{"id":18520,"date":"2015-05-25T11:00:38","date_gmt":"2015-05-25T09:00:38","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=18520"},"modified":"2018-05-05T20:49:30","modified_gmt":"2018-05-05T18:49:30","slug":"la-odisea-de-la-musica-afroamericana-capitulo-004-podcast","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/la-odisea-de-la-musica-afroamericana-capitulo-004-podcast\/","title":{"rendered":"Las primeras expresiones musicales. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 004) [Podcast]"},"content":{"rendered":"<p style=\"text-align: justify;\"><em>La Odisea de la M\u00fasica Afroamericana<\/em>. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro <a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/ref=sr_1_1?s=digital-text&amp;ie=UTF8&amp;qid=1428418630&amp;sr=1-1&amp;keywords=y+se+hace+musica+al+andar+con+swing\" target=\"_blank\" rel=\"noopener\"><em>Y se hace m\u00fasica al andar con swing<\/em><\/a>.<\/p>\n<p style=\"text-align: justify;\">En el cuarto cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana, Luis Escalante indaga en la evoluci\u00f3n que transform\u00f3 a la m\u00fasica de los esclavos afroamericanos en el jazz y en el blues. A lo largo del programa se incide en los distintos instrumentos que algunos amos permitieron utilizar a sus esclavos (especialmente el viol\u00edn y el banjo), con \u00e1nimo de entretener a otros esclavos y a sus amos. Tambi\u00e9n en los lugares en que se fue desarrollando esta m\u00fasica. Tambi\u00e9n a sus primeras expresiones como fueorn el ragtime y los minstrel shows.<\/p>\n<p><iframe loading=\"lazy\" id=\"audio_4542480\" style=\"border: 1px solid #EEE; box-sizing: border-box; width: 100%;\" src=\"https:\/\/www.ivoox.com\/player_ej_4542480_4_1.html?c1=ff6600\" width=\"300\" height=\"200\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><center><\/p>\n<figure id=\"attachment_18521\" aria-describedby=\"caption-attachment-18521\" style=\"width: 200px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-18521 size-medium\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/johnny-st.cyr_-200x267.jpg\" alt=\"johnny st.cyr\" width=\"200\" height=\"267\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/johnny-st.cyr_-200x267.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/johnny-st.cyr_-112x150.jpg 112w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/johnny-st.cyr_-450x600.jpg 450w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/johnny-st.cyr_-41x55.jpg 41w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/johnny-st.cyr_.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><figcaption id=\"caption-attachment-18521\" class=\"wp-caption-text\">Johnny St. Cyr. Autor desconocido<\/figcaption><\/figure>\n<p><\/center><center><\/center>En el cap\u00edtulo 4 suena:<\/p>\n<ul>\n<li>\u00abI Can\u00b4t Give You Anything But Love\u00bb Terence Blanchard &amp; Jane Monheit<\/li>\n<li>\u00abStomping At The Savoy\u00bb Benny Goodman<\/li>\n<li>\u00abCaravan\u00bb Duke Ellington<\/li>\n<li>\u00abAlexander\u00b4s Ragtime Band\u00bb The Boston Pops<\/li>\n<li>\u00abWillie The Weeper\u00bb Louis Armstrong &amp; His Hot Seven<\/li>\n<li>\u00abWhen You Walk Out The Door\u00bb Albert King<\/li>\n<li>\u00abSince I Met You Baby\u00bb B. B. King &amp; Katie Webster<\/li>\n<li>\u00abI Got To Right To Sing The Blues\u00bb Billie Holiday<\/li>\n<li>\u00abSt. Louis Blues\u00bb Bessie Smith &amp; Louis Armstrong<\/li>\n<li>\u00abMoten Swing\u00bb Kansas City (Banda Sonora)<\/li>\n<\/ul>\n<p><center><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-18254\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Luis-Escalante_Y-se-hace-musica-al-andar...-con-swing-397x600.jpg\" alt=\"Luis Escalante_Y se hace musica al andar... con swing\" width=\"300\" height=\"453\" title=\"\"><\/a><\/center><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.amazon.es\/hace-m%C3%BAsica-andar-con-swing-ebook\/dp\/B007O06XFU\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\" size-full wp-image-18255 alignnone\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/comprar-en-amazon.gif\" alt=\"comprar en amazon\" width=\"90\" height=\"28\" title=\"\"><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. En el cuarto cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana, Luis Escalante indaga en la evoluci\u00f3n que transform\u00f3 a la m\u00fasica<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/la-odisea-de-la-musica-afroamericana-capitulo-004-podcast\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":18521,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17834,13297,12814,15518,1038],"tags":[11258,8114,12961,8530,7496,12963,4784,6637,12958,12957,12962,12817,15277,8161,12960,12905,12816,10165,12959,16099,16100],"class_list":["entry","author-pachi","post-18520","post","type-post","status-publish","format-standard","has-post-thumbnail","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-podcast","category-sonidos","category-contenidos","tag-albert-king","tag-b-b-king","tag-b-b-king-katie-webster","tag-benny-goodman","tag-bessie-smith","tag-bessie-smith-louis-armstrong","tag-billie-holiday","tag-duke-ellington","tag-jane-monheit","tag-johnny-st-cyr","tag-katie-webster","tag-la-odisea-de-la-musica-afroamericana","tag-lady-day","tag-louis-armstrong","tag-louis-armstrong-his-hot-seven","tag-luis-escalante","tag-luis-escalante-ozalla","tag-terence-blanchard","tag-the-boston-pops","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/johnny-st.cyr_.