{"id":17894,"date":"2015-04-09T11:00:03","date_gmt":"2015-04-09T09:00:03","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=17894"},"modified":"2016-11-13T17:42:36","modified_gmt":"2016-11-13T16:42:36","slug":"paolo-fresu-daniele-di-bonaventura-in-maggiore-ecm-2015","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/paolo-fresu-daniele-di-bonaventura-in-maggiore-ecm-2015\/","title":{"rendered":"Paolo Fresu – Daniele di Bonaventura: In maggiore<\/i> (ECM, 2015)"},"content":{"rendered":"

\"paolo-fresu-daniele-di-bonaventura-in-maggiore\"<\/a><\/p>\n

Segundo trabajo a d\u00fao para el sello ECM\u00a0del trompetista sardo Paolo Fresu, que ya hab\u00eda entregado el muy recomendable Mistico mediterraneo<\/i> en 2011 junto a este bandoneonista, pero arropado polif\u00f3nicamente por los siempre singulares cantos del conjunto vocal de esa isla italiana A Filetta. Un di\u00e1logo que ampl\u00eda el compartido con el pianista Uri Caine en Things<\/i> (a nuestro entender sobrado de efusividad) y el que le junt\u00f3 en 2009 al guitarrista Ralph Towner en Chiaroscuro<\/i> (m\u00e1s ce\u00f1ido a la b\u00fasqueda de espacios de c\u00e1mara y silencios con la especifidad del sonido ECM).<\/p>\n

Este tipo de f\u00f3rmula, que recuerda producciones del exquisito sello italiano Egea, construida sobre un repertorio que se recrea en canciones populares de aqu\u00ed y de all\u00e1, uniendo una pareja de instrumentos de larga tradici\u00f3n tanto en el folclore y la improvisaci\u00f3n como en la m\u00fasica cl\u00e1sica, s\u00f3lo puede dar como resultado un mensaje imperecedero como el ofrecido por Gianluigi Trovesi y Gianni Coscia.<\/p>\n

Color, respiraci\u00f3n y silencios construyen un escenario de intimidad y madurez propio, que conecta con el legado tanto de Miles Davis como de Dino Saluzzi. Las melod\u00edas son un retablo ornamental sobre la base de la memoria popular europea y mediterr\u00e1nea, tambi\u00e9n de la acad\u00e9mica del eterno Bach, que vuela m\u00e1s all\u00e1, hasta Brasil, Argentina y Chile.<\/p>\n

Este trabajo hecho de esencias populares cultivadas contiene temas propios de ambos m\u00fasicos (maravillosos\u00a0\u00abKyrie Eleison\u00bb de Buenaventura o el que da t\u00edtulo y cierra el disco de Fresu) y tambi\u00e9n las espl\u00e9ndidas versiones sobre Giacomo Puccini \u00abQuando me`n v\u00f3\u00bb, Chico Buarque \u00abO que ser\u00e1\u00bb, con preciosa y breve coda final al bandone\u00f3n sobre \u00abEl pueblo unido jam\u00e1s ser\u00e1 vencido\u00bb\u00a0de Sergio Ortega, y la delicada y a\u00e9rea versi\u00f3n de \u00abTe recuerdo Amanda\u00bb\u00a0de otro autor chileno comprometido, Victor Jara.<\/p>\n

In maggiore<\/i>, en consecuencia, trasmite un mensaje que nos devuelve el regocijo de las m\u00fasicas con ra\u00edces pero sin fronteras.<\/p>\n

\u00a9 Jes\u00fas Gonzalo<\/a>, 2015<\/p>\n

Paolo Fresu & Daniele di Bonaventura: In maggiore<\/em><\/p>\n

M\u00fasicos:\u00a0Paolo Fresu (trompeta, fliscorno),\u00a0Daniele di Bonaventura (bandone\u00f3n)<\/p>\n

Composiciones: \u00abDa Capo Cadenza\u00bb, \u00abTon Kozh\u00bb, \u00abO que ser\u00e1\/ El pueblo unido jam\u00e1s ser\u00e1 vencido\u00bb, \u00abNon ti scordar di me\u00bb, \u00abSketches\u00bb, \u00abApnea\u00bb, \u00abTe recuerdo Amanda\u00bb, \u00abLa mia terra\u00bb, \u00abKyrie Eleison\u00bb, \u00abQuando me\u2019n v\u00f2\u00bb, \u00abSe va la murga\u00bb, \u00abCalmo\u00bb, \u00abIn maggiore\u00bb.
\nTodas las composiciones de Fresu y\/o di Buenaventura salvo \u00abO que ser\u00e1\/ El pueblo unido jam\u00e1s ser\u00e1 vencido\u00bb de Chico Buarque\/Sergio Ortega;\u00a0\u00abNon ti scordar di me\u00bb De Domenico Furn\u00f3\/Ernesto de Curtis; \u00a0\u00abTe\u00a0recuerdo Amanda\u00bb de V\u00edctor Jara; \u00abQuando me\u2019n v\u00f2\u00bb de Giacomo Puccini; y \u00abSe va la Murga\u00bb de Jaime Roos.<\/p>\n

Grabado en Lugano en mayo de 2014. Publicado por ECM en 2015.<\/p>\n","protected":false},"excerpt":{"rendered":"

