{"id":16625,"date":"2015-01-28T11:00:39","date_gmt":"2015-01-28T10:00:39","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=16625"},"modified":"2016-11-13T21:27:43","modified_gmt":"2016-11-13T20:27:43","slug":"anthony-braxton-diamond-curtain-wall-quartet-la-casa-encendida-madrid-2015-01-24","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/anthony-braxton-diamond-curtain-wall-quartet-la-casa-encendida-madrid-2015-01-24\/","title":{"rendered":"Anthony Braxton Diamond Curtain Wall Quartet (La Casa Encendida, Madrid. 2015-01-24)"},"content":{"rendered":"<p>XIX Festival Internacional de Improvisaci\u00f3n Hurta Cordel<\/p>\n<ul>\n<li>Fecha: s\u00e1bado, 24 de enero de 2015<\/li>\n<li>Lugar: La Casa Encendida (Madrid)<\/li>\n<li>Componentes:<br \/>\nAnthony Braxton Diamond Curtain Wall Quartet<br \/>\nAnthony Braxton: saxos alto, soprano, sopranino y efectos electr\u00f3nicos.<br \/>\nMary Halvorson: guitarra el\u00e9ctrica y efectos electr\u00f3nicos.<br \/>\nTaylor Ho Bynum: corneta, fiscorno, trompeta en fa y tromb\u00f3n.<br \/>\nJames Fei: saxos alto y soprano.<\/li>\n<\/ul>\n<p><center><\/p>\n<figure id=\"attachment_16598\" aria-describedby=\"caption-attachment-16598\" style=\"width: 479px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-16598\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/ANTHONY_BRAXTON_DIAMOND_CURTAIN_WALL_QUARTET_3024.jpg\" alt=\"Anthony Braxton Diamond Curtain Wall Quartet \u00a9 Sergio Cabanillas, 2015\" width=\"479\" height=\"300\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/ANTHONY_BRAXTON_DIAMOND_CURTAIN_WALL_QUARTET_3024.jpg 479w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/ANTHONY_BRAXTON_DIAMOND_CURTAIN_WALL_QUARTET_3024-150x94.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/ANTHONY_BRAXTON_DIAMOND_CURTAIN_WALL_QUARTET_3024-200x125.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/ANTHONY_BRAXTON_DIAMOND_CURTAIN_WALL_QUARTET_3024-88x55.jpg 88w\" sizes=\"auto, (max-width: 479px) 100vw, 479px\" \/><figcaption id=\"caption-attachment-16598\" class=\"wp-caption-text\">Anthony Braxton Diamond Curtain Wall Quartet<br \/>\u00a9 Sergio Cabanillas, 2015<\/figcaption><\/figure>\n<p><\/center><\/p>\n<p style=\"text-align: justify;\">El plato fuerte de la XIX edici\u00f3n del Festival Internacional de Improvisaci\u00f3n Hurta Cordel ha sido, sin desmerecer para nada el resto de la programaci\u00f3n, el concierto del Anthony Braxton Diamond Curtain Wall Quartet. Para los amantes de la m\u00fasica improvisada, todo un acontecimiento, teniendo en cuenta adem\u00e1s que <a title=\"Anthony Braxton Diamond Curtain Wall Trio (San Juan Evangelista, Madrid. 2007-10-26)\" href=\"http:\/\/www.tomajazz.com\/web\/?p=10505\" target=\"_blank\">la \u00faltima vez que Anthony Braxton estuvo actuando en Madrid fue hace siete a\u00f1os en el a\u00f1orado Johnny<\/a>. Entonces lo hizo con el mismo proyecto, pero en formato de tr\u00edo, con la guitarrista Mary Halvorson y el polifac\u00e9tico Taylor Ho Bynum, disc\u00edpulos y acompa\u00f1antes del m\u00fasico de Chicago. En esta nueva edici\u00f3n del Festival Hurta Cordel, complet\u00f3 el cuarteto el saxofonista James Fei.<\/p>\n<p><center><\/p>\n<figure id=\"attachment_16597\" aria-describedby=\"caption-attachment-16597\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-16597\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/ANTHONY_BRAXTON_2973.jpg\" alt=\"Anthony Braxton \u00a9 Sergio Cabanillas, 2015\" width=\"300\" height=\"450\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/ANTHONY_BRAXTON_2973.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/ANTHONY_BRAXTON_2973-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/ANTHONY_BRAXTON_2973-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/ANTHONY_BRAXTON_2973-37x55.jpg 37w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-16597\" class=\"wp-caption-text\">Anthony Braxton<br \/>\u00a9 Sergio Cabanillas, 2015<\/figcaption><\/figure>\n<p><\/center><\/p>\n<p style=\"text-align: justify;\">Tal y como estaba colocado el grupo en el escenario, cada uno de los m\u00fasicos con su correspondiente atril con partituras gr\u00e1ficas a modo de grupo de c\u00e1mara, el concierto fue absolutamente \u201cbraxtoniano\u201d, lo que implica m\u00faltiples interpretaciones para seg\u00fan quien asista al mismo. Porque si hay algo en lo que hay m\u00e1s o menos unanimidad, es que no hay tarea m\u00e1s dif\u00edcil que intentar desentra\u00f1ar el lenguaje musical abstracto en el que Braxton combina improvisaci\u00f3n y composici\u00f3n. Pol\u00e9micas aparte, Anthony Braxton es un genio de la m\u00fasica, y gran estratega de la improvisaci\u00f3n colectiva y un inventor de ambientes multisonoros. En su m\u00fasica se encuentran desde John Coltrane, a Stockhausen, Boulez, Xenakis y Schoenberg, claro que filtrado por el genio que siempre ha acompa\u00f1ado a este legendario m\u00fasico, iconoclasta \u00edntegro y pasional.