{"id":1863,"date":"2009-12-28T02:41:36","date_gmt":"2009-12-28T00:41:36","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=311"},"modified":"2016-11-13T20:32:48","modified_gmt":"2016-11-13T19:32:48","slug":"tomajazz-recomienda-un-disco-and-jazz-de-kenny-g","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-and-jazz-de-kenny-g\/","title":{"rendered":"Tomajazz recomienda&#8230; un disco: And Jazz de Kenny G"},"content":{"rendered":"<p style=\"text-align: justify;\">\n<figure id=\"attachment_322\" aria-describedby=\"caption-attachment-322\" style=\"width: 150px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" class=\"size-thumbnail wp-image-322\" src=\"http:\/\/torec.tomajazz.com\/wp-content\/uploads\/2009\/12\/kennyg-150x150.jpg\" alt=\"Kenny G... and Jazz - The Duets Album\" width=\"150\" height=\"150\" title=\"\"><figcaption id=\"caption-attachment-322\" class=\"wp-caption-text\">Kenny G... and Jazz - The Duets Album<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">En el mundo del jazz nos gusta mucho, quiz\u00e1s demasiado, ignorar o abiertamente despreciar a m\u00fasicos de gran \u00e9xito popular, a pesar de su indudable m\u00e9rito musical, humano o aun capilar.<\/p>\n<p style=\"text-align: justify;\">Es el caso del saxofonista soprano Kenneth Bruce Gorelick, mejor conocido como Kenny G y seg\u00fan los casos, \u00abese pelmazo\u00bb. Atacado y vilipendiado por muchos, desde aficionados al jazz fieles a las inexplicables secciones de discos de los grandes almacenes, hasta asociaciones de diab\u00e9ticos, este monstruo de la balada, este Luis XIV pelirrojo, ha destapado la caja de Pandora con su nuevo disco, la segunda parte de su conocido <em>Duets<\/em>.<\/p>\n<p style=\"text-align: justify;\">En esta ocasi\u00f3n los d\u00faos son con sus h\u00e9roes del saxo soprano: John Coltrane (\u00abMy Favourite Things\u00bb, \u00abMars\u00bb), Sidney Bechet (\u00abSummertime\u00bb, \u00abPetite Fleur\u00bb), Steve Lacy (\u00abSkippy\u00bb, \u00abRuby, My Dear\u00bb) e incluso Wilbur Sweatman o Roland Kirk, como predecesores en la interpretaci\u00f3n con varios instrumentos en la boca, o soplando a trav\u00e9s de orificios insospechados.<\/p>\n<p style=\"text-align: justify;\">La balada \u00abPetite Fleur\u00bb con el pionero neorleansiano del soprano es, sin lugar a dudas, lo mejor del disco.<\/p>\n<p style=\"text-align: justify;\">Disponible en Kenny G: <em>I love jazz &#8211; Duets (vol. II)<\/em> (Arista 314159-2)<\/p>\n<p style=\"text-align: justify;\">Escucha <span style=\"color: #00ff00;\"><strong><a href=\"http:\/\/open.spotify.com\/track\/49F0OxWCzDMbKl3mCaDYRg\" target=\"_blank\" rel=\"noopener\">Petite Fleur en Spotify<\/a><\/strong><\/span>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>En el mundo del jazz nos gusta mucho, quiz\u00e1s demasiado, ignorar o abiertamente despreciar a m\u00fasicos de gran \u00e9xito popular, a pesar de su indudable m\u00e9rito musical, humano o aun capilar.<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-and-jazz-de-kenny-g\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1273],"tags":[],"class_list":["entry","author-adolphus-van-tenzing","has-excerpt","post-1863","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tomajazz-recomienda"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":100117,"url":"https:\/\/tomajazz.com\/web\/kenny-barron-trio-vitoria-2025\/","url_meta":{"origin":1863,"position":0},"title":"Kenny Barron Trio (48 Festival de Jazz de Vitoria. 2025-07-18) Por Jos\u00e9 Luis Luna Rocafort [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s]","author":"Tomajazz","date":"6 octubre, 2025","format":false,"excerpt":"Kenny Barron Trio actu\u00f3 en el 48 Festival de Jazz de Vitoria. Jos\u00e9 Luis Luna Rocafort lo retrata en INSTANTZZ. Actuaron Kenny Barron, Kiyoshi Kitagawa, Jonathan Blake","rel":"","context":"En \u00ab48 Festival de Jazz de Vitoria 2025\u00bb","block_context":{"text":"48 Festival de Jazz de Vitoria 2025","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/48-festival-de-jazz-de-vitoria-2025\/"},"img":{"alt_text":"Kenny Barron Trio (48 Festival de Jazz de Vitoria. 2025-07-18) Por Jos\u00e9 Luis Luna Rocafort [INSTANTZZ AKA Galer\u00eda fotogr\u00e1fica AKA Fotoblog de jazz, impro\u2026 y algo m\u00e1s] - Tomajazz - Kenny Barron Trio actu\u00f3 en el 48 Festival de Jazz de Vitoria. Jos\u00e9 Luis Luna Rocafort lo retrata en INSTANTZZ. Actuaron Kenny Barron, Kiyoshi Kitagawa, Jonathan Blake","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/015-1.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/015-1.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/015-1.