Segundo trabajo a d\u00fao para el sello ECM\u00a0del trompetista sardo Paolo Fresu, que ya hab\u00eda entregado el muy recomendable Mistico mediterraneo en 2011 junto a este bandoneonista, pero arropado polif\u00f3nicamente por los siempre singulares cantos del conjunto vocal de esa isla italiana A Filetta. Un di\u00e1logo que ampl\u00eda el compartidoContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1003354,"featured_media":17895,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17857,5,1038],"tags":[12530,12651,11494,12529,10295,1663,12531,12526,12527,12696,13,12415,15295,8077,2004,4831,8983,12524,16099,77,16100,4892,12525],"class_list":["entry","author-jesusgonzalo","post-17894","post","type-post","status-publish","format-standard","has-post-thumbnail","category-jesus-gonzalo","category-grabaciones","category-contenidos","tag-a-filetta","tag-cd","tag-chico-buarque","tag-daniele-di-bonaventura","tag-dino-saluzzi","tag-ecm","tag-egea","tag-gianluigi-trovesi","tag-gianni-coscia","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jesus-gonzalo","tag-miles-davis","tag-paolo-fresu","tag-ralph-towner","tag-sergio-ortega","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-uri-caine","tag-victor-jara"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/paolo-fresu-daniele-di-bonaventura-in-maggiore.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":31133,"url":"https:\/\/tomajazz.com\/web\/instantzz-paolo-fresu-daniele-di-bonaventura-casino-lalianca-del-poble-nou-barcelona-2017-05-09-galeria-fotografica\/","url_meta":{"origin":17894,"position":0},"title":"INSTANTZZ: Paolo Fresu & Daniele Di Bonaventura (Casino l\u2019Alian\u00e7a del Poble Nou, Barcelona. 2017-05-09) [Galer\u00eda fotogr\u00e1fica]","author":"Tomajazz","date":"26 junio, 2017","format":false,"excerpt":"Fecha: Martes, 09 de mayo de 2017 Lugar: Casino l\u2019Alian\u00e7a del Poble Nou, Barcelona Grupo: Paolo Fresu & Daniele Di Bonaventura Paolo Fresu, trompeta, fiscorno y efectos Daniele Di Bonaventura, bandone\u00f3n y efectos \u00a9 Joan Cort\u00e8s, 2017","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/10_PlFrsDnldBnvntr-%C2%A9Joan-Cort%C3%A8s_09mg17_Csnl_ln%C3%A7dlPblN_Brcln.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/10_PlFrsDnldBnvntr-%C2%A9Joan-Cort%C3%A8s_09mg17_Csnl_ln%C3%A7dlPblN_Brcln.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/06\/10_PlFrsDnldBnvntr-%C2%A9Joan-Cort%C3%A8s_09mg17_Csnl_ln%C3%A7dlPblN_Brcln.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":4203,"url":"https:\/\/tomajazz.com\/web\/paolo-fresu-quartetto-alborada-44-voll-damm-festival-internacional-de-jazz-de-barcelona-lauditori-sala-3-oriol-martorell-barcelona-11-xi-2012\/","url_meta":{"origin":17894,"position":1},"title":"Paolo Fresu & Quartetto Alborada (44 Voll-Damm Festival Internacional de Jazz de Barcelona, L\u2019Auditori \u2013Sala 3 Oriol Martorell, Barcelona, 11-XI-2012)","author":"Tomajazz","date":"11 noviembre, 2012","format":false,"excerpt":"44 Voll-Damm Festival Internacional de Jazz de Barcelona Fecha:\u00a011 de noviembre de 2012. 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Jos\u00e9 Antonio Garc\u00eda L\u00f3pez y Pedro S\u00e1ez lo relatan en Tomajazz.","rel":"","context":"En \u00abEspecial XXV Festival Internacional de Jazz de San Javier 2023\u00bb","block_context":{"text":"Especial XXV Festival Internacional de Jazz de San Javier 2023","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/especial-xxv-festival-internacional-de-jazz-de-san-javier-2023\/"},"img":{"alt_text":"Paolo Fresu Quintet: La elegante elocuencia de un duende (XXV Festival Internacional de Jazz de San Javier 2023. 2023-07-12) Por Jos\u00e9 Antonio Garc\u00eda L\u00f3pez y Pedro S\u00e1ez [Concierto de jazz] - Tomajazz 9.0","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Paolo-Fresu-Quintet-02-Paolo-Fresu-Quintet-XXV-Festival-Internacional-de-Jazz-de-San-Javier-2023-2023-07-12-Por-Jose-Antonio-Garcia-Lopez-y-Pedro-Saez.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Paolo-Fresu-Quintet-02-Paolo-Fresu-Quintet-XXV-Festival-Internacional-de-Jazz-de-San-Javier-2023-2023-07-12-Por-Jose-Antonio-Garcia-Lopez-y-Pedro-Saez.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Paolo-Fresu-Quintet-02-Paolo-Fresu-Quintet-XXV-Festival-Internacional-de-Jazz-de-San-Javier-2023-2023-07-12-Por-Jose-Antonio-Garcia-Lopez-y-Pedro-Saez.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/07\/Paolo-Fresu-Quintet-02-Paolo-Fresu-Quintet-XXV-Festival-Internacional-de-Jazz-de-San-Javier-2023-2023-07-12-Por-Jose-Antonio-Garcia-Lopez-y-Pedro-Saez.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/17894","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1003354"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=17894"}],"version-history":[{"count":11,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/17894\/revisions"}],"predecessor-version":[{"id":17906,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/17894\/revisions\/17906"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/17895"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=17894"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=17894"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=17894"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}