<\/p>\n<p><center><\/p>\n<figure id=\"attachment_16595\" aria-describedby=\"caption-attachment-16595\" style=\"width: 300px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-16595\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/MARY_HALVORSON_3018.jpg\" alt=\"Mary Halvorson \u00a9 Sergio Cabanillas, 2015\" width=\"300\" height=\"450\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/MARY_HALVORSON_3018.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/MARY_HALVORSON_3018-100x150.jpg 100w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/MARY_HALVORSON_3018-200x300.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/MARY_HALVORSON_3018-37x55.jpg 37w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-16595\" class=\"wp-caption-text\">Mary Halvorson<br \/>\u00a9 Sergio Cabanillas, 2015<\/figcaption><\/figure>\n<p><\/center><\/p>\n<p style=\"text-align: justify;\">Con el rigor met\u00f3dico con que siempre suele acompa\u00f1ar sus conciertos, el cuarteto llen\u00f3 el espacio sonoro de La Casa Encendida durante exactamente una hora. Entre medias \u201cuna infinita melod\u00eda\u201d llena de pasajes exploratorios, laberintos indescifrables, oscuridad e interacciones m\u00e1s o menos comprensibles. Impactos que transitan por la confusi\u00f3n sin apenas tregua posible.<\/p>\n<p><center><\/p>\n<figure id=\"attachment_16596\" aria-describedby=\"caption-attachment-16596\" style=\"width: 450px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-16596\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/TAYLOR_HO_BYNUM_3041.jpg\" alt=\"Taylor Ho Bynum \u00a9 Sergio Cabanillas, 2015\" width=\"450\" height=\"297\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/TAYLOR_HO_BYNUM_3041.jpg 450w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/TAYLOR_HO_BYNUM_3041-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/TAYLOR_HO_BYNUM_3041-200x132.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/TAYLOR_HO_BYNUM_3041-83x55.jpg 83w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/TAYLOR_HO_BYNUM_3041-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/TAYLOR_HO_BYNUM_3041-120x80.jpg 120w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><figcaption id=\"caption-attachment-16596\" class=\"wp-caption-text\">Taylor Ho Bynum<br \/>\u00a9 Sergio Cabanillas, 2015<\/figcaption><\/figure>\n<p><\/center><\/p>\n<p style=\"text-align: justify;\">El ceremonial que se desarrolla paralelo a la sucesi\u00f3n de las texturas sonoras que emiten, bien al un\u00edsono o asim\u00e9tricamente cada uno de los m\u00fasicos, tambi\u00e9n tuvo su particular relevancia. Miradas, gestos y se\u00f1as, forman parte de la teatralizaci\u00f3n que se sucede durante la interpretaci\u00f3n. Con unos m\u00fasicos perfectamente acoplados al universo \u201cbraxtoniano\u201d, la guitarrista Mary Halvorson, aportaba marcadas puntualizaciones junto al arsenal de vientos de Taylor Ho Bynum, y su permutaci\u00f3n regular de instrumentos o registros, y los refuerzos del saxofonista James Fei. Al igual que en su anterior visita a Madrid, el grupo incorpor\u00f3 la electr\u00f3nica como un quinto componente, creando sonidos ambientales que se hac\u00edan presentes con las improvisaciones de cada uno de los m\u00fasicos.<\/p>\n<p><center><\/p>\n<figure id=\"attachment_16599\" aria-describedby=\"caption-attachment-16599\" style=\"width: 308px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-16599\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/JAMES_FEI_3032.jpg\" alt=\"James Fei \u00a9 Sergio Cabanillas, 2015\" width=\"308\" height=\"450\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/JAMES_FEI_3032.jpg 308w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/JAMES_FEI_3032-103x150.jpg 103w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/JAMES_FEI_3032-200x292.