{"id":1861,"date":"2009-11-16T10:15:22","date_gmt":"2009-11-16T08:15:22","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=287"},"modified":"2016-11-13T20:32:48","modified_gmt":"2016-11-13T19:32:48","slug":"tomajazz-recomienda-un-cd-city-gates-george-adamsdon-pullen-quartet-1983","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-city-gates-george-adamsdon-pullen-quartet-1983\/","title":{"rendered":"Tomajazz recomienda… un CD: City Gates (George Adams\/Don Pullen Quartet, 1983)"},"content":{"rendered":"

\n

\"George
George Adams\/Don Pullen Quartet - City Gates<\/figcaption><\/figure>\n

Integrantes de una de las \u00faltimas bandas del mism\u00edsimo Charles Mingus en los setenta, el saxofonista George Adams y el pianista Don Pullen comandaron un inolvidable cuarteto completado por el contrabajista Cameron Brown y el bater\u00eda, tambi\u00e9n habitual de Mingus, Dannie Richmond.<\/p>\n

Una se\u00f1a de identidad de la banda fue la combinaci\u00f3n de fieras exploraciones avant-garde<\/em>, especialmente notorias en las fren\u00e9ticas y voluntariamente sobrecargadas secuencias de notas al piano, y melod\u00edas repletas de ingenuidad mel\u00f3dica, como en \u00abSamba For Now\u00bb, composici\u00f3n de Pullen. En City Gates<\/em> se incluye un original de cada uno de los titulares de la banda, se aborda el pasado del jazz (\u00abNobody Knows The Trouble I’ve Seen\u00bb) y se rinden homenajes (\u00abMingus Metamorphosis\u00bb, de Adams, y \u00abThank You Very Much Mr. Monk\u00bb, de Pullen).<\/p>\n

City Gates<\/em>, grabado en marzo de 1983 (Absord 187)<\/p>\n","protected":false},"excerpt":{"rendered":"

Integrantes de una de las \u00faltimas bandas del mism\u00edsimo Charles Mingus en los setenta, el saxofonista George Adams y el pianista Don Pullen comandaron un inolvidable cuarteto completado por el contrabajista Cameron Brown y el bater\u00eda, tambi\u00e9n habitual de Mingus, Dannie Richmond. Una se\u00f1a de identidad de la banda fueContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1273],"tags":[1378,1571,2010,2110],"class_list":["entry","author-adolphus-van-tenzing","post-1861","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tomajazz-recomienda","tag-adams","tag-city-gates","tag-mingus","tag-pullen"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":38113,"url":"https:\/\/tomajazz.com\/web\/razones-para-el-jazz-george-adams-don-pullen-quartet-460\/","url_meta":{"origin":1861,"position":0},"title":"Razones para el jazz. 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Pachi Tapiz repasa la grabaci\u00f3n. Actuaron Charles Mingus, Jaki Byard, Dannie Richmond, Charles McPherson, John Handy III, Jack Nimitz, Buddy Collette, Lonnie Hillyer, Bobby Bryant, Melvin Moore, Lou\u2026","rel":"","context":"En \u00abTomajazz (la revista) al completo\u00bb","block_context":{"text":"Tomajazz (la revista) al completo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/"},"img":{"alt_text":"Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Charles Mingus: Mingus At Monterey (Candid Records; 1965; Reedici\u00f3n 2025) Por Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Charles-Mingus-Mingus-at-Monterey-Candid-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1861","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1861"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1861\/revisions"}],"predecessor-version":[{"id":3943,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1861\/revisions\/3943"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1861"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1861"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1861"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}