{"id":1860,"date":"2009-10-27T10:40:23","date_gmt":"2009-10-27T08:40:23","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=268"},"modified":"2016-11-13T20:32:49","modified_gmt":"2016-11-13T19:32:49","slug":"tomajazz-recomienda-un-cd-black-codes-from-the-underground-de-wynton-marsalis","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-black-codes-from-the-underground-de-wynton-marsalis\/","title":{"rendered":"Tomajazz recomienda\u2026 un CD: \u00abBlack Codes (from the Underground)\u00bb de Wynton Marsalis."},"content":{"rendered":"

\"d81023ni746\"En los primeros ochenta, el quinteto de los hermanos Marsalis, Wynton y Branford, public\u00f3 varios discos en los que reivindicaba \u2013intenci\u00f3n loable y hasta saludable- el segundo gran quinteto de Miles Davis, el de Shorter & Co, como reacci\u00f3n a los excesos de la \u201cfusi\u00f3n\u201d. Poco importa que la m\u00fasica de los Marsalis fuese menos arriesgada que la que hac\u00eda Davis 20 a\u00f1os atr\u00e1s. Como tampoco la posterior talibanizaci\u00f3n del discurso de Marsalis (Wynton, en este caso) y su mirada musical cada vez m\u00e1s retro. Hoy, transcurridos tres lustros, Black Codes<\/em> sigue sonando fresco, contundente y actual: gran Jazz a cargo de uno de los mejores grupos que ha dado esta m\u00fasica en los \u00faltimos a\u00f1os.<\/p>\n

Black Codes (from the Underground)<\/em>, grabado en enero de 1985 (Columbia 26686).<\/p>\n

Escuchar en Spotify<\/span>: http:\/\/open.spotify.com\/album\/7sbOYuCeUNpHBurXKsuw7B<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

