http:\/\/open.spotify.com\/track\/5kBZIo9zd7gX3zrrxllbo8<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Oscar Peterson es uno de los pianistas m\u00e1s reconocidos y populares de la historia del jazz, aunque no le faltan detractores que, no sin motivo, le han achacado cierta falta de sutileza y matices. Lo que nadie puede negar es su capacidad de generar swing. Tras a\u00f1os al frente deContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296],"tags":[1323,1517,6637,2091,2282],"class_list":["entry","author-adolphus-van-tenzing","post-1859","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tema","tag-1323","tag-brown-ray","tag-duke-ellington","tag-peterson-oscar","tag-thigpen-ed"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2050,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-you-look-goog-to-me-oscar-peterson-trio-1964-2\/","url_meta":{"origin":1859,"position":0},"title":"Tomajazz recomienda… un tema: \u00abYou Look Good To Me\u00bb (Oscar Peterson Trio, 1964)","author":"Adolphus van Tenzing","date":"19 marzo, 2012","format":false,"excerpt":"Estos inmortales versos de B\u00e9cquer se pueden adaptar a muchas cosas y, especialmente, a muchas figuras clave para una u otra doctrina. A veces puede resultar fr\u00edvolo, pero pocas tan acertado como si Oscar Peterson, Ray Brown o Ed Thigpen nos preguntasen inocentemente \u201c\u00bfqu\u00e9 es el swing?\u201d. Entonces, la \u00fanica\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/The-Oscar-Peterson-Trio-We-Get-Requests.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/The-Oscar-Peterson-Trio-We-Get-Requests.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/03\/The-Oscar-Peterson-Trio-We-Get-Requests.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29032,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-the-oscar-peterson-trio-night-train-39\/","url_meta":{"origin":1859,"position":1},"title":"365 razones para amar el jazz: un disco. The Oscar Peterson Trio: Night Train [39]","author":"Tomajazz","date":"8 febrero, 2017","format":false,"excerpt":"Un disco. The Oscar Peterson Trio:\u00a0Night Train\u00a0(Verve Records, 1963) Seleccionado por Juan Antonio Serrano Cervantes. Con Oscar Peterson, Ray Brown, Ed Thigpen.","rel":"","context":"En \u00ab*_Juan Antonio Serrano Cervantes\u00bb","block_context":{"text":"*_Juan Antonio Serrano Cervantes","link":"https:\/\/tomajazz.com\/web\/category\/juan-antonio-serrano-cervantes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/The-Oscar-Peterson-Trio_Night-Train_Verve_1963.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1983,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-una-caja-oscar-peterson-the-songbooks\/","url_meta":{"origin":1859,"position":2},"title":"Tomajazz recomienda… una caja: Oscar Peterson – the Songbooks","author":"Adolphus van Tenzing","date":"2 mayo, 2011","format":false,"excerpt":"Entre la desaparici\u00f3n de la venta de ced\u00e9s como negocio y la, \u00bfpor qu\u00e9 no decirlo?, aparente mezcla de ignorancia, desinter\u00e9s, desidia, y falta de medios de las casas propietarias de archivos que las sobrepasan en cantidad y calidad, lo cierto es que los amantes del jazz hemos de andarnos\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/i43.tower.com\/images\/mm113497240\/songbooks-oscar-peterson-cd-cover-art.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":14294,"url":"https:\/\/tomajazz.com\/web\/oscar-peterson-exclusively-for-my-friends-my-favorite-instrument-vol-iv-mps-1968-orig-2014-reed-digital\/","url_meta":{"origin":1859,"position":3},"title":"Oscar Peterson: Exclusively for My Friends. My Favorite Instrument, Vol. IV (MPS. 1968 -orig-, 2014 -reed.digital)","author":"Tomajazz","date":"30 septiembre, 2014","format":false,"excerpt":"El celebrado pianista de Montreal Oscar Peterson grab\u00f3 la serie Exclusively for My Friends en 1968. Una obra integral que da vida a una colecci\u00f3n completa de 36 temas en total, grabados en el estudio privado del productor de MPS Hans Georg Brunner y que, a lo largo del tiempo,\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Oscar-Peterson_Exclusively-for-My-Friends_My-Favorite-Instrument-Vol.-IV_MPS_1968.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Oscar-Peterson_Exclusively-for-My-Friends_My-Favorite-Instrument-Vol.-IV_MPS_1968.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Oscar-Peterson_Exclusively-for-My-Friends_My-Favorite-Instrument-Vol.-IV_MPS_1968.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":99474,"url":"https:\/\/tomajazz.com\/web\/oscar-peterson-mi-vida-en-el-jazz-memorias-2025\/","url_meta":{"origin":1859,"position":4},"title":"Oscar Peterson: Mi vida en el jazz. Memorias (Libros del Kultrum; 2025): Una odisea musical entre la perfecci\u00f3n, la lucha y el swing eterno. Por Pachi Tapiz [Libro de jazz]","author":"Tomajazz","date":"21 septiembre, 2025","format":false,"excerpt":"Libros del Kultrum ha publicado Oscar Peterson: Mi vida en el jazz. Memorias (2025). Pachi Tapiz repasa la obra en Una odisea musical entre la perfecci\u00f3n, la lucha y el swing eterno","rel":"","context":"En \u00abLibros...\u00bb","block_context":{"text":"Libros...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/libros\/"},"img":{"alt_text":"Oscar Peterson: Mi vida en el jazz. Memorias (Libros del Kultrum; 2025): Una odisea musical entre la perfecci\u00f3n, la lucha y el swing eterno. Por Pachi Tapiz [Libro de jazz] - Tomajazz - Libros del Kultrum ha publicado Oscar Peterson: Mi vida en el jazz. Memorias (2025). Pachi Tapiz repasa la obra en Una odisea musical entre la perfecci\u00f3n, la lucha y el swing eterno. 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HDO (0055) [Audioblog]","author":"Tomajazz","date":"30 diciembre, 2015","format":"audio","excerpt":"El jazz como una fiesta. La fiesta de las giras y conciertos de los espect\u00e1culos Jazz At The Philharmonic promovidos por el empresario Norman Granz que tuvieron lugar entre mediados de los a\u00f1os 40 y el inicio de la d\u00e9cada de los a\u00f1os 80 del pasado siglo. En el caso\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Jazz-at-the-philarmonic-Seattle-1956.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1859","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1859"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1859\/revisions"}],"predecessor-version":[{"id":3948,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1859\/revisions\/3948"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1859"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1859"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1859"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"\"](\"http:\/\/muzycznastrefa.com\/libary\/albums\/18398.jpg\" "\\"\\"")
reconocidos y populares de la historia del jazz, aunque no le faltan detractores que, no sin motivo, le han achacado cierta falta de sutileza y matices. Lo que nadie puede negar es su capacidad de generar swing.<\/p>\n