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":20506,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-duets-richard-fairhust-john-taylor-2015\/","url_meta":{"origin":1863,"position":1},"title":"Tomajazz recomienda\u2026 un CD: Duets (Richard Fairhust &#038; John Taylor, 2015)","author":"Tomajazz","date":"26 octubre, 2015","format":false,"excerpt":"Se plante\u00f3 como un homenaje a Kenny Wheeler, Pete Saberton y Bill Evans. Acab\u00f3 siendo el lindo testamento de uno de los m\u00fasicos m\u00e1s impresionantes del Viejo Continente: John Taylor. A d\u00fao con Richard Fairhurst, tambi\u00e9n pianista y tambi\u00e9n ingl\u00e9s, aunque tres d\u00e9cadas m\u00e1s joven, Taylor nos regala sus \u00faltimos\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/Richard-Fairhurst-John-Taylor_duets_Basho.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/Richard-Fairhurst-John-Taylor_duets_Basho.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/Richard-Fairhurst-John-Taylor_duets_Basho.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/10\/Richard-Fairhurst-John-Taylor_duets_Basho.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2034,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-gnu-high-kenny-wheeler-1975\/","url_meta":{"origin":1863,"position":2},"title":"Tomajazz recomienda&#8230; un disco: Gnu High (Kenny Wheeler, 1975)","author":"Adolphus van Tenzing","date":"28 noviembre, 2011","format":false,"excerpt":"Hay varios motivos que puedan llevar a recomendar Gnu High de Kenny Wheeler. El primero pudiera ser escuchar a Keith Jarrett en un grupo en el que no ejerce de l\u00edder o co-l\u00edder. El segundo motivo podr\u00edan ser los acompa\u00f1antes de Wheeler: Jarrett, y tambi\u00e9n Dave Holland y Jack DeJohnette.\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Kenny Wheeler Gnu High","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/11\/Kenny-Wheeler-Gnu-High-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1986,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-quiet-kenny-kenny-dorham-1959\/","url_meta":{"origin":1863,"position":3},"title":"Tomajazz recomienda&#8230; un cd: Quiet Kenny (Kenny Dorham, 1959)","author":"Adolphus van Tenzing","date":"11 mayo, 2011","format":false,"excerpt":"A pesar de sus buenas maneras como trompetista, Kenny Dorham fue fundamentalmente reconocido por su labor de composici\u00f3n. En esta grabaci\u00f3n de 1959 le acompa\u00f1a la secci\u00f3n r\u00edtmica que utilizaba John Coltrane en esa \u00e9poca: Tommy Flanagan al piano, Paul Chambers al contrabajo y Art Taylor a la bater\u00eda. Tres\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Quiet Kenny. Kenny Dorham. 1959","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2011\/05\/kenny_dorham_quiet_kenny.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2025,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-angel-song-kenny-wheeler-1997\/","url_meta":{"origin":1863,"position":4},"title":"Tomajazz recomienda&#8230; un CD: Angel Song de Kenny Wheeler (1997)","author":"Adolphus van Tenzing","date":"22 agosto, 2011","format":false,"excerpt":"Fiel a la tradici\u00f3n del sello ECM, el trompetista canadiense Kenny Wheeler conforma paisajes sonoros de dulce escucha en este disco de 1997, donde la ausencia de bater\u00eda u otro instrumento percusivo sugiere espacio y libertad. Con Lee Konitz al saxo alto, Dave Holland al contrabajo y Bill Frisell haciendo\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/08\/Kenny-Wheeler_Angel_Song.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":102948,"url":"https:\/\/tomajazz.com\/web\/ivan-melon-lewis-babylon-jazz-club-madrid-2025\/","url_meta":{"origin":1863,"position":5},"title":"Iv\u00e1n Mel\u00f3n Lewis \u00abLuces y Sombras\u00bb (Inauguraci\u00f3n Babylon Jazz Club, Madrid. 2025-12-19) Por Enrique Farelo [Concierto de jazz]","author":"Tomajazz","date":"24 diciembre, 2025","format":false,"excerpt":"Iv\u00e1n Mel\u00f3n Lewis present\u00f3 \"Luces y Sombras\" en la inauguraci\u00f3n de Babylon Jazz Club de Madrid, el 19 de diciembre de 2025. Enrique Farelo lo cuenta. Con Iv\u00e1n \u201cMel\u00f3n\u201d Lewis, Yandy Mart\u00ednez, Georvis Pico","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Iv\u00e1n Mel\u00f3n Lewis \"Luces y Sombras\" (Inauguraci\u00f3n Babylon Jazz Club, Madrid. 2025-12-19) Por Enrique Farelo [Concierto de jazz] - Tomajazz - Iv\u00e1n Mel\u00f3n Lewis present\u00f3 \"Luces y Sombras\" en la inauguraci\u00f3n de Babylon Jazz Club de Madrid, el 19 de diciembre de 2025. Enrique Farelo lo cuenta","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/destacada-Ivan-Melon-Lewis-2.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/destacada-Ivan-Melon-Lewis-2.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/destacada-Ivan-Melon-Lewis-2.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/destacada-Ivan-Melon-Lewis-2.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1863","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1863"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1863\/revisions"}],"predecessor-version":[{"id":3938,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1863\/revisions\/3938"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1863"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1863"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1863"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}