{"id":1600,"date":"2011-08-29T00:00:45","date_gmt":"2011-08-28T22:00:45","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1600"},"modified":"2016-11-13T20:10:49","modified_gmt":"2016-11-13T19:10:49","slug":"tomajazz-recomienda-un-baterista-kenny-clarke","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-baterista-kenny-clarke\/","title":{"rendered":"Tomajazz recomienda&#8230; un baterista: Kenny Clarke"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-11742\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/08\/BP_Portrait_fr-200x200.jpg\" alt=\"BP_Portrait_fr\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/08\/BP_Portrait_fr-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/08\/BP_Portrait_fr-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/08\/BP_Portrait_fr-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/08\/BP_Portrait_fr.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>La emigraci\u00f3n de ciertos m\u00fasicos de EE. UU. a Europa los releg\u00f3 al olvido, pero si hay un caso especialmente injusto por su papel en la historia del jazz moderno, \u00e9se es el de Kenny Clarke.<\/p>\n<p style=\"text-align: justify;\">En su Par\u00eds adoptivo, Clarke se re\u00fane con Bud Powell m\u00e1s el bajista Pierre Michelot en diciembre del 61 para grabar un homenaje a Thelonious Monk. En \u00abOff Minor\u00bb, que abre el disco, el bater\u00eda da una asombrosa clase magistral de tiempo metron\u00f3mico, <em>swing<\/em> escalofriante y diversidad de acompa\u00f1amientos, todo ello sirvi\u00e9ndose \u00fanicamente de caja y escobillas.<\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing<\/p>\n<p style=\"text-align: justify;\">Disponible en Bud Powell: <em>A Portrait of Thelonious<\/em> (Columbia\/Legacy CK 65187, 1961)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>La emigraci\u00f3n de ciertos m\u00fasicos de EE. UU. a Europa los releg\u00f3 al olvido, pero si hay un caso especialmente injusto por su papel en la historia del jazz moderno, \u00e9se es el de Kenny Clarke. En su Par\u00eds adoptivo, Clarke se re\u00fane con Bud Powell m\u00e1s el bajista Pierre<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-baterista-kenny-clarke\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":11742,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1284,1038,1273],"tags":[1325,5366,1522,1573,1587,8234,2001,9020,2104,5083,16099,77,16100],"class_list":["entry","author-adolphus-van-tenzing","post-1600","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-musico","category-contenidos","category-tomajazz-recomienda","tag-1325","tag-adolphus-van-tenzing","tag-bud-powell","tag-clarke-kenny","tag-columbia","tag-kenny-clarke","tag-michelot-pierre","tag-pierre-michelot","tag-powell-bud","tag-thelonious-monk","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/08\/BP_Portrait_fr.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":13547,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-our-man-in-paris-dexter-gordon-1963\/","url_meta":{"origin":1600,"position":0},"title":"Tomajazz recomienda\u2026 un CD: Our Man in Paris (Dexter Gordon, 1963)","author":"Adolphus van Tenzing","date":"1 diciembre, 2014","format":false,"excerpt":"La interpretaci\u00f3n de Dexter Gordon en la pel\u00edcula Round Midnight fue tan extraordinaria que le nominaron al Oscar. 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No se necesita m\u00e1s si se sabe qu\u00e9 decir y c\u00f3mo decirlo. \"Wail\" es un r\u00e1pido rhythm changes (tema de estructura arm\u00f3nica similar al \"I Got Rhythm\" de George Gershwin) en mi bemol, todo un quebradero de cabeza para muchos improvisadores. 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