{"id":18068,"date":"2015-04-16T17:00:38","date_gmt":"2015-04-16T15:00:38","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=18068"},"modified":"2016-11-13T15:59:55","modified_gmt":"2016-11-13T14:59:55","slug":"phil-chester-group-open-door-samba-autoeditado-2014","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/phil-chester-group-open-door-samba-autoeditado-2014\/","title":{"rendered":"Phil Chester Group: Open Door Samba<\/i> (Autoeditado, 2014)"},"content":{"rendered":"

\"TheEl saxofonista, compositor y arreglista Phil Chester se acerca a la m\u00fasica de Suram\u00e9rica a trav\u00e9s de la bossa nova<\/em>, un recurso jazz\u00edstico que no ha dejado de ser explotado desde que surgi\u00f3 en los a\u00f1os 60. Un territorio, por tanto, al que los m\u00fasicos de jazz no han dejado de recurrir con diferentes resultados. Phil Chester ha sido componente de la Ed Palermo Big Band durante 20 a\u00f1os y tambi\u00e9n se dedica a la ense\u00f1anza. Open Door Samba<\/em> cubre varios estilos incluyendo momentos de swing<\/em>, samba <\/em>e incluso g\u00f3spel.<\/em><\/p>\n

A trav\u00e9s del habitual formato de secci\u00f3n r\u00edtmica con la incorporaci\u00f3n de saxo, viol\u00edn y violonchelo, los arreglos de Chester demuestran una riqueza creativa.<\/p>\n

La tradicional secci\u00f3n r\u00edtmica marca la pauta de los temas, pero predomina el saxo soprano con los instrumentos de cuerda contribuyendo a enaltecer las texturas sonoras.<\/p>\n

Sensibilidad y explosividad tambi\u00e9n est\u00e1n presentes en este disco. Open Door Samba <\/em>contiene melod\u00edas bastante accesibles. M\u00fasica tranquila y expresiva, aunque tambi\u00e9n un poco empalagosa en algunos momentos.<\/p>\n

\u00a9 Carlos Lara, 2015<\/p>\n

Phil Chester Group: Open Door Samba<\/em><\/p>\n

M\u00fasicos: Phil Chester (saxos soprano, alto y tenor), Katie Jacoby (viol\u00edn), Tomas Ulrich (violonchelo), Bob Quaranta (piano), Leo Hupert (contrabajo), Joe Fitzgerald (contrabajo), Ian Froman (bater\u00eda).<\/p>\n

Composiciones: \u201cOpen door Samba\u201d, \u201cPastor\u201d, \u201cWater\u201d, \u201cRound the block\u201d, \u201cEarth and Sky\u201d, \u201cKyrie\u201d, \u201cSecond Son\u201d, \u201cApril Bossa\u201d, \u201cYen and Yang\u201d, \u201cPogi\u00b4s Plight\u201d, \u201cWaltz for Fern\u201d y \u201cCactus Blues\u201d.<\/p>\n

Grabado en julio de 2014 en Teaneck Sound Studios, Teaneck (New Jersey).\u00a0Autoeditado<\/p>\n","protected":false},"excerpt":{"rendered":"

El saxofonista, compositor y arreglista Phil Chester se acerca a la m\u00fasica de Suram\u00e9rica a trav\u00e9s de la bossa nova, un recurso jazz\u00edstico que no ha dejado de ser explotado desde que surgi\u00f3 en los a\u00f1os 60. Un territorio, por tanto, al que los m\u00fasicos de jazz no han dejadoContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":18069,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17849,5,1038],"tags":[12663,12672,84,12651,12676,12669,12666,12696,12675,13,12415,15295,12674,12670,12673,12667,12668,12655,12664,12665,16099,77,16100,12671],"class_list":["entry","author-pachi","post-18068","post","type-post","status-publish","format-standard","has-post-thumbnail","category-carlos-lara","category-grabaciones","category-contenidos","tag-autoeditado","tag-bob-quaranta","tag-carlos-lara","tag-cd","tag-critica","tag-ed-palermo-big-band","tag-gospel","tag-grabaciones","tag-ian-froman","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-joe-fitzgerald","tag-katie-jacoby","tag-leo-hupert","tag-phil-chester","tag-phil-chester-group","tag-resena","tag-samba","tag-swing","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-tomas-ulrich"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/The-Phil-Chester-Group-Open-Door-Samba.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/18068","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=18068"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/18068\/revisions"}],"predecessor-version":[{"id":18070,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/18068\/revisions\/18070"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/18069"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=18068"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=18068"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=18068"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}