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/JAMES_FEI_3032-38x55.jpg 38w\" sizes=\"auto, (max-width: 308px) 100vw, 308px\" \/><figcaption id=\"caption-attachment-16599\" class=\"wp-caption-text\">James Fei<br \/>\u00a9 Sergio Cabanillas, 2015<\/figcaption><\/figure>\n<p><\/center><\/p>\n<p style=\"text-align: justify;\">En cualquier caso, el concierto no dej\u00f3 indiferente al p\u00fablico, que supo premiar efusivamente la presencia de una de las mayores leyendas de la m\u00fasica creativa de todos los tiempos.<\/p>\n<p style=\"text-align: right;\">Texto: \u00a9 Carlos Lara, 2015<br \/>\nFotograf\u00edas: \u00a9 Sergio Cabanillas, 2015<\/p>\n","protected":false},"excerpt":{"rendered":"<p>XIX Festival Internacional de Improvisaci\u00f3n Hurta Cordel Fecha: s\u00e1bado, 24 de enero de 2015 Lugar: La Casa Encendida (Madrid) Componentes: Anthony Braxton Diamond Curtain Wall Quartet Anthony Braxton: saxos alto, soprano, sopranino y efectos electr\u00f3nicos. Mary Halvorson: guitarra el\u00e9ctrica y efectos electr\u00f3nicos. Taylor Ho Bynum: corneta, fiscorno, trompeta en fa<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/anthony-braxton-diamond-curtain-wall-quartet-la-casa-encendida-madrid-2015-01-24\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":16598,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17849,17850,4,1038],"tags":[63,12006,12009,84,11756,12007,1870,11757,186,5584,12011,187,12008,7649,16099,16100,12010,11755],"class_list":["entry","author-pachi","post-16625","post","type-post","status-publish","format-standard","has-post-thumbnail","category-carlos-lara","category-sergio-cabanillas","category-conciertos","category-contenidos","tag-anthony-braxton","tag-anthony-braxton-diamond-curtain-wall-quartet","tag-boulez","tag-carlos-lara","tag-festival-internacional-de-improvisacion-hurta-cordel","tag-james-fei","tag-john-coltrane","tag-la-casa-encendida","tag-madrid","tag-mary-halvorson","tag-schoenberg","tag-sergio-cabanillas","tag-stockhausen","tag-taylor-ho-bynum","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-xenakis","tag-xix-festival-internacional-de-improvisacion-hurta-cordel"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/01\/ANTHONY_BRAXTON_DIAMOND_CURTAIN_WALL_QUARTET_3024.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":17342,"url":"https:\/\/tomajazz.com\/web\/anthony-braxton-y-la-cuadratura-del-circulo\/","url_meta":{"origin":16625,"position":0},"title":"Anthony Braxton y la cuadratura del c\u00edrculo. Por Jes\u00fas Gonzalo","author":"Jes\u00fas Gonzalo","date":"9 marzo, 2015","format":false,"excerpt":"ANTHONY BRAXTON \u00a0 LA CUADRATURA DEL C\u00cdRCULO Vuelve la AACM de Chicago en su 50\u00ba aniversario. \u00a0Wadada Leo Smith se re\u00fane con Henry Threadgill, \u00e9ste con Jack Dejohnette para ECM,\u00a0pero \u00e9l, uno de sus impulsores, sigue a lo suyo, sin mirar atr\u00e1s. Pas\u00f3 el 25 de enero por la Casa\u2026","rel":"","context":"En \u00ab*_Jes\u00fas Gonzalo\u00bb","block_context":{"text":"*_Jes\u00fas Gonzalo","link":"https:\/\/tomajazz.com\/web\/category\/jesus-gonzalo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/03\/Anthony_Braxton_by_Peter_Gannushkin-08.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/03\/Anthony_Braxton_by_Peter_Gannushkin-08.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/03\/Anthony_Braxton_by_Peter_Gannushkin-08.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/03\/Anthony_Braxton_by_Peter_Gannushkin-08.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/03\/Anthony_Braxton_by_Peter_Gannushkin-08.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/03\/Anthony_Braxton_by_Peter_Gannushkin-08.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":10546,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-anthony-braxton-diamond-curtain-wall-trio-san-juan-evangelista-madrid-2007-10-26\/","url_meta":{"origin":16625,"position":1},"title":"Tomajazz recupera&#8230; Anthony Braxton Diamond Curtain Wall Trio (San Juan Evangelista, Madrid. 