{"id":16003,"date":"2014-12-18T10:40:02","date_gmt":"2014-12-18T09:40:02","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=16003"},"modified":"2016-11-13T15:54:58","modified_gmt":"2016-11-13T14:54:58","slug":"michael-naura-quartett-call-mps-1971-orig-2014-reed-digital","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/michael-naura-quartett-call-mps-1971-orig-2014-reed-digital\/","title":{"rendered":"Michael Naura Quartett: <i>Call<\/i> (MPS. 1971 -orig-, 2014 -reed.digital)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-16004\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/12\/Michael-Naura-Quartett_Call_MPS_1971-200x200.jpg\" alt=\"Michael Naura Quartett_Call_MPS_1971\" width=\"200\" height=\"200\" title=\"\">Todas las Composiciones en <em>Call <\/em>son de Michael Naura. Para esta grabaci\u00f3n cont\u00f3 con Joe Nay en la bater\u00eda, Wolfgang Schl\u00fcter en el vibr\u00e1fono y todo un referente del sello ECM Records en el bajo, ni m\u00e1s ni menos que Eberhard Weber.<\/p>\n<p style=\"text-align: justify;\">Cuando comienzas escuchando el cuarteto de Michael Naura lo primero que se te viene\u00a0 a la cabeza es el Gary Burton\u00a0 cuarteto o quinteto de la d\u00e9cada de los a\u00f1os setenta en ECM Records. Discos como <em>Passengers<\/em> o <em>Ring<\/em> conservan la misma esencia y adem\u00e1s cuentan con el nexo de uni\u00f3n del bajista Eberhard Weber.<\/p>\n<p style=\"text-align: justify;\">Insisto, Wolfgang Schl\u00fcter antecede a Gary Burton, su forma de hacer sonar el vibr\u00e1fono recuerda y de qu\u00e9 manera al m\u00fasico americano a lo largo del disco.<\/p>\n<p style=\"text-align: justify;\">El pianista y compositor lituano, Michael Naura, se acerca al sonido <em>cool<\/em> vanguardista, al jazz progresivo y al <em>rock<\/em> m\u00e1s libre e igualmente progresivo en este comprometido <em>Call<\/em>.<\/p>\n<p style=\"text-align: justify;\">\u201cSoledad De Murcia\u201d o \u201cM.O.C.\u201d son de caracter\u00edsticas similares si bien en la primera Michael Naura pasa algo m\u00e1s desapercibido en favor de Wolfgang Schl\u00fcter y Eberhard Weber. Mientras en \u201cTake Us Down To The River\u201d y \u201cDon&#8217;t Stop\u201d el sonido es m\u00e1s <em>funk<\/em> y <em>swingueante<\/em>.<\/p>\n<p style=\"text-align: justify;\">Baladas como \u201cMiriam\u201d o \u201cForgotten Garden\u201d validan la calidad creativa de cualquier obra. Si bien es cierto que <em>Call<\/em> raya a gran altura y sin altibajos, cabe destacar el solo de Joe Nay en \u201cWhy Is Mary So Nervous?\u201d o de Eberhard Weber en \u201cCall\u201d.<\/p>\n<p style=\"text-align: right;\">\u00a9 Enrique Farelo, 2014<\/p>\n<p>Michael Naura Quartett:\u00a0<em>Call <\/em>(MPS. 1971 -orig-, 2014 -reed.digital)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Todas las Composiciones en Call son de Michael Naura. Para esta grabaci\u00f3n cont\u00f3 con Joe Nay en la bater\u00eda, Wolfgang Schl\u00fcter en el vibr\u00e1fono y todo un referente del sello ECM Records en el bajo, ni m\u00e1s ni menos que Eberhard Weber. Cuando comienzas escuchando el cuarteto de Michael Naura<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/michael-naura-quartett-call-mps-1971-orig-2014-reed-digital\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":16004,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17848,5,1038],"tags":[1333,12651,10617,1663,304,6374,12696,13,12415,15295,11629,11628,11627,2030,16099,77,16100,11630],"class_list":["entry","author-pachi","post-16003","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-grabaciones","category-contenidos","tag-1333","tag-cd","tag-eberhard-weber","tag-ecm","tag-enrique-farelo","tag-gary-burton","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-joe-nay","tag-michael-naura","tag-michael-naura-quartett","tag-mps","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-wolfgang-schluter"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/12\/Michael-Naura-Quartett_Call_MPS_1971-e1418852854184.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29594,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-ring-gary-burton-quintet-with-eberhard-weber-1974-77\/","url_meta":{"origin":16003,"position":0},"title":"365 razones para amar el jazz: Un disco. 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