{"id":18341,"date":"2015-05-11T11:00:59","date_gmt":"2015-05-11T09:00:59","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=18341"},"modified":"2018-05-05T20:49:31","modified_gmt":"2018-05-05T18:49:31","slug":"la-odisea-de-la-musica-afroamericana-capitulo-002-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/la-odisea-de-la-musica-afroamericana-capitulo-002-podcast\/","title":{"rendered":"The Underground railroad. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 002) [Podcast]"},"content":{"rendered":"<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em>. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro <a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a>.<\/p>\n<p style=\"text-align: justify;\">En el segundo cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana el tren es un elemento central del programa, no s\u00f3lo en la selecci\u00f3n musical, sino por la importancia que estos adquirieron en la organizaci\u00f3n clandestina conocida como El Ferrocarril Subterr\u00e1neo (The Underground Railroad), conducidos por personajes como <strong>Harriet Tubman<\/strong> que logr\u00f3 que muchos esclavos del Sur de los Estados Unidos alcanzasen la libertad. Y libertad en la expresi\u00f3n era justamente lo que buscaban a su vez los esclavos por medio de los <em>field hollers<\/em>, los cantos de plantaciones. <strong>Luis Escalante<\/strong> presenta el programa en el que incluye an\u00e9cdotas, citas e informaci\u00f3n sobre estos temas, pero a su vez sobre los m\u00fasicos que suenan en \u00e9l: <strong>Anita O&#8217;Day, Diane Schuur, Nnenna Freelon, Joe Sample; The Blind Five Of Mississippi<\/strong> y<strong> Manhatta Transfer; Luis Armstrong, Count Basie, Duke Ellington, Jimmy Smith<\/strong> y <strong>Wes Montgomery<\/strong>, entre muchos otros.<\/p>\n<p><iframe id='audio_4472700' frameborder='0' allowfullscreen='' scrolling='no' height='200' style='border:1px solid #EEE; box-sizing:border-box; width:100%;' src=\"https:\/\/www.ivoox.com\/player_ej_4472700_4_1.html?c1=ff6600\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><center><figure id=\"attachment_18342\" aria-describedby=\"caption-attachment-18342\" style=\"width: 374px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/640px-Harriet_Tubman_Civil_War_Woodcut-374x600.jpg\" alt=\"&quot;Harriet Tubman Civil War Woodcut&quot; by woodcut artist not listed; W.J. Moses, printer; stereotyped by Dennis Bro&#039;s &amp; Co. - Scenes in the Life of Harriet Tubman by Sarah H Bradford. Licensed under Public Domain via Wikimedia Commons - http:\/\/commons.wikimedia.org\/wiki\/File:Harriet_Tubman_Civil_War_Woodcut.jpg#\/media\/File:Harriet_Tubman_Civil_War_Woodcut.jpg\" width=\"374\" height=\"600\" class=\"size-large wp-image-18342\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/640px-Harriet_Tubman_Civil_War_Woodcut-374x600.jpg 374w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/640px-Harriet_Tubman_Civil_War_Woodcut-93x150.jpg 93w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/640px-Harriet_Tubman_Civil_War_Woodcut-187x300.jpg 187w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/640px-Harriet_Tubman_Civil_War_Woodcut-34x55.jpg 34w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/640px-Harriet_Tubman_Civil_War_Woodcut.jpg 640w\" sizes=\"auto, (max-width: 374px) 100vw, 374px\" \/><figcaption id=\"caption-attachment-18342\" class=\"wp-caption-text\">\u00abHarriet Tubman Civil War Woodcut\u00bb by woodcut artist not listed; W.J. Moses, printer; stereotyped by Dennis Bro&#8217;s &#038; Co. &#8211; Scenes in the Life of Harriet Tubman by Sarah H Bradford. Licensed under Public Domain via Wikimedia Commons &#8211; http:\/\/commons.wikimedia.org\/wiki\/File:Harriet_Tubman_Civil_War_Woodcut.jpg<\/figcaption><\/figure><\/center><\/p>\n<p>En el cap\u00edtulo 2 suena:<\/p>\n<ul>\n<li>\u00abBetter Than Anything\u00bb Nnenna Freelon<\/li>\n<li>\u00abNobody Knows The Troubles I\u2019ve Seen\u00bb Louis Armstrong<\/li>\n<li>\u00abI Love You, Porgy\u00bb Diane Schuur<\/li>\n<li>\u00ab9.20 Special\u00bb Count Basie<\/li>\n<li>\u00abEast St.Louis Toddle-Oo\u00bb Duke Ellington<\/li>\n<li>\u00abGo Down Moses\u00bb Louis Armstrong<\/li>\n<li>\u00abSwing Low Sweet Chariot\u00bb The Blind Five Of Mississippi<\/li>\n<li>\u00abNight Train\u00bb Jimmy Smith &#038; Wes Montgomery<\/li>\n<li>\u00abTuxedo Junction\u00bb Manhattan Transfer<\/li>\n<li>\u00abTake The A Train\u00bb Anita O\u00b4Day<\/li>\n<li>\u00abFever\u00bb Joe Sample<\/li>\n<\/ul>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/center><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En el segundo cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana el tren es un elemento central del programa, no s\u00f3lo en la selecci\u00f3n musical, sino por la importancia que estos adquirieron en la organizaci\u00f3n clandestina conocida como El Ferrocarril Subterr\u00e1neo (The Underground