-reed-2014\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":15548,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"Jim Hall: In Berlin - It's Nice To Be With You (MPS, 1969. Reed. 2014) @mpsjazz","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17849,5,1038],"tags":[84,12651,7123,12696,13,12415,15295,979,8070,11369,2030,16099,77,16100],"class_list":["entry","author-pachi","post-15545","post","type-post","status-publish","format-standard","has-post-thumbnail","category-carlos-lara","category-grabaciones","category-contenidos","tag-carlos-lara","tag-cd","tag-daniel-humair","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jim-hall","tag-jimmy-woode","tag-joachim-ernst-berendt","tag-mps","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Jim-Hall-In-Berlin-Its-Nice-To-Be-With-YouMPS-1969.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/15545","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=15545"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/15545\/revisions"}],"predecessor-version":[{"id":15549,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/15545\/revisions\/15549"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/15548"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=15545"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=15545"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=15545"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}