{"id":1648,"date":"2011-09-26T00:00:42","date_gmt":"2011-09-25T22:00:42","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=1648"},"modified":"2016-11-13T20:10:47","modified_gmt":"2016-11-13T19:10:47","slug":"tomajazz-recomienda-una-cancion-this-quietness-hank-roberts-1988","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-cancion-this-quietness-hank-roberts-1988\/","title":{"rendered":"Tomajazz recomienda… una canci\u00f3n: \u00abThis Quietness\u00bb (Hank Roberts, 1988)"},"content":{"rendered":"

\"HankEste es uno de esos temas que hacen que algunos cr\u00edticos y aficionados digan que un \u00e1lbum es irregular. Y la verdad es que resulta cuanto menos chocante encontrarse una canci\u00f3n como \u00abThis Quietness\u00bb en un disco poblado por m\u00fasicos como Tim Berne, Ray Anderson, Robin Eubanks, Mark Dresser o Joey Baron, aunque ninguno de ellos aparezca en dicho tema.<\/p>\n

El l\u00edder del disco se toma un respiro a mitad del mismo y se marca una canci\u00f3n en la que graba varias cosas (voz principal, armon\u00edas vocales, guitarra, chelo…) y se acompa\u00f1a exclusivamente del siempre extraordinario Bill Frisell a la guitarra.<\/p>\n

El resultado es una canci\u00f3n sencilla y melanc\u00f3lica que aporta una nueva dimensi\u00f3n a un personaje tan interesante de por s\u00ed como es Hank Roberts y, tambi\u00e9n, a la inquieta escena del downtown<\/em> neoyorquino a finales de los ochenta.<\/p>\n

Porque, a veces, entre las febriles improvisaciones y las composiciones complejas, no est\u00e1 de m\u00e1s escuchar, sencillamente, una buena canci\u00f3n.<\/p>\n

\u00a9 Adolphus van Tenzing<\/p>\n

Hank Roberts: Black Pastels<\/em> (JMT 834416); reeditado en 2002 por Winter&Winter (919016-2)<\/p>\n","protected":false},"excerpt":{"rendered":"

Este es uno de esos temas que hacen que algunos cr\u00edticos y aficionados digan que un \u00e1lbum es irregular. Y la verdad es que resulta cuanto menos chocante encontrarse una canci\u00f3n como \u00abThis Quietness\u00bb en un disco poblado por m\u00fasicos como Tim Berne, Ray Anderson, Robin Eubanks, Mark Dresser oContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":11745,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1277,1038,1273],"tags":[1349,5366,1470,1778,1864,1869,8292,9021,2144,6846,5583,16099,77,16100,2362],"class_list":["entry","author-adolphus-van-tenzing","post-1648","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-cancion","category-contenidos","category-tomajazz-recomienda","tag-1349","tag-adolphus-van-tenzing","tag-bill-frisell","tag-hank-roberts","tag-jmt","tag-joey-baron","tag-mark-dresser","tag-ray-anderson","tag-roberts-hank","tag-robin-eubanks","tag-tim-berne","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-winter-winter"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/09\/Hank-Roberts-Black-Pastels.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1926,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-the-maze-tim-berne-1992\/","url_meta":{"origin":1648,"position":0},"title":"Tomajazz recomienda… un tema: \u00abThe Maze\u00bb (Tim Berne, 1992)","author":"Adolphus van Tenzing","date":"10 diciembre, 2010","format":false,"excerpt":"En el a\u00f1o 1992 el saxofonista Tim Berne editaba un disco homenajeando a su maestro y mentor Julius Hemphill. Diminituve Mysteries (Mostly Hemphill), recog\u00eda siete temas de Hemphill y una composici\u00f3n propia, \"The Maze\". En \u00e9sta, un septeto de m\u00fasicos en el que se inclu\u00eda lo m\u00e1s granado del downtown\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"\"The Maze\" (Tim Berne, Diminituve Mysteries (Mostly Hemphill), 1992)","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2010\/11\/berne_diminutivemysteries.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":36471,"url":"https:\/\/tomajazz.com\/web\/razones-para-jazz-un-disco-spy-vs-spy-zorn-berne-dresse-vatcher-baron-418\/","url_meta":{"origin":1648,"position":1},"title":"Razones para jazz: un disco. Spy vs Spy (Zorn – Berne – Dresser – Vatcher – Baron) [418]","author":"Tomajazz","date":"4 mayo, 2018","format":false,"excerpt":"Un disco. Spy vs Spy (1988). John Zorn, Tim Berne, Mark Dresser, Michael Vatcher & Joey Baron, Play the Music of Ornette Coleman. Seleccionado por Trusqui & Jack Torrance.","rel":"","context":"En \u00ab*_Jack Torrance\u00bb","block_context":{"text":"*_Jack Torrance","link":"https:\/\/tomajazz.com\/web\/category\/jack-torrance\/"},"img":{"alt_text":"Razones para jazz: un disco. 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Spy vs Spy (Zorn \u2013 Berne \u2013 Dresser \u2013 Vatcher \u2013 Baron) [420]","author":"Tomajazz","date":"6 mayo, 2018","format":false,"excerpt":"Un disco de gloriosas versiones de cl\u00e1sicos del jazz puestos al d\u00eda:\u00a0Spy vs Spy\u00a0(1988).\u00a0John Zorn, Tim Berne, Mark Dresser, Michael Vatcher & Joey Baron, Play the Music of Ornette Coleman. Seleccionado por Mister Flasker","rel":"","context":"En \u00ab*_Mister Flasker\u00bb","block_context":{"text":"*_Mister Flasker","link":"https:\/\/tomajazz.com\/web\/category\/_mister-flasker\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Spy-Vs-Spy-Grande.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1569,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-spy-vs-spy-the-music-of-ornette-coleman-john-zorn-1989\/","url_meta":{"origin":1648,"position":3},"title":"Tomajazz recomienda\u2026 un cd: Spy Vs. Spy \u2013 The Music of Ornette Coleman (John Zorn, 1989)","author":"Adolphus van Tenzing","date":"25 julio, 2011","format":"image","excerpt":"Spy Vs. Spy de John Zorn es uno de los homenajes a la m\u00fasica de Ornette Coleman m\u00e1s sinceros y brutales que jam\u00e1s se han hecho.\u00a0Tim Berne, Mark Dresser, Joey Baron, Michael Vatcher y John Zorn dan una vuelta de tuerca al legado de Ornette llev\u00e1ndolo a los terrenos del\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/07\/spy-vs.-spy-the-music-of-ornette-coleman.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":36476,"url":"https:\/\/tomajazz.com\/web\/razones-para-jazz-una-portada-spy-vs-spy-zorn-berne-dresse-vatcher-baron-419\/","url_meta":{"origin":1648,"position":4},"title":"Razones para jazz: una portada. 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John Zorn: \u00abBlues Connotation\u00bb [Spy vs. Spy: The Music of Ornette Coleman (Elektra Musician, 1989)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"6 noviembre, 2021","format":false,"excerpt":"En el JazzX5 de fin de semana, la revisi\u00f3n que John Zorn, Tim Berne, Mark Dresser, Joey Baron y Michael Vatcher, realizaban de \"Blues Connotation\", tema de Ornette Coleman que aparec\u00eda en el fenomenal Spy Vs. Spy (Elektra, 1989).","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_325.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_325.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_325.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/11\/JazzX5_325.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1648","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1648"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1648\/revisions"}],"predecessor-version":[{"id":11746,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1648\/revisions\/11746"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11745"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1648"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1648"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1648"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}