{"id":1855,"date":"2009-09-16T17:01:17","date_gmt":"2009-09-16T15:01:17","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=234"},"modified":"2016-11-13T20:32:50","modified_gmt":"2016-11-13T19:32:50","slug":"tomajazz-recomienda-un-disco-blues-for-rampart-street-ida-cox-1961","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-blues-for-rampart-street-ida-cox-1961\/","title":{"rendered":"Tomajazz recomienda\u2026 un disco: \u201cBlues For Rampart Street\u201d (Ida Cox, 1961)"},"content":{"rendered":"

\n

\"Ida
Ida Cox With The Coleman Hawkins Quintet \u2013 Blues For Rampart Street (Riverside\/Original Jazz Classics)<\/figcaption><\/figure>\n

Durante los a\u00f1os veinte, Ida Cox fue una de las grandes damas del blues y el vaudeville<\/em>, grabando profusamente para el sello Paramount entre 1923 y 1928. Tras un per\u00edodo de oscuridad, fue redescubierta gracias al concierto From Spirituals To Swing<\/em> organizado por John Hammond en 1939 pero, tras una \u00faltima sesi\u00f3n de grabaci\u00f3n en diciembre de 1940, desapareci\u00f3 por completo de la escena musical.<\/p>\n

En 1961, Chris Albertson viaj\u00f3 a Knoxville, Tennessee, donde resid\u00eda Cox, para intentar convencerla de que volviese a los estudios de grabaci\u00f3n, lo que consigui\u00f3 tras rememorar viejos tiempos. El resultado es este disco del sello Riverside, producido finalmente por Orrin Keepnews, en el que la cantante se rodea de un plantel de aut\u00e9ntico lujo: Coleman Hawkins al saxo tenor, Roy Eldridge a la trompeta, Sammy Price al piano, Milt Hinton al bajo y Jo Jones a la bater\u00eda. Por suerte, el quinteto de Coleman Hawkins no trata de imitar a los grupos que acompa\u00f1aban a Cox en los a\u00f1os veinte (con m\u00fasicos de primera fila como Tommy Ladnier, Joe Smith o Johnny Dodds), sino que aporta su propia visi\u00f3n del acompa\u00f1amiento en el blues.<\/p>\n

El repertorio, salvo \u201cMama Goes Where Papa Goes\u201d y el inevitable \u201cSt. Louis Blues\u201d con un fondo con toque latino a cargo de Eldridge y Hawkins, consta de composiciones originales o adaptaciones a cargo de Ida Cox. Su voz, siempre vital y cargada de matices, no est\u00e1 obviamente en su mejor momento (Cox ten\u00eda cerca de setenta a\u00f1os cuando se grab\u00f3 el disco), por lo que canta en un tono ligeramente superior y con un tiempo algo m\u00e1s r\u00e1pido de los deseables. Sin embargo, su calidad art\u00edstica y su personal visi\u00f3n del blues hacen que esta grabaci\u00f3n no sea s\u00f3lo un testamento musical, sino un magn\u00edfico disco. Gracias, Chris.<\/p>\n

Disponible en Ida Cox With The Coleman Hawkins Quintet \u2013 Blues For Rampart Street<\/em> (Riverside\/Original Jazz Classics OJCCD-1758-2)<\/p>\n

Escuchar en Spotify<\/span><\/strong>: http:\/\/open.spotify.com\/album\/3V4RI2dzmkOlyOsNIQ9Ydh<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Durante los a\u00f1os veinte, Ida Cox fue una de las grandes damas del blues y el vaudeville, grabando profusamente para el sello Paramount entre 1923 y 1928. Tras un per\u00edodo de oscuridad, fue redescubierta gracias al concierto From Spirituals To Swing organizado por John Hammond en 1939 pero, tras una \u00faltima sesi\u00f3n de grabaci\u00f3n en diciembre de 1940, desapareci\u00f3 por completo de la escena musical.Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,1038,1273],"tags":[1325,1391,1489,8169,1604,1772,1809,13,1880,1893,2108,9051],"class_list":["entry","author-adolphus-van-tenzing","has-excerpt","post-1855","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-disco","category-contenidos","category-tomajazz-recomienda","tag-1325","tag-albertson-chris","tag-blues","tag-coleman-hawkins","tag-cox-ida","tag-hammond-john","tag-hinton-milt","tag-jazz","tag-jones-jo","tag-keepnews-orrin","tag-price-sammy","tag-roy-eldridge"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":19101,"url":"https:\/\/tomajazz.com\/web\/la-musica-de-lodlma-hard-time-blues-1927-1960-fremeaux-2cd-aka-tomajazz-recomienda\/","url_meta":{"origin":1855,"position":0},"title":"La m\u00fasica de LODLMA: Hard Time Blues 1927-1960 (Fr\u00e9meaux & Associ\u00e9s, comp.2015; 2CD) [AKA Tomajazz Recomienda]","author":"Tomajazz","date":"20 julio, 2015","format":"imagen","excerpt":"El blues como m\u00fasica reivindicativa, dentro de sus posibilidades, es el leit-motiv del doble CD Hard Time Blues 1927-1960, que cuenta en su t\u00edtulo con la coletilla \"Political and Social Blues Against Racism at the Origin of the Civil Rights Movement\". 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Handy en una formaci\u00f3n ciertamente inusual: corneta (interpretada por Louis Armstrong), armonio (por Fred Longshaw) y ella misma a la voz. Cuatro a\u00f1os m\u00e1s tarde lo interpret\u00f3 de nuevo en la pel\u00edcula hom\u00f3nima dirigida por Dudley Murphy. Tirada\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"\u201cSaint Louis Blues\u201d. 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El primero de ellos se inicia con Jammin' The Blues. Un corto, seleccionado en su momento para los premios de la Academia, con una\u2026","rel":"","context":"En \u00abDVD...\u00bb","block_context":{"text":"DVD...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/dvds\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/greatest_jazz_films_ever.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1991,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-let-me-tell-you-bout-it-leo-parker-1961\/","url_meta":{"origin":1855,"position":4},"title":"Tomajazz recomienda\u2026 un CD: Let Me Tell You \u2018Bout It (Leo Parker, 1961)","author":"Adolphus van Tenzing","date":"25 mayo, 2011","format":false,"excerpt":"\u00a0 De la ristra de discos que public\u00f3 Blue Note en la vena del bebop aderezado de soul, funk, g\u00f3spel o rhythm and blues (Stanley Turrentine, Lou Donaldson, Jimmy Smith y otros muchos) hoy recomendamos uno de los m\u00e1s desconocidos y tal vez de los mejores. 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