{"id":1869,"date":"2010-01-18T00:01:20","date_gmt":"2010-01-17T22:01:20","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=372"},"modified":"2022-08-25T17:28:53","modified_gmt":"2022-08-25T15:28:53","slug":"tomajazz-recomienda-un-tema-the-dark-tree-horace-tapscott-1989","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-the-dark-tree-horace-tapscott-1989\/","title":{"rendered":"Tomajazz recomienda… un tema: \u00abThe Dark Tree\u00bb (Horace Tapscott, 1989)"},"content":{"rendered":"
\n

\"\"El pianista Horace Tapscott (1934 – 1999) centr\u00f3 una parte muy importante de su carrera en la ense\u00f1anza, tuvo su centro de actividad en California, grab\u00f3 poco y en sellos pocos conocidos, y tuvo una importante actividad como defensor de los derechos civiles. Una de las consecuencias de todo ello fue ser uno de los m\u00fasicos m\u00e1s infravalorados de la historia del jazz.<\/p>\n

\u00abThe Dark Tree\u00bb es uno de sus temas emblem\u00e1ticos. \u00c9ste daba t\u00edtulo a un doble CD grabado en directo en 1989, editado por HatOlogy por primera vez en 1991, reeditado en 1999, y que se ha vuelto a poner en circulaci\u00f3n en 2009. En las dos versiones aqu\u00ed recogidas Tapscott despliega una m\u00fasica hipn\u00f3tica, oscura, obsesiva e incisiva, magn\u00edficamente secundado por Andrew Cyrille, Cecil McBee y el clarinetista John Carter, otro ilustre miembro del pante\u00f3n de los desconocidos del jazz. Para quienes no conozcan a Tapscott o a Carter,\u00a0The Dark Tree<\/em> no podr\u00eda ser una mejor carta de presentaci\u00f3n.<\/p>\n

\u00a9 Adolphus van Tenzing, 2010<\/p>\n<\/div>\n

\n

Horace Tapscott\u00a0The Dark Tree<\/em> (hatOLOGY 2-630)<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

El pianista Horace Tapscott (1934 – 1999) centr\u00f3 una parte muy importante de su carrera en la ense\u00f1anza, tuvo su centro de actividad en California, grab\u00f3 poco y en sellos pocos conocidos, y tuvo una importante actividad como defensor de los derechos civiles. Una de las consecuencias de todo ello fue ser uno de los m\u00fasicos m\u00e1s infravalorados de la historia del jazz. Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":32506,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,5,1296,15517,1038,1273],"tags":[956,1380,1544,1615,1981,2267],"class_list":["entry","author-adolphus-van-tenzing","has-excerpt","post-1869","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-grabaciones","category-tema","category-textos","category-contenidos","category-tomajazz-recomienda","tag-956","tag-add-new-tag","tag-carter-john-hatology","tag-cyrille-andrew","tag-mcbee-cecil","tag-tapscott-horace"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Horace-Tapscott_The-Dark-Tree_1.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":32502,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-grabacion-the-dark-tree-horace-tapscott-273\/","url_meta":{"origin":1869,"position":0},"title":"365 razones para amar el jazz: una grabaci\u00f3n. The Dark Tree (Horace Tapscott) [273]","author":"Tomajazz","date":"30 septiembre, 2017","format":false,"excerpt":"Una grabaci\u00f3n.\u00a0Horace Tapscott:\u00a0The Dark Tree\u00a0(hatOlogy. 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Horace Tapscott: \u00abThe Dark Tree\u00bb [The Dark Tree (hatOlogy, 1991)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"18 septiembre, 2021","format":false,"excerpt":"Horace Tapscott y \"The Dark Tree\" de la grabaci\u00f3n The Dark Tree (hatOlogy; ed. originalmente 1991), suena en el podcast de Pachi Tapiz, JazzX5. El cuarteto que grab\u00f3 el tema estuvo formado por el propio Tapscott, John Carter, Cecil McBee y Andrew Cyrille.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_276.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_276.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_276.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_276.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":54509,"url":"https:\/\/tomajazz.com\/web\/horace-tapscott-with-the-pan-afrikan-peoples-arkestra-ancestral-echoes-the-covina-sessions-1976-dark-tree-roots-series-2021-grabacion-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":1869,"position":2},"title":"Horace Tapscott with the Pan Afrikan Peoples Arkestra: Ancestral Echoes. The Covina Sessions, 1976 (Dark Tree. Roots Series. 2021) [Grabaci\u00f3n de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"30 abril, 2021","format":false,"excerpt":"Pachi Tapiz repasa \"Ancestral Echoes. The Covina Sessions, 1976\" (Dark Tree. 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Tres gigantes del piano: Bill Evans, Paul Bley y Horace Tapscott [Podcast]","author":"Tomajazz","date":"4 junio, 2019","format":false,"excerpt":"Por\u00a0Pachi Tapiz. En HDO 510 suenan tres grabaciones publicadas en 2019 de tres gigantes del piano: Bill Evans (doble CD grabado en directo en Ronnie Scott en 1969), Paul Bley (acompa\u00f1ado de Gary Peacock y Paul Motian en un concierto de 1999, publicado por ECM), y Horace Tapscott (con The\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0510_maestros-del-piano.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0510_maestros-del-piano.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0510_maestros-del-piano.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/Collage_programa-0510_maestros-del-piano.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":96267,"url":"https:\/\/tomajazz.com\/web\/las-recomendaciones-en-tomajazz-ciencia-de-datos-i\/","url_meta":{"origin":1869,"position":4},"title":"Explorando las cadenas de recomendaciones en Tomajazz: un paseo entre miles de enlaces. 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