{"id":18134,"date":"2015-04-22T10:50:30","date_gmt":"2015-04-22T08:50:30","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=18134"},"modified":"2016-11-13T15:54:54","modified_gmt":"2016-11-13T14:54:54","slug":"klaus-schulze-la-vie-electronique-14-mig-music-2013-3cd","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/klaus-schulze-la-vie-electronique-14-mig-music-2013-3cd\/","title":{"rendered":"Klaus Schulze: La Vie Electronique 14 (MIG Music, 2013. 3CD)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-18135\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/Klaus-Schulze_La-vie-electronique-14-200x200.jpg\" alt=\"Klaus Schulze_La vie electronique 14\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/Klaus-Schulze_La-vie-electronique-14-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/Klaus-Schulze_La-vie-electronique-14-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/Klaus-Schulze_La-vie-electronique-14-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/Klaus-Schulze_La-vie-electronique-14.jpg 250w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Klaus Schulze es tambi\u00e9n conocido por el pseud\u00f3nimo de Richard Wahnfried, habiendo firmado bajo este nombre aproximadamente siete trabajos que van desde el a\u00f1o 1979 al 1997 y unos 60 en total a nombre propio o colaboraciones.<\/p>\n<p style=\"text-align: justify;\">En el primero de los tres CD aparece <em>Opera Trance<\/em> perteneciente al <em>Jubilee Edition<\/em>, CD5 y se divide en 9 cortes de diferente duraci\u00f3n, siendo el m\u00e1s extenso \u201cT&#8217;accheta e Parti\u201d con casi 20 minutos.<\/p>\n<p style=\"text-align: justify;\">Como el propio t\u00edtulo indica, <em>Opera Trance<\/em>, podr\u00edamos calificarla como de \u00f3pera c\u00f3smica con gran abundancia de teclados que orquestan voces oper\u00edsticas repetitivas y <em>sampleadas<\/em>. Atm\u00f3sferas l\u00fagubres, trances minimalistas y excesivamente repetitivos, que a mi modo de ver hubiera sido mejor acotar para dar una mayor frescura, sentido de ligereza y f\u00e1cil asimilaci\u00f3n.<\/p>\n<p style=\"text-align: justify;\">El CD 2 lo forman 12 composiciones de Klaus Schulze, una de Evangelos Papathanassiou conocido popularmente por Vangelis (\u201cConquest of Paradise\u201d), y otra m\u00e1s firmada al alim\u00f3n por el propio Klaus Schulze y Jorg Schaaf (\u201cDreieinhalb Stunden\u201d). La versi\u00f3n de \u201cConquest of Paradise\u201d perteneciente al disco de la banda sonora de <em>1492-<\/em> <em>Conquest of Paradise<\/em> est\u00e1 tan perfectamente ejecutada que es casi un calco del original de Vangelis.<\/p>\n<p style=\"text-align: justify;\">De mayor agrado es la creativa, setentera, planeadora, c\u00f3smica y oscura \u201cKosmisches Gleiteisen\u201d I y II, que separadas en el orden del disco bien pudieran haber sido fundidas en un \u00fanico tema. \u201cOperatic March\u201d es una marcha oper\u00edstica en la linea de <em>Opera Trance<\/em>. \u201cDreieinhalb Stunden\u201d es una pieza experimental, atmosf\u00e9rica y sonido <em>New Age<\/em>. \u201cThe Schulzendorf Groove (Tribute Version) \u201d es otra de las piezas m\u00e1s brillantes de este segundo CD, experimental y espacial a la par que r\u00edtmica, utiliza el<em> drum machine<\/em> de manera menos abusiva lo que le da mayor frescura con respecto a otras composiciones.<\/p>\n<p style=\"text-align: justify;\">El CD 3 contiene la obra <em>Tradition and Vision <\/em>divida en 8 cortes y que fue incluida en la caja recopilatoria (compuesta por 25 CD\u2019s) <em>Jubilee Edition <\/em>CD 1 de 1997.<\/p>\n<p style=\"text-align: justify;\">Los cortes \u201cThe Power of Myth\u201d y \u201cThe Idea of North\u201d son una invitaci\u00f3n al viaje c\u00f3smico y a la meditaci\u00f3n, m\u00fasica oscura y lis\u00e9rgica. \u201cDie Welt als Schaukel\u201d es un oscuro trance \u00e9tnico-hipn\u00f3tico sin fin. \u201cTradition and Vision\u201d bebe de distintas fuentes: \u201cThe Power of Myth\u201d, \u201cThe Idea of North\u201d y \u201cDie Welt als Schaukel\u201d. De parecidas caracter\u00edsticas es \u201cYou Don&#8217;t Have To Win\u201d. Los tres \u00faltimos temas (\u201cMy Constant Spirit\u201d, \u201cNo Ladies Did I See\u201d y \u201cMusing On My Love\u201d) son un fundido de sonido espacial y percusivo en la linea de <em>Timewind<\/em> de 1975 y <em>Moondawn<\/em> de 1976.