En los primeros ochenta, el quinteto de los hermanos Marsalis, Wynton y Branford, public\u00f3 varios discos en los que reivindicaba \u2013intenci\u00f3n loable y hasta saludable- el segundo gran quinteto de Miles Davis, el de Shorter & Co, como reacci\u00f3n a los excesos de la \u201cfusi\u00f3n\u201d. Poco importa que la m\u00fasicaContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1278,1273],"tags":[1346,1587,1627,1971,1972],"class_list":["entry","author-adolphus-van-tenzing","post-1860","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-disco","category-tomajazz-recomienda","tag-1346","tag-columbia","tag-davis-miles","tag-marsalis-branford","tag-marsalis-wynton"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2065,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-broski-charles-fambrough-1991\/","url_meta":{"origin":1860,"position":0},"title":"Tomajazz recomienda… un tema: \u00abBroski\u00bb (Charles Fambrough, 1991)","author":"Adolphus van Tenzing","date":"2 julio, 2012","format":false,"excerpt":"En algunos aspectos, Charles Fambrough tuvo menos suerte que otros compa\u00f1eros de su generaci\u00f3n. Pas\u00f3 sus primeros a\u00f1os junto a McCoy Tyner y Airto Moreira\u00a0y fue miembro clave de las \u00faltimas grandes formaciones de los Jazz Messengers de\u00a0Art Blakey, pero su carrera como l\u00edder nunca termin\u00f3 de despegar. Su primer\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/07\/1182757.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":25815,"url":"https:\/\/tomajazz.com\/web\/ellis-marsalis-quartet-xix-festival-internacional-de-jazz-de-san-javier-san-javier-murcia-2016-07-30\/","url_meta":{"origin":1860,"position":1},"title":"Ellis Marsalis Quartet (XIX Festival Internacional de Jazz de San Javier. San Javier, Murcia. 2016-07-30) [Concierto]","author":"Tomajazz","date":"19 agosto, 2016","format":false,"excerpt":"Repaso a la actuaci\u00f3n del Ellis Marsalis Quartet en el Festival Internacional de Jazz de San Javier, el 30 de julio de 2016, por Jos\u00e9 Antonio Garc\u00eda L\u00f3pez y Rafa Mellado.","rel":"","context":"En \u00ab*_Jos\u00e9 Antonio Garc\u00eda L\u00f3pez\u00bb","block_context":{"text":"*_Jos\u00e9 Antonio Garc\u00eda L\u00f3pez","link":"https:\/\/tomajazz.com\/web\/category\/jose-antonio-garcia-lopez\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/Ellis-Marsalis-Quartet-04-e1471528543627.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/Ellis-Marsalis-Quartet-04-e1471528543627.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/08\/Ellis-Marsalis-Quartet-04-e1471528543627.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":1377,"url":"https:\/\/tomajazz.com\/web\/to-a-young-jazz-musician-wynton-marsalis-con-selwyn-seyfu-hynds-random-house-2004\/","url_meta":{"origin":1860,"position":2},"title":"TO A YOUNG JAZZ MUSICIAN. Wynton Marsalis con Selwyn Seyfu Hynds. Random House (2004)","author":"Autor1","date":"19 mayo, 2011","format":false,"excerpt":"TO A YOUNG JAZZ MUSICIAN. Autor: Wynton Marsalis con Selwyn Seyfu Hynds Editorial: Random House (2004) ISBN: 978-1-4000-6399-4 (1-4000-6399-X) Idioma: ingl\u00e9s En plena era de los blogs, cuando hablar es m\u00e1s gratis que nunca, Wynton Marsalis da rienda suelta a sus ideas en este To a Young Jazz Musician, presunta\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/young_jazz_musician.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":11078,"url":"https:\/\/tomajazz.com\/web\/wynton-marsalis-sobre-miles-davis\/","url_meta":{"origin":1860,"position":3},"title":"Wynton Marsalis sobre Miles Davis","author":"Tomajazz","date":"19 marzo, 2014","format":false,"excerpt":"Miles cometi\u00f3 el error de considerarse a s\u00ed mismo un vanguardista, alguien que, obligatoriamente, tuviera que estar creando m\u00fasica nueva sin tener en consideraci\u00f3n sus logros anteriores. Esta actitud le hizo meterse en una rueda como las de los h\u00e1msteres, que dan vueltas y vueltas pero no llevan a ning\u00fan\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Wynton_Marsalis_free.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":33671,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-foto-miles-y-wynton-en-vancouver-332\/","url_meta":{"origin":1860,"position":4},"title":"365 razones para amar el jazz: una foto. Miles y Wynton en Vancouver [333]","author":"Tomajazz","date":"29 noviembre, 2017","format":false,"excerpt":"Una foto.\u00a0Miles Davis\u00a0y\u00a0Wynton Marsalis en Vancouver, 1986. Seleccionado por\u00a0Juanma Castro Medina Fotograf\u00eda (convenientemente marcada):\u00a0\u00a9\u00a0Chris Cameron. Tomada de aqu\u00ed, aunque tambi\u00e9n se podr\u00eda haber puesto sin marcar cogi\u00e9ndola desde aqu\u00ed.","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Miles-Davis-Wynton-Marsalis_Photo-By-Chris-Cameron_marcada.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Miles-Davis-Wynton-Marsalis_Photo-By-Chris-Cameron_marcada.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Miles-Davis-Wynton-Marsalis_Photo-By-Chris-Cameron_marcada.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Miles-Davis-Wynton-Marsalis_Photo-By-Chris-Cameron_marcada.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":45602,"url":"https:\/\/tomajazz.com\/web\/wynton-marsalis-bolden-blue-engine-records-2019-grabacion\/","url_meta":{"origin":1860,"position":5},"title":"Wynton Marsalis: Bolden (Blue Engine Records, 2019) [Grabaci\u00f3n de jazz] Por\u00a0Juli\u00e1n Ruesga Bono","author":"Tomajazz","date":"13 septiembre, 2019","format":false,"excerpt":"Buddy Bolden es una figura legendaria en el mundo del jazz. Se sabe muy poco de \u00e9l y de su m\u00fasica a\u00fan menos. No existe ninguna grabaci\u00f3n de su m\u00fasica y solo se conserva una fotograf\u00eda suya. Todo es informaci\u00f3n oral transmitida de quienes lo conocieron o de quienes oyeron\u2026","rel":"","context":"En \u00ab*_Juli\u00e1n Ruesga Bono\u00bb","block_context":{"text":"*_Juli\u00e1n Ruesga Bono","link":"https:\/\/tomajazz.com\/web\/category\/julian-ruesga-bono\/"},"img":{"alt_text":"Wynton Marsalis: Bolden (Blue Engine Records, 2019)","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Bolden-BSO.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Bolden-BSO.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/Bolden-BSO.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1860","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1860"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1860\/revisions"}],"predecessor-version":[{"id":3946,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1860\/revisions\/3946"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1860"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1860"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}