{"id":1873,"date":"2010-03-08T00:00:02","date_gmt":"2010-03-07T22:00:02","guid":{"rendered":"http:\/\/torec.tomajazz.com\/?p=427"},"modified":"2016-11-13T20:32:46","modified_gmt":"2016-11-13T19:32:46","slug":"tomajazz-recomienda-un-tema-thats-a-plenty-por-benny-goodman","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-thats-a-plenty-por-benny-goodman\/","title":{"rendered":"Tomajazz recomienda… un tema: \u00abThat’s a plenty\u00bb por Benny Goodman"},"content":{"rendered":"
\"\"
The Young Benny Goodman (Timeless)<\/figcaption><\/figure>\n

El caso de Benny Goodman no deja de tener su gracia en la historia del jazz. Durante unos breves a\u00f1os, un lustro a lo sumo, fue el m\u00fasico m\u00e1s popular, al menos entre la juventud estadounidense. Fue el \u00abrey del Swing\u00bb, lo que, al tratarse de un blanco (da igual que en su infancia y juventud fuera m\u00e1s pobre que las piedras) y haber tenido \u00e9xito comercial lo convierte en poco menos que el anticristo.<\/p>\n

Entre los olvidos de la historia y cuestiones como que el clarinete ya no es lo que era en el jazz, parece oportuno recordar que el bueno de Goodman (atenci\u00f3n al pol\u00edglota y h\u00e1bil juego de palabras) era un m\u00fasico de jazz como la copa de un pino.<\/p>\n

Para muestra, este bot\u00f3n grabado el 13 de junio de 1928, con apenas 19 a\u00f1itos. Aqu\u00ed, en formato de tr\u00edo con piano (Mel Stitzel) y bater\u00eda (Bob Conselman), que repetir\u00eda con \u00e9xito siete a\u00f1os despu\u00e9s con Teddy Wilson y Gene Krupa, el joven Goodman rompe la pana, que me siga quien pueda, sus y a ellos mis muchachos. Aunque su sonido es m\u00e1s crudo de lo que acostumbraba, el control que muestra en todos los registros del clarinete es simplemente abrumador.<\/p>\n

Disponible en diversas ediciones, de las cuales recomendamos Benny Goodman: The Young Benny Goodman, 1928-1931<\/em> (Timeless CBC 1088, en la imagen).<\/p>\n

Escucha \u00abThat’s a plenty\u00bb
\n– en Spotify<\/a>;
\n– en YouTube<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