<\/p>\n<p style=\"text-align: justify;\">Para mi gusto el mejor de los tres Cd\u2019s es este <em>Tradition and Vision<\/em>, ya que se acerca m\u00e1s al sonido originario de Klaus Schulze de los a\u00f1os 70.<\/p>\n<p style=\"text-align: right;\">\u00a9 Enrique Farelo, 2015<\/p>\n<p>&nbsp;<\/p>\n<p>Klaus Schulze: <em>La Vie Electronique 14<\/em><\/p>\n<p><strong>M\u00fasicos:<\/strong> Klaus Schulze (Todos los teclados, <em>samplers<\/em> y electr\u00f3nicas), Wolfang Tiepold (violonchelo)<\/p>\n<p>&nbsp;<\/p>\n<p>Composiciones: CD 1:<em> Opera Trance<\/em>: \u201cChe Mai Sar\u00e0?\u201d, \u201cAl Tempio!\u201d, \u201cNumi d&#8217;Averno\u201d, \u201cE Che Far\u00f2!\u201d, \u201cPerch\u00e9? Perch\u00e9?\u201d, \u201cChe Avverr\u00e0!\u201d, \u201cIdee Funeste di Duol\u201d, \u201cStupisco\u201d, \u201cT&#8217;accheta e Parti\u201d. CD 2: \u201cZooblast\u201d(<em>The Ultimate Edition<\/em>, Cd 48), \u201cConquest of Paradise\u201d (Long Version-<em>CD single on ZYX<\/em>), \u201cGro\u00dfe Gaukler Gottes\u201d(<em>The Ultimate Edition<\/em>, Cd 50), \u201cAngry Young Moog\u201d (<em>Jubilee Edition<\/em>, Cd 13), \u201cKosmisches Gleiteisen\u201d(<em> Jubilee Edition<\/em>, Cd 13), \u201cOperatic March\u201d(<em> Jubilee Edition<\/em>, Cd 13), \u201cKosmisches Gleiteisen, pt. 2\u201d (<em>Jubilee Edition<\/em>, Cd 13), \u201cAngry Young Moog, pt. 2\u201d (<em>Jubilee Edition<\/em>, Cd 13), \u201cDreieinhalb Stunden\u201d (<em>The Ultimate Edition<\/em>, Cd 50), \u201cThe Schulzendorf Groove (1st Version-<em>The Ultimate Edition<\/em>, Cd 50)\u201d, \u201cThe Schulzendorf Groove\u201d (Tribute Version-<em>The Ultimate Edition<\/em>, Cd 50), y \u201cMan at Work\u201d(<em>Trailer)<\/em>. CD 3: <em>Tradition and Vision<\/em>: \u201cThe Power of Myth\u201d, \u201cThe Idea of North\u201d, \u201cDie Welt als Schaukel\u201d, \u201cTradition and Vision\u201d, \u201cYou Don&#8217;t Have To Win\u201d, \u201cMy Constant Spirit\u201d, \u201cNo Ladies Did I See\u201d, \u201cMusing On My Love\u201d. (<em>Jubilee Edition<\/em>, Cd 1)<br \/>\nTodas las composiciones son de Klaus Schulze, excepto \u201cConquest of Paradise\u201d (Long Version) de Evangelos Papathanassiou y \u201cDreieinhalb Stunden\u201d de Jorg Schaaf \/ Klaus Schulze ambos de Cd 2.<\/p>\n<p>Grabado en estudio y en directo entre 1993-2000. 3CD Cat. No.: MIG 00782\/2013<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Klaus Schulze es tambi\u00e9n conocido por el pseud\u00f3nimo de Richard Wahnfried, habiendo firmado bajo este nombre aproximadamente siete trabajos que van desde el a\u00f1o 1979 al 1997 y unos 60 en total a nombre propio o colaboraciones. En el primero de los tres CD aparece Opera Trance perteneciente al Jubilee<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/klaus-schulze-la-vie-electronique-14-mig-music-2013-3cd\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":18135,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17848,5,1038],"tags":[12651,12676,304,12696,13,12415,15295,12734,12350,12655,12726,12735,2151,12736,16099,77,16100,12737],"class_list":["entry","author-pachi","post-18134","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-grabaciones","category-contenidos","tag-cd","tag-critica","tag-enrique-farelo","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-klaus-schulze","tag-mig-music","tag-resena","tag-review","tag-richard-wahnfried","tag-rock","tag-rock-progresivo","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-vangelis"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/Klaus-Schulze_La-vie-electronique-14.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":18163,"url":"https:\/\/tomajazz.com\/web\/klaus-schulze-la-vie-electronique-15-mig-music-2014-3cd\/","url_meta":{"origin":18134,"position":0},"title":"Klaus Schulze: La Vie Electronique 15 (MIG Music, 2014. 