{"id":15737,"date":"2014-11-28T10:50:38","date_gmt":"2014-11-28T09:50:38","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=15737"},"modified":"2016-11-13T16:00:04","modified_gmt":"2016-11-13T15:00:04","slug":"count-basie-and-his-orchestra-basic-basie-mps-1969-edit-orig-2014-reed-digitalcd","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/count-basie-and-his-orchestra-basic-basie-mps-1969-edit-orig-2014-reed-digitalcd\/","title":{"rendered":"Count Basie and his Orchestra: Basic Basie<\/i> (MPS, 1969 \u2013edit.orig.-, 2014 \u2013reed.digital\/CD)"},"content":{"rendered":"

\"CountLas dos big bands<\/em> m\u00e1s engrasadas de la historia fueron las de Duke Ellington y la de Count Basie. En la discograf\u00eda del gran pianista de Nueva Jersey podemos encontrar aut\u00e9nticos diamantes, tanto a nivel de composici\u00f3n como de orquestaci\u00f3n. Por sus filas pasaron los m\u00e1s importantes m\u00fasicos de todos los tiempos, cuya lista ser\u00eda interminable. En lo que se refiere a Basic Basie<\/em>, la grabaci\u00f3n tuvo lugar en octubre de 1969 en Chicago, uno de los puntos cardinales del jazz norteamericano. Son doce piezas con una media de duraci\u00f3n de tres minutos en las que se condensan a la perfecci\u00f3n todos los elementos que caracterizan a una superbanda como esta. Una perfecta medici\u00f3n de todas las intervenciones, aportaciones del l\u00edder siempre oportunas y espectaculares solos. En la orquesta no encontramos muchos nombres conocidos, aparte de dos fen\u00f3menos como Eddie \u201cLockjaw\u201d Davis en el saxo tenor y el guitarrista Freddie Green, pero la banda demuestra un swing <\/em>vibrante y esplendoroso que conmueve en cada uno de los temas, arreglados casi en su totalidad por Chico O\u00b4Farrill.<\/p>\n

\u00a9 Carlos Lara, 2014<\/p>\n

Count Basie and his Orchestra: Basic Basie<\/em> (MPS, 1969 \u2013edit.orig.-, 2014 \u2013reed.digital\/CD)<\/p>\n","protected":false},"excerpt":{"rendered":"