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":19974,"url":"https:\/\/tomajazz.com\/web\/louis-armstrong-i-jazz-vii-la-odisea-de-la-musica-afroamericana-018-podcast\/","url_meta":{"origin":18520,"position":0},"title":"Louis Armstrong I. Jazz VII. La Odisea de la M\u00fasica Afroamericana (018) [Podcast]","author":"Tomajazz","date":"5 octubre, 2015","format":"audio","excerpt":"La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. Como no pod\u00eda de ser de otro modo, en\u00a0La Odisea de la M\u00fasica Afroamericana (LODLMA) es el momento de comenzar a\u00a0tratar en\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/Louis-Armstrong1932_publicdomain-e1443861469734.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/Louis-Armstrong1932_publicdomain-e1443861469734.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/Louis-Armstrong1932_publicdomain-e1443861469734.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":19849,"url":"https:\/\/tomajazz.com\/web\/fletcher-henderson-jazz-vi-la-odisea-de-la-musica-afroamericana-017-podcast\/","url_meta":{"origin":18520,"position":1},"title":"Fletcher Henderson. Jazz VI. La Odisea de la M\u00fasica Afroamericana (017) [Podcast]","author":"Tomajazz","date":"28 septiembre, 2015","format":"imagen","excerpt":"La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. El cap\u00edtulo 17 de La Odisea de la M\u00fasica Afroamericana (LODLMA) est\u00e1 dedicado a Fletcher Henderson, una figura esencial en el jazz\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Fletcher-Henderson-grande-e1443252165511.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Fletcher-Henderson-grande-e1443252165511.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/09\/Fletcher-Henderson-grande-e1443252165511.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":18743,"url":"https:\/\/tomajazz.com\/web\/la-odisea-de-la-musica-afroamericana-capitulo-007-podcast\/","url_meta":{"origin":18520,"position":2},"title":"Blues III. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 007) [Podcast]","author":"Tomajazz","date":"15 junio, 2015","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana. Programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. En el sexto cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana, Luis Escalante realiz\u00f3 un perfil de los m\u00fasicos de blues masculinos.\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/06\/Bessie-Smith-by-Carl-Van-Vetchen_recorte.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":28052,"url":"https:\/\/tomajazz.com\/web\/chick-webb-jack-teagarden-i-la-odisea-de-la-musica-afroamericana-076-podcast\/","url_meta":{"origin":18520,"position":3},"title":"Chick Webb &#8211; Jack Teagarden (I). La Odisea de la M\u00fasica Afroamericana (076) [Podcast]","author":"Tomajazz","date":"12 diciembre, 2016","format":false,"excerpt":"Chick Webb y Jack Teagarden son los protagonistas del programa n\u00famero 76 de La Odisea de la M\u00fasica Afroamericana de Luis Escalante. Junto a ellos aparecen muchas figuras indiscutibles de la historia del jazz, aunque si hay que elegir a tres son una triada imbatible de cantantes: Bessie Smith, Ella\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Chick_Webb_1_span9.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Chick_Webb_1_span9.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/12\/Chick_Webb_1_span9.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":30710,"url":"https:\/\/tomajazz.com\/web\/especial-la-odisea-de-la-musica-afroamericana-numero-100-podcast\/","url_meta":{"origin":18520,"position":4},"title":"Especial La Odisea de la M\u00fasica Afroamericana n\u00famero 100 [Podcast]","author":"Tomajazz","date":"29 mayo, 2017","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. La Odisea de la M\u00fasica Afroamericana\u00a0de\u00a0Luis Escalante Ozalla realiza un par\u00f3n\u2026","rel":"","context":"En \u00ab*_Don Kuto\u00bb","block_context":{"text":"*_Don Kuto","link":"https:\/\/tomajazz.com\/web\/category\/don-kuto\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/A-great-Day-In-Harlem-by-Art-Kane.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":42039,"url":"https:\/\/tomajazz.com\/web\/jon-hendricks-ii-la-odisea-de-la-musica-afroamericana-183-podcast\/","url_meta":{"origin":18520,"position":5},"title":"Jon Hendricks (II). La Odisea de la M\u00fasica Afroamericana (183) [Podcast]","author":"Tomajazz","date":"25 febrero, 2019","format":false,"excerpt":"Por Luis Escalante Ozalla. La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor de los libros Nueva Orleans (1717-1917): Sexo, Raza y Jass y Y se hace m\u00fasica al andar con swing. En el cap\u00edtulo 183 de La Odisea\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/02\/john-Hendricks-Tell-Me-The-Truth.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/18520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=18520"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/18520\/revisions"}],"predecessor-version":[{"id":19436,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/18520\/revisions\/19436"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/18521"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=18520"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=18520"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=18520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}