El caso de Benny Goodman no deja de tener su gracia en la historia del jazz. Durante unos breves a\u00f1os, un lustro a lo sumo, fue el m\u00fasico m\u00e1s popular, al menos entre la juventud estadounidense. Fue el \u00abrey del Swing\u00bb, lo que, al tratarse de un blanco (da igualContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1001004,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1273],"tags":[1743,2276,2322],"class_list":["entry","author-adolphus-van-tenzing","post-1873","post","type-post","status-publish","format-standard","category-adolphus-van-tenzing","category-tema","category-tomajazz-recomienda","tag-goodman-benny","tag-thats-a-plenty","tag-vocalion"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":25388,"url":"https:\/\/tomajazz.com\/web\/benny-goodman-iii-la-odisea-de-la-musica-afroamericana-058-podcast\/","url_meta":{"origin":1873,"position":0},"title":"Benny Goodman (III). La Odisea de la M\u00fasica Afroamericana (058) [Podcast]","author":"Tomajazz","date":"11 julio, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. El cap\u00edtulo 58 de La Odisea de la M\u00fasica Afroamericana es el tercero de los dedicados a Benny Goodman. En\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/800px-Benny_Goodman2.1971.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/800px-Benny_Goodman2.1971.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/800px-Benny_Goodman2.1971.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/800px-Benny_Goodman2.1971.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":25269,"url":"https:\/\/tomajazz.com\/web\/benny-goodman-ii-la-odisea-de-la-musica-afroamericana-057-podcast\/","url_meta":{"origin":1873,"position":1},"title":"Benny Goodman (II). La Odisea de la M\u00fasica Afroamericana (057) [Podcast]","author":"Tomajazz","date":"4 julio, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana es un programa de radio dirigido, presentado y producido por Luis Escalante Ozalla, autor del libro Y se hace m\u00fasica al andar con swing. El cap\u00edtulo n\u00famero de 57 de La Odisea de la M\u00fasica Afroamericana es la segunda entrega dedicada al clarinetista y\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Benny_Goodman_Teddy_Wilson_MelTorne.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Benny_Goodman_Teddy_Wilson_MelTorne.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Benny_Goodman_Teddy_Wilson_MelTorne.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Benny_Goodman_Teddy_Wilson_MelTorne.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":25136,"url":"https:\/\/tomajazz.com\/web\/ella-fitzgerald-v-benny-goodman-i-la-odisea-de-la-musica-afroamericana-056-podcast\/","url_meta":{"origin":1873,"position":2},"title":"Ella Fitzgerald (V) \/ Benny Goodman (I). La Odisea de la M\u00fasica Afroamericana (056) [Podcast]","author":"Tomajazz","date":"26 junio, 2016","format":false,"excerpt":"La Odisea de la M\u00fasica Afroamericana llega en su cap\u00edtulo n\u00famero 56 al final del repaso a la trayectoria de Ella Fitzgerald, para dar paso a Benny Goodman The King Of Swing.","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Benny_Goodman_1942-e1466945388386.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Benny_Goodman_1942-e1466945388386.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/Benny_Goodman_1942-e1466945388386.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":25499,"url":"https:\/\/tomajazz.com\/web\/benny-goodman-iv-the-andrews-sisters-la-odisea-de-la-musica-afroamericana-059-podcast\/","url_meta":{"origin":1873,"position":3},"title":"Benny Goodman (IV) – The Andrews Sisters. La Odisea de la M\u00fasica Afroamericana (059) [Podcast]","author":"Tomajazz","date":"18 julio, 2016","format":false,"excerpt":"En el cap\u00edtulo n\u00famero 59 de La Odisea de la M\u00fasica Americana, Luis Escalante termina de repasar la figura de Benny Goodman \"el Rey del Swing\", y revisa la carrera de The Andrews Sisters, uno de los grupos vocales femeninos m\u00e1s famosos de toda la historia del jazz. Adem\u00e1s de\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"By Unknown - Ad on page 155 of Billboard 1944 Music Yearbook, Public Domain, https:\/\/commons.wikimedia.org\/w\/index.php?curid=42470131","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Andrews_Sisters_Billboard_3-600x490.jpg?resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Andrews_Sisters_Billboard_3-600x490.jpg?resize=350%2C200 1x, https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Andrews_Sisters_Billboard_3-600x490.jpg?resize=525%2C300 1.5x"},"classes":[]},{"id":1862,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-i-found-a-new-baby-por-benny-goodman-y-su-sexteto\/","url_meta":{"origin":1873,"position":4},"title":"Tomajazz recomienda… un tema: \u00abI Found A New Baby\u00bb por Benny Goodman y su sexteto","author":"Adolphus van Tenzing","date":"23 noviembre, 2009","format":false,"excerpt":"Algunos de los combos de la era del Swing no eran m\u00e1s que una selecci\u00f3n de m\u00fasicos de la correspondiente big band. En el caso de Benny Goodman, sus combos sirvieron adem\u00e1s para ir presentando m\u00fasicos afroamericanos sobre el mismo escenario que sus colegas de ascendiente europeo.","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Charlie Christian. The genius of Charlie Christian","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2009\/11\/christian_genius.gif?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":61464,"url":"https:\/\/tomajazz.com\/web\/benny-goodman-sing-sing-sing-1937-por-pachi-tapiz-jazzx5437-minipodcast-de-jazz\/","url_meta":{"origin":1873,"position":5},"title":"Benny Goodman: \u00abSing, Sing, Sing\u00bb (1937) Por Pachi Tapiz. JazzX5#437 [Minipodcast de jazz]","author":"Tomajazz","date":"27 febrero, 2022","format":false,"excerpt":"En JazzX5 suena la versi\u00f3n de \"Sing, Sing, Sing\" que en 1937 grab\u00f3 Benny Goodman. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"Benny Goodman: \"Sing, Sing, Sing\" (1937) Por Pachi Tapiz. JazzX5#437 [Minipodcast de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_0437.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_0437.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_0437.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_0437.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1873","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1001004"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1873"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1873\/revisions"}],"predecessor-version":[{"id":3927,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1873\/revisions\/3927"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1873"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1873"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1873"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}