{"id":1848,"date":"2009-06-15T12:05:40","date_gmt":"2009-06-15T10:05:40","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=19"},"modified":"2016-11-13T20:32:53","modified_gmt":"2016-11-13T19:32:53","slug":"tomajazz-recomienda-un-tema-stompin-at-the-savoy-clifford-brown-max-roach","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-stompin-at-the-savoy-clifford-brown-max-roach\/","title":{"rendered":"Tomajazz recomienda\u2026 un tema: \u201cStompin\u2019 At The Savoy\u201d (Clifford Brown & Max Roach, 1954)"},"content":{"rendered":"

<\/p>\n

\"Brown
Brown And Roach Incorporated<\/figcaption><\/figure>\n

Pocos combos aprovecharon los estilos predominantes a mediados de los a\u00f1os cincuenta como el quinteto del trompetista Clifford Brown y el bater\u00eda Max Roach. Completado por el saxo tenor Harold Land, el pianista Richie Powell (hermano de Bud Powell) y el contrabajista George Morrow, su hard bop<\/em> combinaba los fieros recursos t\u00e9cnicos y estil\u00edsticos del be bop<\/em> m\u00e1s pasional con una l\u00edrica b\u00fasqueda de belleza en la interpretaci\u00f3n de las melod\u00edas.<\/span><\/p>\n

Buena prueba de ello fue el \u201cStompin\u2019 At The Savoy\u201d de Benny Goodman que el grupo incluyera en Brown And Roach Incorporated<\/em>, grabado a mediados de 1954. Sobre la siempre complicada tonalidad de re bemol, Brown muestra sus mejores armas tanto en la dulce recreaci\u00f3n de la melod\u00eda como en un solo medido de t\u00e9cnica y lenguaje insultantes.<\/span><\/p>\n

No menos insultante es la improvisaci\u00f3n del bater\u00eda Max Roach, dibujando en todo momento la forma del tema y apoy\u00e1ndose continuamente en su plato ride<\/em>, no en el hi hat<\/em> como sol\u00eda ser habitual en la \u00e9poca.<\/span><\/p>\n

Este \u201cStompin\u2019 At The Savoy\u201d no es s\u00f3lo una pieza elegante magistralmente interpretada, tambi\u00e9n sirve como carta de presentaci\u00f3n de una de las bandas m\u00e1s importantes del jazz de mediados del siglo pasado.<\/span><\/p>\n


\n<\/span>Clifford Brown & Max Roach, Brown And Roach Incorporated<\/em>, grabado en 1954 (Emarcy)<\/span><\/p>\n

\n

Escuchar \u00abStompin’ At The Savoy\u00bb en Spotify<\/strong>: http:\/\/open.spotify.com\/track\/0NPk6quMv36eKtSELIt81x<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Pocos combos aprovecharon los estilos predominantes a mediados de los a\u00f1os cincuenta como el quinteto del trompetista Clifford Brown y el bater\u00eda Max Roach. Completado por el saxo tenor Harold Land, el pianista Richie Powell (hermano de Bud Powell) y el contrabajista George Morrow, su hard bop combinaba los fierosContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1038,1273],"tags":[1318,1514,2140],"class_list":["entry","author-adolphus-van-tenzing","post-1848","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tema","category-contenidos","category-tomajazz-recomienda","tag-1318","tag-brown-clifford","tag-roach-max"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29931,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-at-basin-street-clifford-brown-and-max-roach-89-a-new-perspective-04\/","url_meta":{"origin":1848,"position":0},"title":"365 razones para amar el jazz: una portada. 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