{"id":18143,"date":"2015-04-23T11:00:52","date_gmt":"2015-04-23T09:00:52","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=18143"},"modified":"2017-09-19T22:53:50","modified_gmt":"2017-09-19T20:53:50","slug":"tim-bernes-snakeoil-youve-been-watching-me-ecm-2015","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tim-bernes-snakeoil-youve-been-watching-me-ecm-2015\/","title":{"rendered":"Tim Berne&#8217;s Snakeoil: You&#8217;ve Been Watching Me (ECM, 2015)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-18144\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/Tim-Bernes-Snakeoil_Youve-Been-Watching-Me_ECM_2015-200x200.jpg\" alt=\"Tim Berne&#039;s Snakeoil_You&#039;ve Been Watching Me_ECM_2015\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/Tim-Bernes-Snakeoil_Youve-Been-Watching-Me_ECM_2015-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/Tim-Bernes-Snakeoil_Youve-Been-Watching-Me_ECM_2015-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/Tim-Bernes-Snakeoil_Youve-Been-Watching-Me_ECM_2015-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/Tim-Bernes-Snakeoil_Youve-Been-Watching-Me_ECM_2015.jpg 400w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>He le\u00eddo unas cuantas cosas acerca de Tim Berne. No s\u00e9 si tener un sonido reconocible es algo bueno o malo. No s\u00e9 si escuchar una composici\u00f3n de\u00a0Berne y saber que lo est\u00e1s escuchando es bueno o malo. Pero estos son dos hechos cuando uno escucha los proyectos de Tim Berne. Algo que tambi\u00e9n sucede en su \u00faltima grabaci\u00f3n en ECM, <em>You&#8217;ve Been Watching Me<\/em>. Como ocurre habitualmente, toca con un gran grupo: Ches Smith (bater\u00eda, percusiones), Matt Mitchell (piano, electr\u00f3nica), Oscar Noriega (clarinete y clarinete bajo), y Ryan Ferreira (guitarras ac\u00fastica y el\u00e9ctrica), el novato del grupo. Esta es una grabaci\u00f3n t\u00edpica de Tim Berne: temas largos que buscan un vortex de intensidad consiguiendo unos momentos hipn\u00f3ticos donde uno querr\u00eda estar durante un largo tiempo; buenos solos por todos los miembros del grupo. Te puede gustar (o no) la m\u00fasica de Tim Berne. Sea como sea, esta vez te pasar\u00e1 lo mismo.<\/p>\n<p style=\"text-align: right;\">\u00a9 Pachi Tapiz, 2015<\/p>\n<p style=\"text-align: justify;\">Tim Berne&#8217;s Snakeoil:<em> You&#8217;ve Been Watching Me<\/em><br \/>\nTim Berne (saxo alto, composiciones y arreglos), Oscar Noriega (clarinete y clarinete bajo), Ryan Ferreira (guitarras el\u00e9ctrica y ac\u00fastica), Matt Mitchell (piano, electr\u00f3nica), Ches Smith (bater\u00eda y percusiones). David Torn (productor)<\/p>\n<p style=\"text-align: justify;\">\u00abLost In Redding\u00bb, \u00abSmall World In A Small Town\u00bb, \u00abEmbraceable Me\u00bb, \u00abAngles\u00bb, \u00abYou&#8217;ve Been Watching Me\u00bb, Semi-Self Detached\u00bb, \u00abFalse Impressions\u00bb<\/p>\n<p style=\"text-align: justify;\">Grabado en diciembre de 2014 en\u00a0The Clubhouse, Rhinebeck, New York. ECM, 2015.\u00a0ECM 2443<\/p>\n<p style=\"text-align: right;\">\n","protected":false},"excerpt":{"rendered":"<p>He le\u00eddo unas cuantas cosas acerca de Tim Berne. No s\u00e9 si tener un sonido reconocible es algo bueno o malo. No s\u00e9 si escuchar una composici\u00f3n de\u00a0Berne y saber que lo est\u00e1s escuchando es bueno o malo. Pero estos son dos hechos cuando uno escucha los proyectos de Tim<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tim-bernes-snakeoil-youve-been-watching-me-ecm-2015\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":18144,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"image","meta":{"footnotes":""},"categories":[17847,5,15517,1038],"tags":[12651,5468,12676,12746,1663,12721,12696,13,12415,15295,5372,5786,31,12697,12726,12745,5583,7782,16099,77,16100],"class_list":["entry","author-pachi","post-18143","post","type-post","status-publish","format-image","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-textos","category-contenidos","tag-cd","tag-ches-smith","tag-critica","tag-david-torn","tag-ecm","tag-grabacion","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-matt-mitchell","tag-oscar-noriega","tag-pachi-tapiz","tag-record","tag-review","tag-ryan-ferreira","tag-tim-berne","tag-tim-bernes-snakeoil","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/04\/Tim-Bernes-Snakeoil_Youve-Been-Watching-Me_ECM_2015.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/18143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=18143"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/18143\/revisions"}],"predecessor-version":[{"id":32313,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/18143\/revisions\/32313"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/18144"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=18143"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=18143"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=18143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}