2007-10-26)","author":"Tomajazz","date":"20 febrero, 2014","format":false,"excerpt":"Tras 22 a\u00f1os de espera, Anthony Braxton volvi\u00f3 a Madrid para abrir el XXVI Festival de Jazz del San Juan Evangelista. Y para esta ocasi\u00f3n, lo hizo con una de sus propuestas m\u00e1s enigm\u00e1ticas y exigentes, pero tambi\u00e9n m\u00e1s fascinantes. Leer:\u00a0Anthony Braxton Diamond Curtain Wall Trio (San Juan Evangelista, Madrid.\u2026","rel":"","context":"En \u00ab*_Sergio Cabanillas\u00bb","block_context":{"text":"*_Sergio Cabanillas","link":"https:\/\/tomajazz.com\/web\/category\/sergio-cabanillas\/"},"img":{"alt_text":"Anthony Braxton \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/anthony_braxton.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10505,"url":"https:\/\/tomajazz.com\/web\/anthony-braxton-el-johnny-madrid-2007\/","url_meta":{"origin":16625,"position":2},"title":"Anthony Braxton Diamond Curtain Wall Trio (San Juan Evangelista, Madrid. 2007-10-26) Por Diego S\u00e1nchez Cascado y Sergio Cabanillas [Concierto de jazz]","author":"Sergio Cabanillas","date":"26 octubre, 2007","format":false,"excerpt":"Anthony Braxton Diamond Curtain Wall Trio actu\u00f3 en el Johnny (C.M.U. San Juan Evangelista), el 26 de octubre de 2007. Sergio Cabanillas y DIego S\u00e1nchez Cascado repasan la actuaci\u00f3n. Actuaron Anthony Braxton, Mary Halvorson, Taylo Ho Bynum","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"Anthony Braxton \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/anthony_braxton.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":16289,"url":"https:\/\/tomajazz.com\/web\/xix-festival-internacional-de-improvisacion-hurta-cordel-noticias\/","url_meta":{"origin":16625,"position":3},"title":"XIX Festival Internacional de improvisaci\u00f3n Hurta Cordel [Noticias]","author":"Tomajazz","date":"12 enero, 2015","format":false,"excerpt":"Entre el 22 y el 25 de enero de 2015 se celebrar\u00e1 en La Casa Encendida (Madrid) el XIX Festival Internacional de improvisaci\u00f3n Hurta Cordel. Al igual que ha ido ocurriendo a lo largo de las ediciones anteriores, tendr\u00e1n lugar conciertos y otras actividades relacionadas con la m\u00fasica improvisada. En\u2026","rel":"","context":"En \u00ab*_Redacci\u00f3n\u00bb","block_context":{"text":"*_Redacci\u00f3n","link":"https:\/\/tomajazz.com\/web\/category\/redaccion\/"},"img":{"alt_text":"Anthony Braxton \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/anthony_braxton.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3110,"url":"https:\/\/tomajazz.com\/web\/mary-halvorson-una-guitarrista-para-el-futuro\/","url_meta":{"origin":16625,"position":4},"title":"Mary Halvorson: una guitarrista para el futuro","author":"Tomajazz","date":"11 marzo, 2009","format":false,"excerpt":"Con menos de 30 a\u00f1os la guitarrista Mary Halvorson se ha convertido en una acompa\u00f1ante inseparable de Anthony Braxton durante los \u00faltimos a\u00f1os al igual que sucediera en la d\u00e9cada de los ochenta con la pianista Marylin Crispell. Junto al trompetista y cornetista Taylor Ho Bynum ha participado en grabaciones\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/bun\/uploaded_images\/mary_halvorson_7513-713953.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3099,"url":"https:\/\/tomajazz.com\/web\/los-discipulos-y-el-maestro\/","url_meta":{"origin":16625,"position":5},"title":"Los disc\u00edpulos y el maestro","author":"Tomajazz","date":"8 abril, 2009","format":false,"excerpt":"Taylor Ho Bynum y Mary Halvorson (los disc\u00edpulos), y Anthony Braxton (el maestro). La magn\u00edfica fotograf\u00eda de Sergio Cabanillas capta la esencia de la admiraci\u00f3n de los primeros por la figura de su compa\u00f1ero en el escenario, a la vez que maestro. Tras dar estos tres m\u00fasicos con la formaci\u00f3n\u2026","rel":"","context":"Entrada similar","block_context":{"text":"Entrada similar","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/16625","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=16625"}],"version-history":[{"count":4,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/16625\/revisions"}],"predecessor-version":[{"id":16677,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/16625\/revisions\/16677"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/16598"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=16625"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=16625"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=16625"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}