{"id":1587,"date":"2011-05-26T23:29:54","date_gmt":"2011-05-26T21:29:54","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=1587"},"modified":"2016-11-13T19:35:16","modified_gmt":"2016-11-13T18:35:16","slug":"david-benoit-earthglow-heads-up-2011","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/david-benoit-earthglow-heads-up-2011\/","title":{"rendered":"David Benoit: Earthglow<\/i> (Heads Up, 2011)"},"content":{"rendered":"
\n

\"\"<\/span><\/strong>Ecl\u00e9ctico donde los haya, el pianista David Benoit lleg\u00f3 a ser etiquetado como m\u00fasico de\u00a0new age<\/em> a\u00f1os atr\u00e1s. Etiquetas aparte, en este\u00a0Earthglow<\/em> se muestra alegre, con un aire entre marchoso y\u00a0chill out<\/em> y numerosas referencias latinas (\u201cWill\u2019s Chill\u201d, \u201cSneaky As A Cat\u201d), africanas (el principio de \u201cEasy Day\u201d) e, incluso, mezclas de ambas (\u201cBotswana Bossa Nova\u201d).<\/p>\n

El disco abre con sabor a\u00a0bossa nova<\/em>. Benoit no abusa de protagonismo, intercambiando solos con el resto de m\u00fasicos. En \u201cUnbelievable\u201d busca el contraste en los arreglos y en el cambio de timbre de sus teclados. La parte central del CD es m\u00e1s relajada y cercana al\u00a0smooth jazz<\/em>. En las interesant\u00edsimas notas al libreto, el propio Benoit confiesa estar interesado en explorar el nuevo\u00a0\u201cjazz-lounge-Euro-chill\u201d<\/em> que acostumbra a escuchar en hoteles y bares de dise\u00f1o. Explora, efectivamente, pero sin perder su personalidad propia. \u201cNew Creation\u201d es m\u00e1s agresiva que las piezas anteriores, en \u201cSneaky As A Cat\u201d vuelve la\u00a0bossa<\/em>, y \u201cDowntime\u201d es un relajado vals ac\u00fastico en\u00a0swing<\/em>.<\/p>\n

Apart\u00e1ndose de la l\u00ednea general del disco, Benoit suscita dudas en la \u00faltima pieza (\u201cFreedom At Midnight\u201d), donde desarrolla la sonata n\u00famero 14 de Beethoven (\u201cClaro de luna\u201d) como una descarga latina, muy al estilo de Michel Camilo. Sorprendente, cuando menos.<\/p>\n<\/div>\n

Arturo Mora Rioja<\/a><\/div>\n
\n
David Benoit – Earthglow<\/em><\/div>\n
\n

Composiciones: <\/strong>\u201cBotswana Bossa Nova\u201d, \u201cWill\u2019s Chill\u201d, \u201cUnbelievable\u201d, \u201cEasy Day\u201d, \u201cStraightaway\u201d, \u201cNew Creation\u201d, \u201cEarthglow\u201d, \u201cSneaky As A Cat\u201d, \u201cDowntime\u201d, \u201cBrownie\u2019s Gone\u201d, \u201cFreedom At Midnight (The Schroeder Variations)\u201d (David Benoit, Nathan East & Ludwig Van Beethoven)<\/p>\n

Todos los temas por David Benoit, excepto donde se indica.<\/p>\n

M\u00fasicos: <\/strong>David Benoit (pinao, Fender Rhodes, sintetizadores, programaciones), David Hugues (contrabajo y bajo el\u00e9ctrico), Jamey Tate (bater\u00eda) y Brad Dutz (percusi\u00f3n), con Rick Braun (trompeta y fiscorno), Jeff Kashiwa (saxos alto y tenor), Pat Kelly (guitarras el\u00e9ctrica y ac\u00fastica), Tim Weisberg (flauta, flauta alto y flauta bajo) y James Saez (guitarra el\u00e9ctrica).<\/p>\n

Grabado en Ocean Studios (Burbank, California, Estados Unidos).
\nHeads Up 31975-02<\/p>\n<\/div>\n<\/div>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Ecl\u00e9ctico donde los haya, el pianista David Benoit lleg\u00f3 a ser etiquetado como m\u00fasico de\u00a0new age a\u00f1os atr\u00e1s. Etiquetas aparte, en este\u00a0Earthglow se muestra alegre, con un aire entre marchoso y\u00a0chill out y numerosas referencias latinas (\u201cWill\u2019s Chill\u201d, \u201cSneaky As A Cat\u201d), africanas (el principio de \u201cEasy Day\u201d) e, incluso,Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17861,5],"tags":[260,1017,12651,1014,1015,12696,1023,1022,13,12415,15295,1019,1016,1020,1018,1021,16099,77,16100],"class_list":["entry","author-pachi","post-1587","post","type-post","status-publish","format-standard","category-arturo-mora-rioja","category-grabaciones","tag-arturo-mora-rioja","tag-brad-dutz","tag-cd","tag-david-benoit","tag-david-hugues","tag-grabaciones","tag-heads-up","tag-james-saez","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jeff-kashiwa","tag-jeremy-tate","tag-pat-kelly","tag-rick-braum","tag-tim-weisberg","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1587","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1587"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1587\/revisions"}],"predecessor-version":[{"id":1588,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1587\/revisions\/1588"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1587"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1587"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1587"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}