3CD)","author":"Tomajazz","date":"24 abril, 2015","format":"image","excerpt":"Atr\u00e1s quedaron catorce vol\u00famenes de La Vie Electronique y en \u00e9ste decimoquinto continua con la misma linea que ha caracterizado la prolija carrera del teclista y compositor alem\u00e1n. Klaus Schulze es sin duda uno de los grandes de la m\u00fasica electr\u00f3nica desde los lejanos a\u00f1os setenta, concretamente desde 1972, a\u00f1o\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Klaus Schulze-La Vie Electronique 15","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/Klaus-Schulze-La-Vie-Electronique-15-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":18940,"url":"https:\/\/tomajazz.com\/web\/klaus-schulze-2cd2dvd\/","url_meta":{"origin":18134,"position":1},"title":"Klaus Schulze &#038; Lisa Gerrard: Big in Europe Vol. 2 (M.I.G., 2014; 2CD+2DVD)","author":"Tomajazz","date":"30 junio, 2015","format":"image","excerpt":"La colaboraci\u00f3n entre la vocalista y col\u00edder de Dead Can Dance, Lisa Gerrard, y el maestro alem\u00e1n de los teclados Klaus Schulze comenz\u00f3 en el a\u00f1o 2008 con el \u00e1lbum Farscape y posteriormente con un concierto en la capital de Polonia (Varsovia) que data del a\u00f1o 2013 y que lleva\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Klaus-Schulze-Lisa-Gerrard.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":101193,"url":"https:\/\/tomajazz.com\/web\/seaorm-atlan-2025\/","url_meta":{"origin":18134,"position":2},"title":"Seaorm: Atlan (octoberXart Records, 2025) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"31 octubre, 2025","format":false,"excerpt":"Atlan (octoberXart Records, 2025) es la nueva grabaci\u00f3n de Seaorm. 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Face to Face de dos teclistas, el primero holand\u00e9s y el segundo alem\u00e1n. Balloons es una obra concebida para el enfoque c\u00f3smico y el jazz ambient basamentada en los teclados y la ausencia de cualquier otro instrumento que no sea\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Jasper-vant-Hof-Joachim-Kuhn_Balloons_MPS.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Jasper-vant-Hof-Joachim-Kuhn_Balloons_MPS.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Jasper-vant-Hof-Joachim-Kuhn_Balloons_MPS.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":21018,"url":"https:\/\/tomajazz.com\/web\/rita-marcotulli-european-leaders-festival-internacional-de-jazz-de-madrid-centro-cultural-conde-duque-madrid-2015-11-23\/","url_meta":{"origin":18134,"position":5},"title":"Rita Marcotulli European Leaders (Festival Internacional de Jazz de Madrid, Centro Cultural Conde Duque, Madrid. 2015-11-23)","author":"Tomajazz","date":"26 noviembre, 2015","format":false,"excerpt":"Festival Internacional de Jazz de Madrid Fecha: lunes 23 de Noviembre de 2015. Lugar: Auditorio del Centro Cultural Conde Duque (Madrid). Grupo: Rita Marcotulli European Leaders Tour 2015 Rita Marcotulli: piano y teclados, l\u00edder Klaus Hovmann: contrabajo Marilyn Mazur: bater\u00eda, percusiones y voz Andy Sheppard: saxos tenor y soprano Nguyen\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Rita-Marcotulli-European-Leaders.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Rita-Marcotulli-European-Leaders.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Rita-Marcotulli-European-Leaders.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Rita-Marcotulli-European-Leaders.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/18134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=18134"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/18134\/revisions"}],"predecessor-version":[{"id":18136,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/18134\/revisions\/18136"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/18135"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=18134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=18134"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=18134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}