Las dos big bands m\u00e1s engrasadas de la historia fueron las de Duke Ellington y la de Count Basie. En la discograf\u00eda del gran pianista de Nueva Jersey podemos encontrar aut\u00e9nticos diamantes, tanto a nivel de composici\u00f3n como de orquestaci\u00f3n. Por sus filas pasaron los m\u00e1s importantes m\u00fasicos de todosContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":15738,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849,5,1038],"tags":[7360,84,12651,11486,6639,11484,6637,11485,8964,12696,13,12415,15295,2030,16099,77,16100],"class_list":["entry","author-pachi","post-15737","post","type-post","status-publish","format-standard","has-post-thumbnail","category-carlos-lara","category-grabaciones","category-contenidos","tag-7360","tag-carlos-lara","tag-cd","tag-chico-ofarrill","tag-count-basie","tag-count-basie-and-his-orchestra","tag-duke-ellington","tag-eddie-lockjaw-davis","tag-freddie-green","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-mps","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Count-Basie-and-his-Orchestra_Basic-Basie_MPS_1969.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":22594,"url":"https:\/\/tomajazz.com\/web\/la-musica-de-lodlma-count-basie-and-his-orchestra-basic-basie-mps-1969-edit-orig-2014-reed-digitalcd\/","url_meta":{"origin":15737,"position":0},"title":"La m\u00fasica de LODLMA: Count Basie and his Orchestra: Basic Basie (MPS, 1969 \u2013edit.orig.-, 2014 \u2013reed.digital\/CD)","author":"Tomajazz","date":"21 marzo, 2016","format":false,"excerpt":"\"En lo que se refiere a Basic Basie, la grabaci\u00f3n tuvo lugar en octubre de 1969 en Chicago, uno de los puntos cardinales del jazz norteamericano. Son doce piezas con una media de duraci\u00f3n de tres minutos en las que se condensan a la perfecci\u00f3n todos los elementos que caracterizan\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Count-Basie-and-his-Orchestra_Basic-Basie_MPS_1969.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":61254,"url":"https:\/\/tomajazz.com\/web\/count-basie-and-his-orchestra-good-morging-blues-1937-por-pachi-tapiz-jazzx5430-minipodcast-de-jazz\/","url_meta":{"origin":15737,"position":1},"title":"Count Basie and His Orchestra: \u00abGood Morging Blues\u00bb (1937) Por Pachi Tapiz. JazzX5#430 [Minipodcast de jazz]","author":"Tomajazz","date":"20 febrero, 2022","format":false,"excerpt":"En JazzX5 suena el cl\u00e1sico \"Good Morning Blues\" (1937) por Count Basie and His Orchestra, con la voz de Jimmy Rushing. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"Count Basie and His Orchestra: \"Good Morging Blues\" (1937) Por Pachi Tapiz. 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JazzX5 #526 [Minipodcast de jazz]","author":"Tomajazz","date":"26 septiembre, 2022","format":false,"excerpt":"En JazzX5 suena el cl\u00e1sico \"One 'O Clock Jump\" de The Count Basie Orchestra Live At Birdland (Candid Records, 2022). JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/JazzX5_0526.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/JazzX5_0526.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/JazzX5_0526.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/JazzX5_0526.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":22587,"url":"https:\/\/tomajazz.com\/web\/los-gigantes-del-swing-vi-count-basie-y-su-ritmica-la-odisea-de-la-musica-afroamericana-041-podcast\/","url_meta":{"origin":15737,"position":3},"title":"Los gigantes del Swing (VI): Count Basie y su r\u00edtmica. La Odisea de la M\u00fasica Afroamericana (041) [Podcast]","author":"Tomajazz","date":"14 marzo, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. Count Basie\u00a0sigue siendo el protagonista de la entrega n\u00famero 41 de La Odisea de la M\u00fasica Afroamericana, tras aparecer\u00a0en el\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Count-Basie-Colonia-Alemania-1975-10-17.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Count-Basie-Colonia-Alemania-1975-10-17.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Count-Basie-Colonia-Alemania-1975-10-17.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/03\/Count-Basie-Colonia-Alemania-1975-10-17.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":83675,"url":"https:\/\/tomajazz.com\/web\/the-count-basie-orchestra-swings-the-blues\/","url_meta":{"origin":15737,"position":4},"title":"The Count Basie Orchestra: Basie Swings The Blues (Candid Records, 2023) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"9 febrero, 2024","format":false,"excerpt":"Basie Swings The Blues (Candid Records, 2023) de The Count Basie Orchestra es un disco ganador de un Grammy en la edici\u00f3n de 2023. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"The Count Basie Orchestra: Basie Swings The Blues (Candid Records, 2023) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Basie Swings The Blues (Candid Records, 2023) de The Count Basie Orchestra es un disco ganador de un Grammy. 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Letra: E.Y. Harburg Seleccionado por Luis Escalante Ozalla Count Basie Orchestra. April in Paris (1956) Count Basie, Reunald Jones, Thad Jones, Joe Newman, Wendell Culley, Benny Powell, Henry Coker, Matthew Gee, Marshal Royal, Bill Graham, Frank Wess, Frank Foster, Charlie Fowlkes,\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Count-Basie-and-his-orchestra_April-In-Paris_Verve_1956.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/15737","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=15737"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/15737\/revisions"}],"predecessor-version":[{"id":15739,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/15737\/revisions\/15739"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/15738"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=15737"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=15737"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=15737"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}