{"id":1860,"date":"2009-10-27T10:40:23","date_gmt":"2009-10-27T08:40:23","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=268"},"modified":"2016-11-13T20:32:49","modified_gmt":"2016-11-13T19:32:49","slug":"tomajazz-recomienda-un-cd-black-codes-from-the-underground-de-wynton-marsalis","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-black-codes-from-the-underground-de-wynton-marsalis\/","title":{"rendered":"Tomajazz recomienda\u2026 un CD: \u00abBlack Codes (from the Underground)\u00bb de Wynton Marsalis."},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-267\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2009\/10\/d81023ni746.jpg\" alt=\"d81023ni746\" width=\"150\" height=\"146\" title=\"\">En los primeros ochenta, el quinteto de los hermanos Marsalis, Wynton y Branford, public\u00f3 varios discos en los que reivindicaba \u2013intenci\u00f3n loable y hasta saludable- el segundo gran quinteto de Miles Davis, el de Shorter &amp; Co, como reacci\u00f3n a los excesos de la \u201cfusi\u00f3n\u201d. Poco importa que la m\u00fasica de los Marsalis fuese menos arriesgada que la que hac\u00eda Davis 20 a\u00f1os atr\u00e1s. Como tampoco la posterior talibanizaci\u00f3n del discurso de Marsalis (Wynton, en este caso) y su mirada musical cada vez m\u00e1s retro. Hoy, transcurridos tres lustros, <em>Black Codes<\/em> sigue sonando fresco, contundente y actual: gran Jazz a cargo de uno de los mejores grupos que ha dado esta m\u00fasica en los \u00faltimos a\u00f1os.<\/p>\n<p style=\"text-align: justify;\"><em>Black Codes (from the Underground)<\/em>, grabado en enero de 1985 (Columbia 26686).<\/p>\n<p style=\"text-align: left;\">Escuchar en <span style=\"color: #99cc00;\">Spotify<\/span>: <a href=\"http:\/\/open.spotify.com\/album\/7sbOYuCeUNpHBurXKsuw7B\" target=\"_blank\" rel=\"noopener\">http:\/\/open.spotify.com\/album\/7sbOYuCeUNpHBurXKsuw7B<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>En los primeros ochenta, el quinteto de los hermanos Marsalis, Wynton y Branford, public\u00f3 varios discos en los que reivindicaba \u2013intenci\u00f3n loable y hasta saludable- el segundo gran quinteto de Miles Davis, el de Shorter &amp; Co, como reacci\u00f3n a los excesos de la \u201cfusi\u00f3n\u201d. Poco importa que la m\u00fasica<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-black-codes-from-the-underground-de-wynton-marsalis\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17860,1278,1273],"tags":[1346,1587,1627,1971,1972],"class_list":["entry","author-adolphus-van-tenzing","post-1860","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-disco","category-tomajazz-recomienda","tag-1346","tag-columbia","tag-davis-miles","tag-marsalis-branford","tag-marsalis-wynton"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1860","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1860"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1860\/revisions"}],"predecessor-version":[{"id":3946,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1860\/revisions\/3946"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1860"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1860"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}