Railroad), conducidos por personajes como Harriet Tubman que logr\u00f3 que muchos esclavos del Sur de los Estados Unidos alcanzasen la libertad. <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/la-odisea-de-la-musica-afroamericana-capitulo-002-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":18342,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,13297,12814,15518,1038],"tags":[9541,6639,12855,6637,12857,9933,12817,8161,12816,12858,12250,12818,12856,16099,16100],"class_list":["entry","author-pachi","has-excerpt","post-18341","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-podcast","category-sonidos","category-contenidos","tag-anita-oday","tag-count-basie","tag-diane-schuur","tag-duke-ellington","tag-jimmy-smith-wes-montgomery","tag-joe-sample","tag-la-odisea-de-la-musica-afroamericana","tag-louis-armstrong","tag-luis-escalante-ozalla","tag-manhattan-transfer","tag-nnenna-freelon","tag-podcast","tag-the-blind-five-of-mississippi","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/640px-Harriet_Tubman_Civil_War_Woodcut.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":51994,"url":"https:\/\/tomajazz.com\/web\/john-coltrane-ii-la-odisea-de-la-musica-afroamericana-254-podcast-de-jazz\/","url_meta":{"origin":18341,"position":0},"title":"John Coltrane (II). La Odisea de la M\u00fasica Afroamericana (254) [Podcast de Jazz]","author":"Tomajazz","date":"7 septiembre, 2020","format":false,"excerpt":"John Coltrane es el protagonista del cap\u00edtulo 254 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante Ozalla.","rel":"","context":"En \u00abLa odisea de la m\u00fasica afroamericana\u00bb","block_context":{"text":"La odisea de la m\u00fasica afroamericana","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/la-odisea-de-la-musica-afroamericana\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/John-Coltrane_Blue-Train_Blue-Note_1957-e1485119070479.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":44645,"url":"https:\/\/tomajazz.com\/web\/cool-jazz-ii-chet-baker-la-odisea-de-la-musica-afroamericana-202-podcast\/","url_meta":{"origin":18341,"position":1},"title":"Cool Jazz (II): Chet Baker. La Odisea de la M\u00fasica Afroamericana (202) [Podcast]","author":"Tomajazz","date":"29 julio, 2019","format":false,"excerpt":"Cool Jazz (II): Chet Baker. 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[Podcast]","author":"Tomajazz","date":"15 julio, 2019","format":false,"excerpt":"Especial: programa 200 de La Odisea de la M\u00fasica Afroamericana - HDO 520. Al habla con Luis Escalante Ozalla [Podcast]","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"Especial: programa 200 de La Odisea de la M\u00fasica Afroamericana - HDO 520. 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La Odisea de la M\u00fasica Afroamericana (252) [Podcast de Jazz]","author":"Tomajazz","date":"24 agosto, 2020","format":false,"excerpt":"John Lewis (nuevamente), y Milt Jackson (ambos integrantes de The Modern Jazz Quartet), son los protagonistas del cap\u00edtulo 252 de La Odisea de la M\u00fasica Afroamericana de\u00a0Luis Escalante Ozalla.","rel":"","context":"En \u00abSonidos\u00bb","block_context":{"text":"Sonidos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/08\/Milt-Jackson-and-the-Thelonious-Monk-Quintet.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/08\/Milt-Jackson-and-the-Thelonious-Monk-Quintet.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/08\/Milt-Jackson-and-the-Thelonious-Monk-Quintet.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":24835,"url":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-ii-la-odisea-de-la-musica-afroamericana-053-podcast\/","url_meta":{"origin":18341,"position":5},"title":"Ella Fitzgerald (II). La Odisea de la M\u00fasica Afroamericana (053) [Podcast]","author":"Tomajazz","date":"6 junio, 2016","format":false,"excerpt":"En la entrega n\u00famero 53 de La Odisea de la M\u00fasica Afroamericana Luis Escalante Ozalla sigue con el repaso a la carrera de Ella Fitzgerald, que comenz\u00f3 en el cap\u00edtulo anterior. Esta fase de la carrera de la Fitzgerald sirve para escuchar m\u00fasica y para conocer a figuras importantes como\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Ella-Fitzgerald-November-1946.-Photography-by-William-P.-Gottlieb.-peq.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/18341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=18341"}],"version-history":[{"count":6,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/18341\/revisions"}],"predecessor-version":[{"id":19434,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/18341\/revisions\/19434"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/18342"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=18341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=18341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=18341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}