{"id":18615,"date":"2015-06-08T10:45:31","date_gmt":"2015-06-08T08:45:31","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=18615"},"modified":"2018-05-05T20:49:29","modified_gmt":"2018-05-05T18:49:29","slug":"la-musica-de-lodlma-crazy-blues-mamie-smith","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/la-musica-de-lodlma-crazy-blues-mamie-smith\/","title":{"rendered":"La m\u00fasica de LODLMA: \u00abCrazy Blues\u00bb (Mamie Smith)"},"content":{"rendered":"

En el quinto cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana<\/a> (LODLMA) suena… \u00abCrazy Blues\u00bb (Mamie Smith)<\/p>\n

\n

\"Crazy\u201cCrazy Blues\u201d de Mamie Smith es habitualmente el punto de partida de la\u00a0historia del jazz vocal. Antes de esta versi\u00f3n del tema de Perry Bradford\u00a0se hab\u00edan grabado algunos blues, pero este fue el primer\u00a0gran \u00e9xito a nivel popular. En\u00a0el primer mes de su publicaci\u00f3n (en 1920), vendi\u00f3 75000 copias, superando el mill\u00f3n a lo largo del tiempo. Sus m\u00e9ritos superan lo meramente musical, aunque\u00a0no era un fiel reflejo del blues rural sino una versi\u00f3n bastante m\u00e1s refinada. Este fue el punto de partida para que\u00a0las discogr\u00e1ficas intentaran explotar este\u00a0fil\u00f3n incorporando en sus cat\u00e1logos a cantantes, habitualmente femeninas. Gran parte de lo que vino despu\u00e9s se lo debemos a este tema.<\/p>\n

\u00a9 Adolphus van Tenzing, 2014<\/p>\n<\/blockquote>\n

Publicado originalmente en\u00a0Tomajazz recomienda\u2026 un tema: \u201cCrazy Blues\u201d (Mamie Smith, 1920)<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

En el quinto cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana (LODLMA) suena… \u00abCrazy Blues\u00bb (Mamie Smith) \u201cCrazy Blues\u201d de Mamie Smith es habitualmente el punto de partida de la\u00a0historia del jazz vocal. Antes de esta versi\u00f3n del tema de Perry Bradford\u00a0se hab\u00edan grabado algunos blues, pero este fue elContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":15488,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,17834,13297,12814,15517,1038],"tags":[5366,13003,12817,12816,11332,16099,16100],"class_list":["entry","author-pachi","post-18615","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-luis-escalante-ozalla","category-la-odisea-de-la-musica-afroamericana","category-podcast","category-textos","category-contenidos","tag-adolphus-van-tenzing","tag-la-musica-de-lodlma","tag-la-odisea-de-la-musica-afroamericana","tag-luis-escalante-ozalla","tag-mamie-smith","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Crazy-Blues.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":18604,"url":"https:\/\/tomajazz.com\/web\/la-odisea-de-la-musica-afroamericana-capitulo-005-podcast\/","url_meta":{"origin":18615,"position":0},"title":"Blues I. La Odisea de la M\u00fasica Afroamericana (Cap\u00edtulo 005) [Podcast]","author":"Tomajazz","date":"1 junio, 2015","format":false,"excerpt":"En el quinto cap\u00edtulo de La Odisea de la M\u00fasica Afroamericana Luis Escalante centra el programa en el blues. Como no pod\u00eda ser de otra manera aparecen referencias a los minstrel shows (con sus protagonistas Jim Crow y Zip Coon), y tambi\u00e9n a la guerra civil norteamericana. Tambi\u00e9n a su\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"Blues I. 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Antes de esta versi\u00f3n del tema de Perry Bradford\u00a0se hab\u00edan grabado algunos blues, pero este fue el primer\u00a0gran \u00e9xito a nivel popular. En\u00a0el primer mes de su publicaci\u00f3n (el tema se grab\u00f3 en agosto\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Crazy Blues","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Crazy-Blues-200x213.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":20829,"url":"https:\/\/tomajazz.com\/web\/earl-hines-james-p-johnson-lil-hardin-johnny-dodds-buster-bailey-la-odisea-de-la-musica-afroamericana-024-podcast\/","url_meta":{"origin":18615,"position":2},"title":"Earl Hines, James P. Johnson, Lil Hardin, Johnny Dodds, Buster Bailey. 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