{"id":16410,"date":"2015-01-16T10:50:54","date_gmt":"2015-01-16T09:50:54","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=16410"},"modified":"2016-11-13T17:11:46","modified_gmt":"2016-11-13T16:11:46","slug":"mostly-other-people-do-the-killing-blue-hot-cup-records-2014","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/mostly-other-people-do-the-killing-blue-hot-cup-records-2014\/","title":{"rendered":"Mostly Other People Do The Killing: Blue<\/i> (Hot Cup Records, 2014)"},"content":{"rendered":"

\"Mostly<\/p>\n

A lo largo de la historia del jazz ha habido varios momentos cr\u00edticos (peleas a limpio guantazo incluidas entre defensores de distintos estilos), en los que se ha cuestionado su propia esencia a partir de cuestiones estil\u00edsticas, arm\u00f3nicas e incluso geogr\u00e1ficas. Sin embargo es en 2014, con la publicaci\u00f3n de Blue<\/i> por parte de los iconoclastas MOPDTK, cuando m\u00e1s certeramente se ha reconsiderado su propia esencia de arriba abajo. En un momento de aparente estabilidad (no hay movimientos que amenacen su status quo<\/i>), su osad\u00eda ha sido brutalmente sencilla: tomar el disco m\u00e1s popular y reconocible de la historia del jazz, el m\u00edtico Kind Of Blue<\/i> de Miles Davis, y reproducirlo nota a nota. Algo tan aparentemente inocente es una carga de profundidad en toda regla. Una m\u00fasica aparentemente creativa, improvisada en su esencia, pasa a ser totalmente pautada y predeterminada: se convierte en pura m\u00fasica de repertorio. A partir de aqu\u00ed varias reflexiones – preguntas: \u00bfqu\u00e9 sentido tiene intentar ense\u00f1ar en los conservatorios a batirse el cobre en la improvisaci\u00f3n reproduciendo solos creados hace d\u00e9cadas? \u00bfQu\u00e9 m\u00e9rito creativo reside en la mera imitaci\u00f3n o en reivindicar los m\u00e9ritos de lo que ya fue como pretexto al no arriesgarse ahora? \u00bfEs el jazz voces que ya fueron, o es las individualidades que son y ser\u00e1n? Una posible respuesta es bien simple: el jazz consiste en buscar una voz propia. El resto cuentos brillantes, pero sin gracia.<\/p>\n

\u00a9 Pachi Tapiz, 2014<\/p>\n

Publicado en el n\u00famero 321 (diciembre de 2014) de la revista Ruta 66<\/em><\/a>.<\/p>\n

Mostly Other People do the Killing:\u00a0BLUE<\/em><\/p>\n

Peter Evans\u00a0(trompeta),\u00a0Jon Irabagon (saxos alto y tenor),\u00a0Ron Stabinsky\u00a0(piano),\u00a0Moppa Elliott (contrabajo),\u00a0Kevin Shea\u00a0(bater\u00eda)<\/p>\n

\u201cSo What\u201d; \u201cFreddie Freeloader\u201d; \u201cBlue in Green\u201d; \u201cAll Blues\u201d; \u201cFlamenco Sketches\u201d.<\/p>\n

Publicado en 2014 por\u00a0Hot Cup Records<\/p>\n","protected":false},"excerpt":{"rendered":"

A lo largo de la historia del jazz ha habido varios momentos cr\u00edticos (peleas a limpio guantazo incluidas entre defensores de distintos estilos), en los que se ha cuestionado su propia esencia a partir de cuestiones estil\u00edsticas, arm\u00f3nicas e incluso geogr\u00e1ficas. Sin embargo es en 2014, con la publicaci\u00f3n deContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":15139,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,1038],"tags":[12651,12696,5490,13,12415,15295,196,5491,2004,11805,198,208,31,197,7228,4765,16099,77,16100],"class_list":["entry","author-pachi","post-16410","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-cd","tag-grabaciones","tag-hot-cup-records","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jon-irabagon","tag-kevin-shea","tag-miles-davis","tag-mopdtk","tag-moppa-elliott","tag-mostly-other-people-do-the-killing","tag-pachi-tapiz","tag-peter-evans","tag-ron-stabinsky","tag-ruta-66","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/10\/mopdtk-blue-cover-e1421362223371.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":61213,"url":"https:\/\/tomajazz.com\/web\/mostly-other-people-do-the-killing-mopdtk-centralia-disasters-vol-1-hot-cup-records-2022-por-pachi-tapiz-jazzx5425-minipodcast-de-jazz\/","url_meta":{"origin":16410,"position":0},"title":"Mostly Other People Do The Killing MOPDTK: \u00abCentralia\u00bb [Disasters Vol. 1 (Hot Cup Records, 2022)] Por Pachi Tapiz. JazzX5#425 [Minipodcast de jazz]","author":"Tomajazz","date":"18 febrero, 2022","format":false,"excerpt":"En JazzX5 suena \"Centralia\", tema incluido en Disasters Vol.1 (Hot Cup Records), la nueva grabaci\u00f3n de Mostly Other People Do The Killing (MOPDTK) de Moppa Elliott. 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Al habla (y en concierto) con\u2026 Moppa Elliott (MOPDTK) [Podcast]","author":"Tomajazz","date":"7 noviembre, 2017","format":false,"excerpt":"El viernes 10 de noviembre actuar\u00e1 en JazzMadrid17 el grupo Mostly Other People Do The Killing. Este grupo jazz\u00edsticamente iconoclasta se encuentra en un momento muy interesante. 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